Mikrofone

AEA Big Ribbon A440 Finally, a high performance phantom-powered Big Ribbon™ AEA is proud to announce the high performance phantom-powered Big Ribbon™ A440. Inspired by AEA’s forty years of experience with ribbon mics, particularly 44s, this mic has the greatest useable dynamic range of any ribbon microphone manufactured today. The A440 is also the quietest ribbon microphone in existence. At the low frequency end the A440 delivers bass with effortless authority. It has a flat frequency response and holds an accurate figure-eight polar pattern down to 20 Hz. The A440 has a smooth and articulate midrange, and at the high end, transients are quick and detailed without hard edges. Frequency Response: 20 Hz to 20 kHz Maximum SPL: 132.5 dB SPL with a 1 kΩ load for < 1% THD Output Sensitivity: 30 mV (-33.5 dBV) /Pa 1 Pa = 94 dB SPL Equivalent Noise Level: 6 dB SPL, A-weighted per IEC 651 Dynamic Range: 126.5 dB Signal to Noise Ratio: 88 dB (A) (94 dB SPL minus equivalent noise) Output Impedance: 92 Ω broadband Recommended Load: 1 kΩ or greater Powering: P48 phantom power, 9 mA Polarity: Pin 2 high for positive pressure on the front of the microphone. Connector: XLR-3M wired to a 3 meter captive cable Directional Pattern : Polar Pattern: Native Figure-8 (Bi-Directional) Horizontal: Level changes with angle, frequency response is consistent, null at right angles to major axis 90° / 270° Vertical: Level changes with angle, reduced HF response above and below 0° / 180° axis, null at right angles to major axis 90° / 270° Transducer element Ribbon Thickness: 1.8 μ (0.0000018 m) of pure aluminum Ribbon Width: 4.7 mm Ribbon Length: 59.7 mm Accessories: Included: Custom storage / shipping case, stand adapter, manual Optional: Any length cable, inquire for price and delivery. Custom transformer case laser engraved with your art or logo   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

Der AEA Decca Tree ist ein modulares Stereo-Mikrofonhalterungssystem, das eine präzise und flexible Positionierung von drei oder mehr Mikrofonen in einer dreieckigen „Tree“-Anordnung ermöglicht. Das System besteht aus verstellbaren Stangen, Schienen und Halterungen, die eine exakte Ausrichtung für optimale Stereoabbildung erlauben. Basierend auf der klassischen Decca-Tree-Technik, die in den 1950er Jahren entwickelt wurde, gilt dieses System als bewährte Lösung im professionellen Audiobereich. Es wurde speziell dafür konzipiert, ein natürliches Stereobild mit klar definierter Mittenabbildung zu erzeugen. Der Decca Tree wird häufig bei Orchester-, Chor- und Filmmusikaufnahmen eingesetzt, wo räumliche Tiefe, Breite und Authentizität entscheidend sind. Über dem Ensemble positioniert, liefert er ein ausgewogenes und immersives Klangbild, das die Akustik des Raumes realistisch einfängt. Durch seinen modularen Aufbau lässt sich das System flexibel erweitern und eignet sich auch für Mehrkanal- und Surround-Setups wie 5.1. Dadurch wird eine noch detailliertere räumliche Abbildung für moderne Film- und Musikproduktionen ermöglicht. Als etablierter Industriestandard wird der AEA Decca Tree weltweit von Toningenieuren geschätzt, insbesondere bei klassischen und cineastischen Produktionen, bei denen Präzision und Klangtreue oberste Priorität haben.

AEA KU4 Unidirectional Ribbon Microphone Details The AEA KU4 unidirectional ribbon microphone is their newest and perhaps most unique offering. The KU4 is AEA's modern interpretation of the original RCA KU3A, which many engineers consider to be the best ribbon microphone ever made. The increased rear rejection of the supercardioid pattern reduces the amount of room sound, which is often desired in modern production applications, particularly vocal recording. With a custom transformer, strong neodymium magnets and a low-tuned RCA new-old stock ribbon, the KU4 continues AEA's legacy for wide-bandwidth, top-quality ribbon microphones handmade in Pasadena, CA. As always, Front End Audio will bring you more information as it becomes available from AEA. Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

Feature: Supercardioid polar pattern that rejects room tone and instrument bleed Detailed, extended top end with ribbon smoothness and warmth Supreme durability for close-range, outdoor, and live use Active electronics and custom transformer optimized for all preamps Front address design with built-in yoke is simple to position Integrated high-pass filter switch reduces proximity effect at close-range Matte black finish is discreet on camera Made in the U.S.A. The supercardioid KU5A breaks new ground in ribbon technology with its acutely focused directionality that rejects bleed from other instruments, room reflections, and loud ambience in the studio and on stage. Never before has a ribbon mic delivered as much clarity and breadth of sound in a package so fit for both studio and live use. As a near-field ribbon designed for close range recording, the KU5A delivers the low-end heft and pronounced midrange one expects of AEA ribbons and with moderate, manageable proximity effect. Vocalists can sing directly into the grill of the KU5A, as its interior components are the most protected of any in the AEA lineup. The KU5A is equipped with active electronics, fit for any preamp in the studio and on the road, as well as an integrated high-pass filter to roll off low end in close range recording applications. THE SUPERCARDIOID RIBBON The KU5A’s supercardioid polar pattern captures pure, direct sound while rejecting room tone from behind the mic. This feature prevents excessive monitor and audience bleed when tracking musicians live in one room or on stage. Traditional figure-of-8 ribbons, which distinctly incorporate both direct sound and room sound, rely on sharp nulls to reject unwanted bleed. The KU5A’s end-address directionality and tight supercardioid pattern allow for effortless positioning on snare, toms, and other instruments that may be difficult to access. Signal bleed captured by dynamic mics and condensers often sounds harsh and brittle due to top-end frequencies. The minimal bleed captured by the KU5A sounds more natural as a result of its smooth top end and coheres well in a mix.

N13The AEA N13 is designed to be natural and open at a mid-field distance, with a particularly strong ability to pick up fast transients. Relatively bright for a ribbon mic, the N13 microphone excels in capturing drum overheads, strings, acoustic guitars, and piano.N13 MICROPHONE OVERVIEWAEA's first non-Big Ribbon™ bidirectional microphoneEvenly balanced proximity effect at mid-field distances (~8”-36”)1.2 micron thick ribbon excels at capturing transientsLow profile and slate gray finish for discreet placementShines on horns, strings, acoustic guitar, and drum overheadsMade in the U.S.A.Operating Principle: Pressure gradient transducerDirectional Pattern: BidirectionalFrequency Range: <20 Hz to >20 kHzMaximum SPL: 13 dB SPL (1% third harmonic > 1 kHz)Sensitivity: 11.48 mV/Pa (-38.8 dBV) (at 1 kHz, no load)Output Impedance: 92 Ω broadbandRec Load Impedance: 1.0 kΩ or greaterPhantom Power: P48 phantom power, 7 mAPolarity: Pin-2 high for positive pressure at the front of the microphone.Off-Axis ResponseHorizontal: Up to 90 dB rejection at right angles to the front/back axis.Vertical: Level changes with angle of incidence, but frequency response is consistent.Transducer ElementMaterial: Pure aluminum corrugated ribbonThickness: 1.2 µmWidth: 0.113 in (2.87 mm)Length: 1.30 in (33.0 mm)Microphone DimensionsHeight: 8.83 in (22.5 cm)Width: 1.62 in (11.7 cm)Depth: 1.62 in (9.5 cm)Weight: 12 oz (335 g)Shipping Weight: 1 lb 13 oz (810 g)Connector: XLR-3MAccessories Included: Storage/shipping case, mic stand clip, soft cloth bag, user manual.

Das AEA N13 Stereoset NUVO ist ein präzise abgestimmtes Paar aktiver Bändchenmikrofone, das speziell für Stereoaufnahmen im Mid-Field-Bereich entwickelt wurde. Als Teil der modernen NUVO-Serie von AEA verbindet es zeitgemäße Performance mit dem klassischen Klangcharakter traditioneller Bändchenmikrofone. Die Mikrofone liefern einen offenen und detailreichen Klang mit erweitertem Hochfrequenzbereich, ohne dabei die für Bändchenmikrofone typische Wärme und Natürlichkeit zu verlieren. Dadurch eignen sie sich ideal für anspruchsvolle Aufnahmesituationen, in denen sowohl Klarheit als auch musikalische Tiefe gefragt sind. Das abgestimmte Stereoset ist optimal für professionelle Stereo-Techniken wie Blumlein, Spaced Pair und ORTF geeignet. Es überzeugt bei der Aufnahme von Instrumenten, Ensembles sowie Raumklang und bietet eine präzise und realistische Stereoabbildung. Dank der aktiven Schaltung liefern die Mikrofone stabile Signalpegel und eine gleichbleibende Performance unabhängig vom verwendeten Vorverstärker. Besonders im Mid-Field-Einsatz ermöglichen sie eine ausgewogene Erfassung von Direktschall und Raumakustik. Mit AEA’s umfangreicher Erfahrung in der Entwicklung und Restaurierung von Bändchenmikrofonen – basierend auf klassischer RCA-Technologie – bietet das N13 Stereoset NUVO eine gelungene Kombination aus Vintage-Klangästhetik und moderner Zuverlässigkeit.

Das AEA NUVO N22 ist ein aktives, phantomgespeistes Bändchenmikrofon, das speziell für Nahfeldaufnahmen entwickelt wurde. Es eignet sich ideal für Close-Miking-Anwendungen und liefert eine präzise, detailreiche Aufnahme mit dem charakteristischen Klang eines Bändchenmikrofons. Als Teil der NUVO-Serie bietet das N22 einen modernen Ribbon-Sound mit erweitertem Hochfrequenzbereich. Dadurch entsteht mehr Klarheit und Präsenz, während die für Bändchenmikrofone typische Wärme und Natürlichkeit vollständig erhalten bleibt. Das Mikrofon ist besonders geeignet für die Aufnahme von E-Gitarren, Bläsern, Schlagzeug und Gesang in unmittelbarer Nähe. Die Nahfeldoptimierung sorgt für eine kontrollierte Basswiedergabe und reduziert störende Raumreflexionen, was es ideal für Studio- und Projektumgebungen macht. Dank der aktiven Elektronik liefert das N22 stabile Ausgangspegel und eine gleichbleibende Performance unabhängig vom verwendeten Vorverstärker. Dadurch entfallen typische Gain-Probleme, die bei passiven Bändchenmikrofonen auftreten können. Durch die Kombination moderner Technik mit AEA’s langjähriger Erfahrung im Bereich Bändchenmikrofone bietet das NUVO N22 eine vielseitige und zuverlässige Lösung für professionelle Nahfeldaufnahmen mit hoher Klangqualität.

AEA N22 NUVO Series Ribbon Microphone The Missing Link In Your Recording- Specifically designed for singer-songwriters, musicians, and home studios.- Bridging the gap between the top end clarity of a condenser and the classic tone of a ribbon.- Phantom-powered electronics for optimal performance with any preamp.- Highly protected ribbon for close-up use and live sound applications.- Featuring the same Big Ribbon technology as the AEA R44 and R84 microphones.- 100% handcrafted in Pasadena, CA.  How is the N22 different from other ribbon microphones?The AEA N22 was designed with the singer-songwriter musician in mind. Hard working artists, honing their musical craft for many years, feel strongly about their personal tone, so they need a microphone that translates their signature sound in a recording. The N22 delivers on exactly those key points - providing a great ribbon tone without the need for EQ in most applications. Most importantly, the N22 was designed by listening first, and measuring only after experienced musicians told us the microphone sounded great. Bridging the gap between vintage and modern, ribbon and condenser, studio and live, the N22 is the perfect companion for musicians and engineers alike. What is under the hood?Featuring the same Big Ribbon technology that has earned AEA its reputation, the N22 offers an incredible sound in close-mic applications like acoustic and electric guitars, piano, vocals, and drums. With phantom-powered JFET electronics and a custom German transformer the N22 achieves optimal performance with a wide range of preamps including USB or Firewire audio interfaces in home studio setups. The highly protected pure aluminum ribbon allows for using the N22 in live sound applications and vocal recording without the need for an additional pop-filter. At well under $1,000 street price it delivers a handcrafted US-made microphone built to last a lifetime. About the NUVO SeriesThe N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone.      Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

Das aktive NUVO N8 ist ein modernes Bändchenmikrofon, das den lebendigen, natürlichen Klang von Instrumenten in einem Raum so aufzeichnet, wie er live zu hören wäre, mit allen Feinheiten und Nuancen. Es erfasst mühelos komplexe Klangquellen wie Schlagzeug, Streichinstrumente, Klavier und andere Instrumente, die komplizierte Transienten, harte Höhen und dröhnende Tiefen erzeugen können. Das N8 fängt einen Raum so ein, wie er live und persönlich klingt, mit all seinen Feinheiten und Nuancen. Dank seines breiten Frequenzgangs und ausgewogenen Tieftonbereichs eignet es sich hervorragend, um die gesamte Klangbreite im hinteren Teil eines Raums, über einem Schlagzeug oder über einer Streichergruppe einzufangen. Es verfügt über den breitesten Frequenzbereich aller Mikrofone der AEA-Produktreihe und bewältigt mühelos komplexere Audioquellen wie Schlagzeug, Streicher, Klavier und andere Instrumente, die komplizierte Transienten, harte Höhen und dröhnende Tiefen erzeugen. Das volle Potenzial des N8 kommt vielleicht am besten zur Geltung, wenn es in einer Stereoanordnung konfiguriert wird, da es auf denselben erfolgreichen Klangkonzepten wie das AEA R88 basiert.

"Depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic." - Darrell Thorp (Radiohead, Beck, Paul McCartney)   More open and natural than any ribbon mic you've ever heard Designed for overheads, strings, and room mics Unobtrusive, video friendly look The same Big Ribbon™ as the R44 Phantom powered electronics for optimal performance with any preamp 100% manufactured in Pasadena, CA   Modern Look, Big Ribbon Sound! Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. Conceived to render acoustic spaces as faithfully as possible, the new N8 microphone excels in capturing drum overheads and rooms, strings, classical ensembles, and orchestras. As such, it is the ideal complement to the N22 microphone. But even when used up close, the N8 delivers exceptional clarity and warmth, while also taking EQ extremely well without ever being harsh.By employing a similar design philosophy as used on the popular R88 stereo ribbon microphone, the N8 achieves an astonishingly transparent sound with a superior transient response that lets AEA’s famed Big Ribbon truly shine. The aluminum ribbon in the N8 is identical to the flagship R44 model in its dimensions and tuning, putting it in direct lineage of the iconic RCA 44 type.The N8’s unobtrusive size and the “stealth” matte black finish is ideal for orchestral and TV work, where microphones need to be easy to position and more or less invisible. The N8’s phantom-powered electronics and a custom German transformer complete the package and deliver groundbreaking low level detail and optimal distortion performance, even when driving long cable lines in remote recording situations. Just like all other AEA products, the N8 is 100% manufactured in Pasadena, CA. The N8 is the second member of AEA’s NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbon microphones, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley’s take on the evolution of the ribbon microphone.   About the NUVO Series The N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone.   "The N8 has the wonderful natural sonic characteristics of a ribbon mic, with a very focused tone that captures acoustic instruments like no other mic I own. Whether it's placed near or far from the sound source, there is a warmth imparted that is clear and true to the instrument." - Ben Tolliday (Alanis Morissette, Wolfmother)

"Depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic." - Darrell Thorp (Radiohead, Beck, Paul McCartney)   More open and natural than any ribbon mic you've ever heard Designed for overheads, strings, and room mics Unobtrusive, video friendly look The same Big Ribbon™ as the R44 Phantom powered electronics for optimal performance with any preamp 100% manufactured in Pasadena, CA   Modern Look, Big Ribbon Sound! Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. Conceived to render acoustic spaces as faithfully as possible, the new N8 microphone excels in capturing drum overheads and rooms, strings, classical ensembles, and orchestras. As such, it is the ideal complement to the N22 microphone. But even when used up close, the N8 delivers exceptional clarity and warmth, while also taking EQ extremely well without ever being harsh.By employing a similar design philosophy as used on the popular R88 stereo ribbon microphone, the N8 achieves an astonishingly transparent sound with a superior transient response that lets AEA’s famed Big Ribbon truly shine. The aluminum ribbon in the N8 is identical to the flagship R44 model in its dimensions and tuning, putting it in direct lineage of the iconic RCA 44 type.The N8’s unobtrusive size and the “stealth” matte black finish is ideal for orchestral and TV work, where microphones need to be easy to position and more or less invisible. The N8’s phantom-powered electronics and a custom German transformer complete the package and deliver groundbreaking low level detail and optimal distortion performance, even when driving long cable lines in remote recording situations. Just like all other AEA products, the N8 is 100% manufactured in Pasadena, CA. The N8 is the second member of AEA’s NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbon microphones, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley’s take on the evolution of the ribbon microphone.   About the NUVO Series The N22 is the first member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone.   "The N8 has the wonderful natural sonic characteristics of a ribbon mic, with a very focused tone that captures acoustic instruments like no other mic I own. Whether it's placed near or far from the sound source, there is a warmth imparted that is clear and true to the instrument." - Ben Tolliday (Alanis Morissette, Wolfmother)

Das AEA N28 liefert den samtigen Klang klassischer Bändchenmikrofone – aber mit zusätzlicher Präsenz im mittleren Frequenzbereich, präziser Stereobildwiedergabe und in der Tat beeindruckenden Leistungsmerkmalen.

AEA R44C Hand-crafted 44 reproduction The R44C is a museum-quality replica featuring details such as a bronze investment cast yoke rather than the original zinc yokes provided by RCA (which have a tendency to corrode over time). The iconic "streamline moderne" transformer case with "radio" finish (black with bright nickel) comes standard. The R44C is distinguished by a black and silver AEA emblem. The microphone package includes a three-meter cloth covered Accusound Silver Studio Pro cable, a zippered canvas bag, and AEA 44VC vertical case for proper shipping and storage.   RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C.   An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work.   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

AEA R44CE The R44CE is the value edition of the R44C. It comes with a black transformer case with white emblem logo and one-piece cushion mount, satin nickel grill and formed steel yoke with a satin nickel finish. The R44CE comes with a captive three-meter starquad XLR output cable and AEA 44VC vertical carrying case for proper shipping and storage.   RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C.   An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work.   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

Das AEA R44CX ist eine originalgetreue Nachbildung des legendären RCA 44 Mikrofons, ergänzt durch AEA’s innovatives „X-Motor“-Design für erhöhte Ausgangsleistung und größeren Dynamikumfang. Mit einem modifizierten R44-Wandler, der zwei zusätzliche Magnete enthält, liefert das R44CX 6 dB mehr Ausgangspegel – ganz ohne aktive Elektronik. Dieses klassische Bändchenmikrofon fängt den samtigen, natürlichen Klang ein, der seit über achtzig Jahren Musikproduktionen geprägt hat – von warmen Jazzstimmen über Hollywood-Bläser bis hin zu druckvollen Rock-Schlagzeugen. Hergestellt in den USA mit originalem NOS-RCA-Bändchenmaterial bietet das R44CX authentischen Vintage-Charme und eine außergewöhnlich natürliche Klangabbildung.

AEA R44CXE The R44CXE is the value edition of the R44CX. It comes with a black transformer case with red emblem logo and one-piece cushion mount, satin nickel grill and formed steel yoke with a satin nickel finish. The R44CXE comes with a captive three-meter starquad XLR output cable and AEA 44VC vertical carrying case for proper shipping and storage.   RCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA44’s through the 90’s, the availability of this wonderful ribbon mic to the studio was greatly endangered. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers whodesigned and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, just as it was in the 1930s. After years of painstaking work, AEA has again begun production of the most important ribbon mic of all time: the AEA R44C.   An accurate reproduction of the original RCA Ribbon Mic Uses the same ribbon material as the original Built to the highest studio standards possible A single diaphragm Figure 8 ribbon microphone High null-axis rejection Custom AEA Transformer High SPL capability, max level of 140dB plus above 200Hz Low Self Noise Consistent polar response Operable in high humidity environments Sounds equal to or better than the original RCA 44 How is the R44 different from other ribbon microphones ?The 44 was RCA’s best microphone from the 1930s into the ‘50s. Is AEA’s R44 that good? Both listeners and measurements saythat the R44 is better and, we’ve been listening to both users and ex-RCA engineers for over 25 years. We start by using only ribbonmaterial originally manufactured for RCA. Next, we use modern magnet technology which is much more robust than periodmagnets. We also combined the original American undamped ribbon design with the British RCA 44 innovations that lower theweight and hum sensitivity.The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones aresmaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today’s ribbon micro-phones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining incontinuous studio use. It is different, and its sound is unique.The R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularlylikes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds theysound good anywhere: brass, woodwinds, percussion, strings or voice work.   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

  If you are new to ribbons, you are in for a treat! The AEA R84 Ribbon Microphone is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where the R84 mic does not shine. Its natural sound and figure-8 directional sensitivity mean the R84 gives you everything professionals expect from a quality ribbon mic. Pure natural sound with quick, smooth transients, just as you hear it when you place your mic in the studio Versatility that lets you capture brass instruments, strings, piano, percussion or vocals Extended bass and treble that handles high SPLs at high frequencies and delivers the details without shoving anything in your face Outstanding transient response for natural sound The AEA R84 uses use a big, 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon element, that ensures a quick response, whatever the application. This means that percussive attacks, vocal consonants, and other rapid-attack material are cleanly and accurately reproduced by the R84 with no 'dull' or 'flabby' characteristics. It sounds just like you're standing right in front of the source! A versatile mic for multiple recording applications The AEA R84 uses Large Ribbon Geometry (LRG) that's suitable for use by the most demanding audio professional or hobbyist. Whether you're recording brass instruments, strings, piano or percussion, or you're trying to capture that elusive 'perfect' vocal take, the R84 large ribbon microphone is up to the task. Superb bass and treble response that handles high SPLs The R84 produces solid bass down to 20Hz and clean, clear highs up to 20kHz. Plus, it's capable of handling better than 165 dB SPL at higher frequencies, so whether used on vocals or instruments the R84 offers a performance that covers the entire frequency and dynamic range yet is still intimate, warm and detailed, yet never harsh. The AEA R84 is supplied in a complete system that includes a shock mount, 6-foot mic cable and sturdy foam-lined carrying case. Weighing-in at under two pounds and measuring eight inches tall and 2.7 inches in diameter, the R84 is a great sounding microphone that is extremely versatile. Reliable ribbon mic with wide dynamic range Large Ribbon Geometry (LRG), 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon Able to handle better than 165 dB SPL at higher frequencies Figure 8 pattern for duo recording convenience Includes shock mount, 6-foot cable and sturdy foam-lined carrying case   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

  If you are new to ribbons, you are in for a treat! The AEA R84 Ribbon Microphone is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where the R84 mic does not shine. Its natural sound and figure-8 directional sensitivity mean the R84 gives you everything professionals expect from a quality ribbon mic. Pure natural sound with quick, smooth transients, just as you hear it when you place your mic in the studio Versatility that lets you capture brass instruments, strings, piano, percussion or vocals Extended bass and treble that handles high SPLs at high frequencies and delivers the details without shoving anything in your face Outstanding transient response for natural sound The AEA R84 uses use a big, 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon element, that ensures a quick response, whatever the application. This means that percussive attacks, vocal consonants, and other rapid-attack material are cleanly and accurately reproduced by the R84 with no 'dull' or 'flabby' characteristics. It sounds just like you're standing right in front of the source! A versatile mic for multiple recording applications The AEA R84 uses Large Ribbon Geometry (LRG) that's suitable for use by the most demanding audio professional or hobbyist. Whether you're recording brass instruments, strings, piano or percussion, or you're trying to capture that elusive 'perfect' vocal take, the R84 large ribbon microphone is up to the task. Superb bass and treble response that handles high SPLs The R84 produces solid bass down to 20Hz and clean, clear highs up to 20kHz. Plus, it's capable of handling better than 165 dB SPL at higher frequencies, so whether used on vocals or instruments the R84 offers a performance that covers the entire frequency and dynamic range yet is still intimate, warm and detailed, yet never harsh. The AEA R84 is supplied in a complete system that includes a shock mount, 6-foot mic cable and sturdy foam-lined carrying case. Weighing-in at under two pounds and measuring eight inches tall and 2.7 inches in diameter, the R84 is a great sounding microphone that is extremely versatile. Reliable ribbon mic with wide dynamic range Large Ribbon Geometry (LRG), 2.35' by 0.185' by 2 micron pure aluminum low-tension ribbon Able to handle better than 165 dB SPL at higher frequencies Figure 8 pattern for duo recording convenience Includes shock mount, 6-foot cable and sturdy foam-lined carrying case   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

The R84A: An Active Version AEA offers the Active R84A (formerly known as the A840), a premium version of the R84 complete with JFET electronics and the same custom transformer used in our active R44. It’s basically an R84 with a built-in preamp. The active R84A mic retains the same sonic character of the R84, but with an additional 12dB of output and a stable impedance. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. This is great for on-the-road musicians who might have to use a different preamp each night. The extra 12db of output is vital when recording quiet sources like vocals or soft acoustic guitars. The active circuitry also prevents noise interference on long cable runs or when operating near large lighting rigs. The R84A’s active circuitry requires standard 48-volt phantom power to operate. The premium R84A also flaunts an 18-karat, gold-plated grille. AEA A840 Main Features: Higher output than R84 for versatility Compatible with any preamp and input source Low self noise of 17.5 dB Fast, accurate transient reproduction High SPL capability of 141dB Well-controlled, native figure-8 polar pattern Wide-band response from below 20Hz to above 20kHz

Das AEA R88 MK2 ist ein leistungsstarkes Stereo-Bändchenmikrofon, das den klassischen „Big Ribbon“-Sound in einem modernen und optimierten Design vereint. Es kombiniert zwei präzise abgestimmte Bändchenelemente in einem einzigen Gehäuse und bietet damit eine echte Stereo-Lösung mit dem charakteristischen Klang großer Ribbon-Mikrofone. Basierend auf der gleichen großen Bändchengeometrie und akustischen Konstruktion wie Modelle wie das AEA R44C liefert das R88 MK2 einen kraftvollen Bassbereich bis hinunter zu 20 Hz sowie einen weichen, natürlichen Hochtonbereich. Dadurch eignet es sich hervorragend für komplexe Klangquellen wie Becken, Streicher, Holzbläser und Ensembles. Die beiden Bändchenmotoren sind in einem Winkel von 90 Grad angeordnet, was eine präzise Stereoabbildung und ein ausgezeichnetes Off-Axis-Verhalten ermöglicht. Das Mikrofon ist optimal für Stereo-Techniken wie Blumlein und Mid-Side (M-S) ausgelegt und bietet hohe Flexibilität in professionellen Aufnahmeumgebungen. Das R88 MK2 ist für den Einsatz im mittleren bis größeren Abstand zur Schallquelle konzipiert und eignet sich ideal für Kammermusik, Overhead-Aufnahmen von Schlagzeug, Stereo-Klavieraufnahmen, Bläsersektionen und Ensembleaufnahmen. Die passive Elektronik ermöglicht einen großen Dynamikumfang bei minimaler Verzerrung, wobei ein hochwertiger Vorverstärker mit mindestens 60 dB Gain empfohlen wird. Die überarbeitete MK2-Version verfügt über eine integrierte, verbesserte Schwinghalterung für eine einfachere Positionierung und reduzierte Körperschallübertragung. Die unauffällige schwarze Oberfläche minimiert visuelle Ablenkungen bei Live-Aufnahmen. Für Nahaufnahmen von Gesang wird aufgrund der offenen Bauweise die Verwendung eines Popfilters empfohlen.

Das AEA R88A ist ein aktives Stereo-Bändchenmikrofon, das entwickelt wurde, um Klang mit außergewöhnlicher Natürlichkeit und realistischer Tonalität einzufangen. Ausgestattet mit speziell entwickelten Toroid-Transformatoren liefert es einen offenen und ehrlichen Klangcharakter, der dem natürlichen Höreindruck besonders nahekommt. Das Mikrofon eignet sich hervorragend für professionelle Aufnahmen komplexer Klangquellen wie Schlagzeug, Streicher, Klavier und akustische Ensembles. Durch seine weiche Transientenabbildung und ausgewogene Frequenzwiedergabe erfasst es feinste Details, räumliche Tiefe und natürliche Klangstrukturen mit hoher Präzision. Dank der aktiven Elektronik und zusätzlicher 12 dB Transformatorverstärkung bietet das R88A einen deutlich höheren Ausgangspegel als klassische passive Bändchenmikrofone. Dies ist besonders vorteilhaft bei leisen Schallquellen wie Gesang, akustischen Gitarren oder dynamisch sensiblen Instrumenten. Die integrierten aktiven Impedanzpuffer sorgen für stabile Signalübertragung auch bei langen Kabelwegen und reduzieren Störeinflüsse durch elektromagnetische Felder, beispielsweise in Umgebungen mit umfangreicher Lichttechnik oder komplexen Bühneninstallationen. Das R88A arbeitet mit standardmäßiger 48V-Phantomspeisung und verbindet den warmen, räumlichen Klang klassischer Bändchenmikrofone mit moderner Ausgangsleistung, Zuverlässigkeit und Flexibilität für professionelle Studio- und Live-Anwendungen.

The new stereo R88A active ribbon microphone with custom toroid transformers captures sound as your ears hear it with an honest, open tonality. The R88A effortlessly records the sonic intricacies of drums, strings, piano, and other instruments that produce complex transients. The extra 12dB of transformer gain is advantageous when recording quiet sources like vocals or soft acoustic guitars. The active impedance buffers help prevent noise interference on long cable runs or when operating near large lighting rigs. The R88A requires standard 48V phantom power to operate. Features: Same award-winning stereo perspective as the passive R88mk2 Phantom powered (48V) version of AEA's classic R88mk2 with 12dB more transformer gain Compatible with any preamp and input impedance Fast, accurate transient reproduction Stereo ribbon microphone that offers a natural sound Captures amazingly precise stereo imagery with a single mic Larger-than-normal ribbon elements handle high SPLs with ease Figure-8, Blumlein Configuration (90 degrees) polar pattern 141dB Max SPL

  In the past few years AEA's acclaimed R84 Ribbon Microphone has become a new studio standard. Now AEA has once again expanded the sonic possibilities of ribbon mics with the R92 Ribbon Microphone. Reduced proximity bass boost and excellent wind blast protection make it suitable for close micing (6-12 inches) of guitar amps, vocals, percussion, etc. In addition, the smooth high frequency response of the R88 transducer has been further extended in the R92, making the R92 a unique voice in the world of ribbon mics. AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone. The front lobe of the R92 is the 'crisp' side, offering exceptionally clean and realistic high end detail. The rear lobe is the 'smooth' side, which has a bit of classic ribbon high end rolloff that can help to handle harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA's LRG™ microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass frequencies. The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying case. Matt Ashman comments about the R92: 'It was designed to have a very full range sound, and to capture it all with a minimum of resonance artifacts for the ultimate in realism. It's perfect for getting FAT guitar sounds with a present and clean high end.' Transducer element Ribbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum Ribbon Width: 4.7 mm Ribbon Length: 59.7 mm Polar Pattern: Native bidirectional (figure-eight) Frequency Response: 20 Hz to 18 kHz (+/- 3 dB) Maximum SPL: >115 dB SPL (C-weighted fast) Output Sensitivity: > -55 dBv/Pa Output Impedance: 270 ohms nominal Recommended Load: 1.2 K ohm or greater Powering: Not required or recommended Polarity: Pin 2 high Connector: XLR-3M wired to a 2 meter captive cable Includes durable plastic case with foam interior Operating manual for proper care and usage.   Link: Wes Dooley, founder of AEA, talks about Studio Mic Pre Standards in the 50's

Die AEA SMP-17 ist eine professionelle 17-Zoll-Stereo-Mikrofonschiene, die für präzise und flexible Mikrofonpositionierung in Studio- und Live-Recording-Umgebungen entwickelt wurde. Sie ermöglicht Toningenieuren eine exakte und reproduzierbare Einrichtung unterschiedlichster Stereo-Aufnahmetechniken. Dank des innovativen Sliding-Mount-Systems von AEA lassen sich Mikrofone schnell und präzise positionieren. Dadurch können klassische Stereo-Konfigurationen wie ORTF, Spaced Pair, XY und Blumlein mit exakten Abständen und Winkeln realisiert werden. Die SMP-17 ist Teil des modularen Mikrofon-Positionierungssystems von AEA und bietet hohe Flexibilität für verschiedenste Recording-Setups. Die robuste Konstruktion sorgt dabei für zuverlässige Stabilität sowohl im Studio als auch bei mobilen Aufnahmen. Besonders häufig wird die SMP-17 mit Bändchenmikrofonen eingesetzt, darunter Modelle wie das AEA N22 und das AEA N8. Sie unterstützt eine präzise Stereoabbildung und eine konsistente Mikrofonplatzierung für professionelle Aufnahmeergebnisse. Ob für Ensemble-Aufnahmen, akustische Instrumente, Raumaufnahmen oder Stereo-Overheads – die AEA SMP-17 bietet eine vielseitige und zuverlässige Lösung für exakte Stereo-Mikrofonierung mit maximaler Flexibilität.