DFAM is the first addition to the Mother ecosystem of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.Activated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations.DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and sonic chaos can be created or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment.Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.

Grandmother is a sonic playground that harkens back to Moog’s modular roots, where synthesis is not only about the end result, but the journey of discovery and experimentation. While capable of highly complex sounds and modulation, Grandmother's semi-modular design requires absolutely no patching, ensuring that human beings of any skill-level can easily explore and experience the joys and magic of analog synthesis. Inspired by the classic Moog modular synthesizers that came before it, Grandmother's sound engine, modulation engine and onboard spring reverb tank are completely analog, resulting in an unrestricted sonic vocabulary of immeasurable beauty and power. In addition, Grandmother also features an easy to use Arpeggiator and Sequencer for added enjoyment and programmable syncopation. Though not required, creative patching and exploration are the keys to discovering exciting new relationships between modules and to truly unlocking Grandmother’s infinite expanse of auditory inspiration. Patching can also be used to override internal connections, allowing each section to function just as an independent module would. In addition to its standalone function, Grandmother is also an ideal analog audio processor for external sound sources, and a powerful keyboard front end for expanding a Mother-32, DFAM or Eurorack modular system. Features: Hardware Spring Reverb can be used to process external sounds ¼” External audio input for guitars, drum machines, and more. Semi-modular - no patching is required Easy to use Arpeggiator and Sequencer  Store up to 3 sequences with up to 256 notes each 2 Analog Oscillators with selectable waveshape and hard sync Classic 4-Pole 10Hz-20kHz Ladder filter  Patchable 1-Pole High Pass filter Analog ADSR Envelope Generator Analog LFO with audio-rate capabilities 32-note Fatar keyboard with velocity  All normalized connections can be interrupted for full modularity DIN MIDI In/Out/Thru and USB MIDI Patchable bipolar attenuator Works with Mother-32, DFAM, Eurorack modular systems and more 41 patch points with 21 inputs, 16 outputs and a Parallel-Wired 4-jack Mult MODULE PROVENANCE Oscillators based on Moog Minimoog  Mixer based on Moog CP3 Filter based on Moog 904 Envelope Generator Based on Moog 911 VCA Based on Moog 902 Spring Reverb based on Moog 905

How deep does the rabbit hole go? Meet Labyrinth, an idea machine that aims to answer that very question. Two generative sequencers bring to life sounds that bloom over time, letting you control their evolution and scale, then play them off of each other for striking polymetric melodies. With parallel analog signal paths, this unique instrument shines when adding color to the steady backdrop of a drum pattern or bassline. Fully capable of standing on its own, or adding flavor to your existing rack, Labyrinth is the lightning in a bottle that drives your compositions into undiscovered creative caverns. Dual generative sequencers create intertwining melodies that mutate over time. It’s a fountain of inspiration that uncovers patterns you can capture, return to, and evolve.A fresh approach to the signature sound of classic Moog synthesizers with a smooth West Coast-style voltage-controlled wavefolder. Two oscillators drive duophonic melodic counterpoints, metallic FM tones, and analog synthetic drums.State variable resonant voltage-controlled filters that morph between lowpass and bandpass responses let you experiment with smooth command over complex tonal shapes.A parallel voice processing path with a voltage-controlled blending allows you to morph sounds over time.A comprehensive patch bay for integration with a wide variety of other modules in your rack and studio. ANALOG SYNTHESIS ENGINESOURCES: VCO, MOD VCO, RING MOD, NOISE GeneratorSIGNAL PROCESSORS: 1x Voltage-Controlled Wavefolder, 1xVoltage-Controlled State-Variable Filter, 2x Voltage-Controlled AmplifiersMODULATORS: 2x Decay-only envelope generatorsDUAL GENERATIVE SEQUENCER2x 8-step Generative Digital Sequencers PATCH BAYJACKS: 32 x 3.5mmINPUTS: 20 Input JacksOUTPUTS: 12 Output JacksREAR PANELAUDIO: 1⁄4” TRS Headphone or 1⁄4” TS InstrumentPOWER: Power Supply connectionSECURITY: Kensington Lock slotPOWER SUPPLY (INCLUDED)STYLE: Wall adapter; barrel connection; center-pin positiveINPUT: 100 – 240VAC; 50 Hz – 60 HzOUTPUT: +12VDC; 1200mAPOWER CONSUMPTIONTYPICAL: 4.0 WEURORACK SPECSCURRENT DRAW: 290 mA (maximum) from +12VDC (10-pin header)MOUNTING DIMS: 60HP (18mm Module Depth)IN THE BOXLabyrinth Semi-Modular Parallel Generative Analog SynthesizerPower SupplyPatch Sheet OverlaysPatch Cables (5x 12")Registration CardQuickstart GuideCheat CodesSafety & Warranty Manual

Features: VOICE MODE: Mono, duo, and 4-note paraphonic playability ANALOG DELAY: Stereo analog delay w/ up to 700ms of MIDI sync-able stereo or ping/pong style repeats: SEQUENCER 256 step sequencer w/ up to 4 notes per step and 12 stored patterns. Can be decoupled from Matriarch to independently sequence external gear. ARPEGGIATOR: Arpeggiator with selectable modes (Order, Forward/Backward, Random). SEMI-MODULAR DESIGN: Semi-modular analog synthesizer - no patching required. MODULAR CAPABILITIES: 90 modular patch points for endless exploration KEYBOARD: Expressive 49-note Fatar keyboard w/ patchable velocity and aftertouch. ANALOG OSCILLATORS: 4 analog oscillators w/ selectable waveshape and hard sync per-oscillator. LFO: Full-range analog LFO with 6 selectable waveshapes. LADDER FILTERS: Dual analog filters with parallel (HP/LP), stereo (LP/LP), and series (HP/LP) modes available. ENVELOPE GENERATORS: Dual analog ADSR envelopes. VOLTAGE CONTROLLED AMPLIFIERS: Dual analog VCAs. ATTENUATORS: 3x bipolar voltage controlled attenuators with ring mod capability. MULTIPLES: 2x4 parallel wired unbuffered mults. SECOND LFO: Additional simple analog LFO useful for adding modulation to delay, filters and VCAs. EXTERNAL PROCESSING: 1/4“ external audio input for processing guitars, drum machines, and more through Matriarch’s analog circuits. OUTPUTS: Stereo ¼” and 3.5mm Eurorack level audio outputs.

Minimoog Model DBuilt to last a lifetime, each new Minimoog Model D delivers the revered quality, undefinable feel, and authentic sound of a pristine vintage Moog.Placing the utmost importance on high-quality materials, all components are carefully sourced and crafted to capture the indescribable feeling of the original Minimoog Model D.This reissue features the identical sound engine and signal path of the 1970s Model D plus a series of popular modifications.Sounding as vibrant as ever, the Model D retains the exact component placement and through-hole design of a 1970s-era Minimoog Model D.SpecificationsNumber of Keys: 44Keyboard Range: F0 to C4Keyboard Action: Synthesizer (Spring)Note Priority: (Low, High, Last): User SelectableSound Sources: 3x Oscillators, Noise Generator and External Audio InputOscillators Frequency Range: 0.1 to 20 kHz (In Six Overlapping Ranges)Oscillator Stability: (short term) > 0.25 %Oscillator Waveforms: Triangle, Triangle-Sawtooth (Oscillator-1, Oscillator-2), Reverse Sawtooth (Oscillator-3), Sawtooth, Rectangle, Wide Pulse and Narrow Pulse.Noise Generator: White and PinkLFO Rate: 0.05Hz to 200 HzLFO Waveform: Triangle (knob down); Square (knob up)External Modulation Input Range: +10 millivolts to +2 voltsExternal Modulation Input Impedance: 1MEG OhmsFilter Type: Voltage Controlled Low Pass (Ladder Filter)Filter Frequency Range: 10 Hz to 20 kHzFilter Slope: 24 dB per OctaveFilter Keyboard Tracking: ⅓, ⅔, 1:1Contour Attack Time: 1 millisecond to 10 secondsContour Decay Time: 4 milliseconds to >35 secondsContour Sustain Level: 0 to 100% of Contour peakFilter Contour Width: 0 to 4 OctavesVoltage Controlled Amplifier: Loudness Contour Dynamic Range 80 dBExternal Audio Input Voltage: +10 millivolts (min); +10 volt (max.)External Audio Input Nominal Impedance: 1000K OhmsHigh Audio Output: Typical Voltage: 0.5 volts / Maximum Voltage: 4.2 volts (peak-to-peak)High Audio Output Nominal Impedance: 3K OhmsLow Audio Output: (30 dB below High level): Typical Voltage: 15 millivoltsLow Audio Output Nominal Impedance: 1K OhmsHeadphone Output Voltage: Maximum 0.3 voltsHeadphone Output Impedance: 8 OhmsGlide Rate: 1 millisecond to 10 secondsPitch bend range: (+/-) Perfect 5thAfter PRessure CV Output (¼”TS): 0 to +5 volts with user adjustable trimpotPitch CV Output (¼”TS): -3 volts to +7 volts (C=0 volts)Gate Output (¼”TS): 0 to +5 voltsVelocity Output (¼”TS): Selectable 0 to +5 volts or 0 to +10 volts with user adjustable trimpot.Loudness Input (¼”TRS): 0 to +5 volts; +5 volts = Unity Gain (Works with Moog EP-3 Expression Pedal)Filter Cutoff Input (¼”TRS): 1 volt per octave of change (Works with Moog EP-3 Expression Pedal)Oscillator Pitch Input (¼”TRS): 1 volt per octave of change (Works with Moog EP-3 Expression Pedal)Modulation Source Input (¼”TRS): Ring=Noise Send; Tip=Modulation Receive (This jack makes a normalled connection with no cable present.)Trigger Input (¼”TS): +5 volt V-Trigger Activates both Contour GeneratorsMidi Input (5-Pin DIN): Note On, Note #, Pitch Wheel, Mod WheelMidi Output (5-Pin DIN): Note On, Note #, Pitch Wheel, Mod Wheel, Velocity, AftertouchMIDI THRU (5-pin DIN): Mirror of the MIDI In signalExternal Power Supply: Self-Switching; 100-240 volts; 50/60 Hz; <12 Watt nominal consumption. (Locking XLR-4 connector.)Dimensions: (with panel lowered): Width: 28.625" / 727 mm, Depth: 17.125" / 435 mm, Height: 5.75" / 146 mm.Net Weight: 32 lbs. / 14.5 kg.Storage Temperatur: 5F to 140F (2C to 60C)Nominal Operating Temperatur: 10 - 35 C (50 -95 F)Operating Temperatur: 10 - 50 C (50 - 122 F)Specifications Subject To Change Without Notice

Minitaur is a powerful, compact Analog Bass Synthesizer that features a classic one knob per function design. It is the first instrument in the Taurus family that does not have foot pedals. At only 8.5" x 5.25" and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today's performance and production environments. There are no confusing or convoluted menus to dig through. Plug in a MIDI controller or hook it up to your computer and start playing immediately.Don't be fooled by it's size. Minitaur delivers all the growl, snarl and low end associated with the Taurus family of Bass Synthesizers in a rugged performance package that is small enough to take with you anywhere.• One knob per function interface for tweaking and creating new sounds on the fly. It also makes live performance a blast.• Two oscillators with Sawtooth (Original Taurus) and Square wave-shapes for each VCO. Recreate sounds of the original Taurus with Sawtooth waves, or create new sounds with square waves or a combination of both.• 2 Mixer VCAs for VCO levels control of Oscillators 1 and 2.• Moog Ladder Filter with adjustable resonance delivers classic Taurus 1 and 3 bass and boom.•Two Minimoog style ADSR Envelope Generators for modulating VCF and VCA. The Decay and Release segments are controlled by the Decay knob, while the Release segment is enabled or disabled via Release On/Off switch.• Midi-syncable LFO with Controls for Rate, VCO LFO Amount, and VCF LFO Amount• DIN MIDI and MIDI over USB offer complete control of the Minitaur's sound engine.• Analog Control inputs for Pitch, Filter, Volume and Gate. Use an EP2 or CV to connect and control MInitaur with everything from Modulars to Moogerfoogers.• External audio input for processing external audio through the Mixer and Filter section of Minitaur.• Headphone output with 1/8" connection.• Compact rugged steel chassis that is built like a tank.Front Panel Controls:•VCO2 Frequency – Sets the frequency offset of VCO2 from VCO1 from -1 Octave to +1 Octave. Center is unison with VCO1.•Oscillator 1 & 2 Saw/Square Waveform Selector – Selects a Sawtooth wave (LED OFF) or Square wave (LED ON) Signal for VCO1 and 2.  •VCO1 Level – Sets the level of VCO1•VCO2 Level – Sets the level of VCO2•VCF Cutoff – Sets the Cutoff Frequency of the 4-pole Moog Lowpass VCF from 20Hz to 20KHz •VCF Resonance – This sets the gain for the amount of signal from the output of the VCF fed back to the input of the VCF. This creates a peak in Frequency response at the Cutoff Frequency that can be increased all the way to self-oscillation.•VCF EG Amount – Bi-polar control sets the (+) or (-) Amount of Envelope Generator modulation of the VCF. Center is no Envelope Generator modulation.•LFO Rate – Sets the frequency of the LFO. Range is from 0.01Hz to 100Hz•LFO VCO Amount – Sets the Amount that the LFO modulates the VCO•LFO VCF Amount – Sets the Amount that the LFO modulates VCF•VCA EG Attack – Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds.•VCA EG Decay/Release – Sets both the decay time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On/Off switch.•VCA EG Sustain – Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA.•VCF EG Attack – Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds.•VCF EG Decay/Release – Sets both the decay Time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On/Off switch.•VCF EG Sustain – Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF.•Release On/Off Switch – Enables (LED On_ or Disables (LED Off) the Release segments of both Envelope Generators.•Glide On/Off Switch – Enables/ Disables the Glide function•Glide – Sets the rate of Glide when the note controlling the MINITAUR changes.•Volume – The Master Volume of the MINITAUR’s synth Engine.•Fine Tune – Adjusts the frequency of the VCOs +/- 1 semitone.•MIDI Indicator LED – Indicates incoming MIDI activity•LFO Rate Indicator LED – Indicates the rate of the LFO.Back Panel:•Audio Out – 1/4" Unbalanced jack.•Headphones -- Jack for stereo headphone output.•Audio In – 1/4" Unbalanced jack accepts  line-level input.Analog CV Inputs:•Pitch CV – 1/4" TRS Jack accepts 0 to +5V signal (internally processed for 1 V/Octave) via passive Expression Pedals or CVs.•Filter CV – 1/4" TRS Jack accepts 0 to +5Vsignal via passive Expression Pedals or CVs.•Volume CV – 1/4" TRS Jack accepts 0 to +5Vsignal via passive Expression Pedals or CVs.•Gate – 1/4" Jack accepts a 0 (Off)/ +5V(On) Gate signal to trigger the unit’s EGs.MIDI:•MIDI (DIN) – Standard DIN MIDI input for MIDI Control of the MINITAUR•MIDI (USB) – Type B USB connector for connecting MINITAUR to host for USB MIDI.

Protect your investment when you're on the road. The Voyager Molded case is designed to meet ATA specifications. It is custom fitted to the Voyager. Redesigned with rugged, heavy duty recessed wheels, our new Molded ATA Case stands up to the most rigorous touring schedules. An internal compartment, large enough for storing cables and our new EP2 Expression Pedal, round out the features of this essential accessory. Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

The Moog Mother-32 is the first tabletop semi-modular synthesizer from Moog. It is a distinctive analog instrument that adds raw analog sound, sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive new live performance and production instrument is handcrafted in Asheville, NC and has been meticulously designed to provide musicians with a diverse array of creative tools to inspire new music, unique sound and endless sonic exploration.Mother-32 comes secured in a rugged extruded aluminum enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patchbay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources. Semi-Modular design requires no patching for swift, inspired music creation Voltage Controlled 32 Step Sequencer with 64 Sequence Locations Low Pass & High Pass Moog Ladder Filter (20Hz–20kHz) with voltage controlled resonance External audio input for processing outside sound sources Definitive Moog oscillator with Pulse and Sawtooth wave outputs 5-pin MIDI input and MIDI to CV converter 32 Modular Patch Points (Includes 5 patch cables) 2 Voltage controlled mixers Superb companion to Werkstatt 01, Minitaur and other synthesizers Main module can be easily transferred into a Eurorack skiff or case Mount 2 or 3 units vertically with optional 2 and 3 Tier kits Complete solution for new Eurorack users – no other items required

TRIANGLE CORE OSCILLATORSEach Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation. DUAL SOURCE NOISE GENERATOREach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound. MIXERMoog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time. LADDER AND STATE VARIABLE FILTERSThere are two types of analog filters in Moog One. The first is a newly-designed multimode State Variable Filter that brings razor-like precision and articulation to the instrument. The second is a classic Moog Ladder filter with selectable low pass / high pass behavior. These two filters can process sounds individually or together, in series or parallel operation, to access a vibrant spectrum of classic, obscure, and completely new filter sounds. LOW FREQUENCY OSCILLATORSCyclical motion within Moog One is generated by 4 wide-range LFOs that can be assigned to nearly any destination. Capabilities include MIDI synchronization and clock division, start delay time, number of repeats per instance, fade in and out time, and much more. ENVELOPESDynamic sound shaping within Moog One comes via its 3 assignable DAHDSR Envelopes (Delay, Attack, Hold, Decay, Sustain, Release). In addition to looping, synchronization, and time scaling capabilities, the character of each envelope can be user-sculpted through utilization of per-stage envelope curves. MODULATIONEasily create modulation assignments from any of Moog One’s 4 LFOs and 3 EGs by pressing their corresponding Destination Button -- the next knob touched sets the modulation path and amount. For more complex modulation options, Moog One also employs an internal Modulation Matrix with visual access to every possible combination of the instrument’s extensive synthesis and controller components. SYNTH EFFECTS, MASTER BUS EFFECTS, AND EVENTIDE® REVERBSMoog One features a growing library of programmable per-synth effects and master bus effects that include chorus, delay, phase, bit reduction, vocoding, and a suite of premium reverbs from Eventide® including Blackhole, Shimmer, Plate, Room, and Hall. Effects can be applied in two ways: as Synth Effects and Master Bus Effects. Synth Effects are applied to individual layers of timbrality, while Master Bus Effects can be applied via sends to all three synthesizers. Though its onboard effects are digital, Moog One retains a completely analog signal path with no in-line conversion when insert effects are off. TRI-TIMBRALITY AND UNISON MODEComprised of three independently addressable analog polysynths, the tri-timbral Moog One design allows voices to be easily assigned, split, layered, or stacked with up to 48 oscillators in Unison Mode. Additionally, each synthesizer is equipped with its own fully-featured step sequencer, arpeggiator, and effects processor. Multitimbral synthesis is simplified through the Moog One ‘Panel Focus’ module. Selecting a Synth for Panel Focus causes the Moog One front panel knobs and buttons to switch control to that layer of timbrality. Users can also select multiple layers at once for simultaneous adjustment of multiple synthesizers. KEYBOARD AND X/Y PADMoog One’s premium 61-note Fatar TP-8S keyboard with velocity and aftertouch ensures a balanced and dynamic playing experience for any user. In addition, milled aluminum pitch and mod wheels and a pressure-sensitive X/Y pad provide a fully assignable means of emotive expression and continuously variable control. MORE BUTTONNearly every module is equipped with a triangular “More” button in the upper right corner. When “More” is pressed, the Moog One LCD screen reveals additional parameters specific to that module, accessing deep-level features and advanced controls. PRESETS AND PERFORMANCE SETSA Moog One preset is a self contained creative environment, saving the parameter settings for all 3 layers of timbrality, along with all of their respective sequencer, arpeggiator, and modulation settings. Moog One has the ability to store and recall tens of thousands of presets that can easily be categorized, edited, notated, and even shared via USB drive. Up to 64 Presets can also be loaded to Moog One’s ‘Performance Set’ module, where they are instantly selectable via a front panel “Bank / Preset” button configuration—a must for live performance and sessions. USER SPACESPreserving more than just presets, the User Space saves all of the global behaviors, MIDI settings, port and pedal configurations, knob behaviors and even the LED brightness of your working environment, which is critical for studios and working musicians. Multiple User Spaces can be created, saved, and recalled – either from internal memory, or from an external USB drive, allowing you to instantly transfer your creative work spaces from one instrument to another. SNAPSHOTSWhen exploring a sound, pressing the Snapshot Button allows Moog One to easily capture and recall a time-stamped picture of a preset at its current settings, removing the need to continually save data manually while experimenting with new ideas. ANALOG AND DIGITAL CONNECTIVITYMoog One’s rear panel is populated with 2 assignable pairs of stereo audio outputs, 4 assignable inserts, and 2 external audio inputs with support for XLR and ¼” input. MIDI communication comes through 5-pin DIN and USB connection, which also offers system backup and restore via USB drive. 9 configurable CV inputs and outputs (with expression and sustain pedal inputs) are also included. CONFIGURATIONSMoog One is available in 8 or 16-voice configurations only. Upgrades from 8 to 16 voice units are not available at the present time

TRIANGLE CORE OSCILLATORSEach Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation. DUAL SOURCE NOISE GENERATOREach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound. MIXERMoog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time. LADDER AND STATE VARIABLE FILTERSThere are two types of analog filters in Moog One. The first is a newly-designed multimode State Variable Filter that brings razor-like precision and articulation to the instrument. The second is a classic Moog Ladder filter with selectable low pass / high pass behavior. These two filters can process sounds individually or together, in series or parallel operation, to access a vibrant spectrum of classic, obscure, and completely new filter sounds. LOW FREQUENCY OSCILLATORSCyclical motion within Moog One is generated by 4 wide-range LFOs that can be assigned to nearly any destination. Capabilities include MIDI synchronization and clock division, start delay time, number of repeats per instance, fade in and out time, and much more. ENVELOPESDynamic sound shaping within Moog One comes via its 3 assignable DAHDSR Envelopes (Delay, Attack, Hold, Decay, Sustain, Release). In addition to looping, synchronization, and time scaling capabilities, the character of each envelope can be user-sculpted through utilization of per-stage envelope curves. MODULATIONEasily create modulation assignments from any of Moog One’s 4 LFOs and 3 EGs by pressing their corresponding Destination Button -- the next knob touched sets the modulation path and amount. For more complex modulation options, Moog One also employs an internal Modulation Matrix with visual access to every possible combination of the instrument’s extensive synthesis and controller components. SYNTH EFFECTS, MASTER BUS EFFECTS, AND EVENTIDE® REVERBSMoog One features a growing library of programmable per-synth effects and master bus effects that include chorus, delay, phase, bit reduction, vocoding, and a suite of premium reverbs from Eventide® including Blackhole, Shimmer, Plate, Room, and Hall. Effects can be applied in two ways: as Synth Effects and Master Bus Effects. Synth Effects are applied to individual layers of timbrality, while Master Bus Effects can be applied via sends to all three synthesizers. Though its onboard effects are digital, Moog One retains a completely analog signal path with no in-line conversion when insert effects are off. TRI-TIMBRALITY AND UNISON MODEComprised of three independently addressable analog polysynths, the tri-timbral Moog One design allows voices to be easily assigned, split, layered, or stacked with up to 48 oscillators in Unison Mode. Additionally, each synthesizer is equipped with its own fully-featured step sequencer, arpeggiator, and effects processor. Multitimbral synthesis is simplified through the Moog One ‘Panel Focus’ module. Selecting a Synth for Panel Focus causes the Moog One front panel knobs and buttons to switch control to that layer of timbrality. Users can also select multiple layers at once for simultaneous adjustment of multiple synthesizers. KEYBOARD AND X/Y PADMoog One’s premium 61-note Fatar TP-8S keyboard with velocity and aftertouch ensures a balanced and dynamic playing experience for any user. In addition, milled aluminum pitch and mod wheels and a pressure-sensitive X/Y pad provide a fully assignable means of emotive expression and continuously variable control. MORE BUTTONNearly every module is equipped with a triangular “More” button in the upper right corner. When “More” is pressed, the Moog One LCD screen reveals additional parameters specific to that module, accessing deep-level features and advanced controls. PRESETS AND PERFORMANCE SETSA Moog One preset is a self contained creative environment, saving the parameter settings for all 3 layers of timbrality, along with all of their respective sequencer, arpeggiator, and modulation settings. Moog One has the ability to store and recall tens of thousands of presets that can easily be categorized, edited, notated, and even shared via USB drive. Up to 64 Presets can also be loaded to Moog One’s ‘Performance Set’ module, where they are instantly selectable via a front panel “Bank / Preset” button configuration—a must for live performance and sessions. USER SPACESPreserving more than just presets, the User Space saves all of the global behaviors, MIDI settings, port and pedal configurations, knob behaviors and even the LED brightness of your working environment, which is critical for studios and working musicians. Multiple User Spaces can be created, saved, and recalled – either from internal memory, or from an external USB drive, allowing you to instantly transfer your creative work spaces from one instrument to another. SNAPSHOTSWhen exploring a sound, pressing the Snapshot Button allows Moog One to easily capture and recall a time-stamped picture of a preset at its current settings, removing the need to continually save data manually while experimenting with new ideas. ANALOG AND DIGITAL CONNECTIVITYMoog One’s rear panel is populated with 2 assignable pairs of stereo audio outputs, 4 assignable inserts, and 2 external audio inputs with support for XLR and ¼” input. MIDI communication comes through 5-pin DIN and USB connection, which also offers system backup and restore via USB drive. 9 configurable CV inputs and outputs (with expression and sustain pedal inputs) are also included. CONFIGURATIONSMoog One is available in 8 or 16-voice configurations only. Upgrades from 8 to 16 voice units are not available at the present time

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.Analog Sound EngineSound Source: VCO, White Noise GeneratorFilter: 10x variable resonance voltage-controlled filters: 1 Low-Pass Filter, 8 Bandpass Filters, 1 High-pass FiltersEnvelope: VCA EG (Decay) Analysis Engine SourcesSources: Ext. Input via 1/4" / XLR combo jack or 3.5mm jack with preamplifier. XLR input supports dynamic mics. Condenser mics may require external 48V power. PatchbayJacks: 36 x 3.5mmInputs: 19 Input JacksOutputs: 17 Output Jacks Rear PanelAudio: 1⁄4” TRS Headphone or 1⁄4” TS InstrumentPower: Power supply connectionSecurity: Kensington lock slot Power Supply (Included)Power Supply: Style: wall adapter; barrel connection; center-pin positiveInput: 100 - 240VAC; 50 Hz - 60 Hz Output: +12VDC; 2.0A Power ConsumptionTypical: 4.8 Watts Eurorack SpecsCurrent Draw: 450mA (maximum) from +12VDC (10-pin header)Mounting Dims: 60HP (1.5” Module Depth) IN THE BOXSpectravox Analog SynthesizerPower SupplyQuickstart GuideProduct PosterPreset OverlaysPatch Cables (5x 12")

Perform in Monophonic or Duo-Paraphonic modes 37-note velocity sensitive keyboard w/ aftertouch 2 modulation busses w/ assignable source and destinations DAHDSR (Delay, Attack, Hold, Decay, Sustain, Release) looping envelopes with sync 256 Presets -16 banks of 16 patches Standalone and DAW Plugin editor included Syncable Arpeggiator and Step Sequencer Classic Moog Ladder Filter with resonance, MultiDrive, and selectable filter slopes.   The Sub 37 Tribute's new features include Duo Mode, which allows oscillator 1 and oscillator 2 to be played independantly, programmable arpeggiator/step sequencer, two modulation busses with assignable source and destination options, access to 256 presets, and a 37-note velocity sensitive keyboard with aftertouch. A fully featured mixer section contains dedicated controls and mutes for each sound source, as well as a level control for External audio input and Feedback - which feeds the output of the filter directly back to the input of the mixer. Also included are the powerful DAHDSR envelopes from the Sub Phatty with panel control of each extended function. And, like the Sub Phatty, the Sub 37 Tribute includes a free standalone/plugin editor that is compatible with all major plugin formats - creating seamless integration between analog synth and DAW for total control, recall, and automation of every parameter * Tribute edition includes Bob Moog signature panel, Wood sides, and Aluminum extrusion ** The Sub 37 Tribute is a limited edition analog synthesizer created in honor of Moog Music founder Dr Robert Moog, his passion for education, and his love of music. For every Sub 37 Tribute sold, Moog Music will donate a portion of the proceeds to Asheville Area School Music Programs.

Subharmonicon is a semi-modular polyrhythmic analog synthesizer that employs a 6-tone sound engine and multi-layered clock generator to explore the world of subharmonics, polyrhythms, and the unique relationships they create.Specifications:Sound Engine: AnalogSources: VCO 1, SUB 1, SUB 2 / VCO 2, SUB 1, SUB 2Filter: Self-Oscillating Ladder Filter, Low-Pass, 4-Pole (-24dB/Octave)Envelopes: VCA EG (Attack Decay); VCF EF (Attack, Decay)Sequencers: Analog (x2)Steps: 4 Steps per Sequencer, selectable QuantizationClock: Driven by any and all of the Rhythm GeneratorsFull Spec sheet available at: https://www.moogmusic.com/products/subharmonicon

Features: SUB 37 DESIGN: alle Features und Bedienelemente entsprechen dem bekannten Vorgänger Sub 37SOUND ENGINE: noch mehr Low End, noch ausdrucksstärkerer SoundMULTIDRIVE: besser und dreckiger als je zuvorHEADROOM: mehr Headroom sorgt vor allem im Duo-Mode für noch mehr DampfKEYBOARD: verbessertes Ansprechverhalten, Aftertouch und leichte GewichtungHEADPHONE-OUT: mehr Pegel im Kopfhörer-OutMODULATION UND SEQUENCER: 2 zuweisbare-Mod-Busse, 2 DAHDSR Hüllkurven mit Loop-Funktion, leistungsstarker Arpeggiator/Sequencer256 PRESETS: 16 Bänke mit je 16 PresetsSOFTWARE EDITOR: kostenloser Editor als DAW-Plug-in und Standalone-App (Mac und Windows)

The Werkstatt-Ø1: Moogfest 2014 Kit is a patchable and compact, one oscillator analog synthesizer. It was originally created as a kit, to be the foundation for exclusive “Engineering VIP” workshops at Moogfest 2014. Due to a number of requests, Moog is offering a no-soldering-required version of the Werkstatt-Ø1: Moogfest 2014 Kit in limited quantities, at select US dealers only. Assembly is extremely simple: Any user can quickly build an analog synthesizer based on classic Moog circuits, and if desired, study the analog circuits. Werkstatt was created to be an educational tool, but it is also a formidable, compact analog synthesizer from Moog. Werkstatt-Ø1 has two selectable modulation sources; a dual waveshape LFO with 0.2Hz-600Hz sweepable range, and a variable attack/decay envelope section with sustain on/off switch. Modulation sources are easily assigned via dedicated VCO and VCF modulation sections, each with a variable control for modulation amount. Also included in each Werkstatt-Ø1 is a breadboard-style patchable header, which significantly expands it's creative sonic abilities. This patchable header features a dedicated external audio input, and control voltage inputs for VCO linear FM, VCO exponential FM, VCF, VCA, and LFO. CV outputs are in pairs, and include dual outputs for Keyboard CV, EG, LFO, VCF, VCO, Gate, and Trigger.