Psychoakustik Effekte

The Bricasti Model 7 reverb Processor provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation.The Bricasti Model 7 is a modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind.The Bricasti Model 7 features an exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.Main features: 100 Unique reverb presets Revolutionary new reverb algorithm True Stereo Reverb Process Classic and new Presets; Halls, Plates, Rooms, Chambers, Ambient Spaces 12 Parametric Program Parameters 100 User registers 4 Front panel “Favorites” for quick saves and compares Dual Dedicated Power Supplies Custom design toroidal transfomer linear supply for analog High performace switching supply for digital Separate Digital and Analog modules Non corrosive Stainless Steel chassis and top cover Milled anodzied aluminum front panel, knobs and button caps Postive feel 2 db stepped analog input level control MIDI I/O Hand Crafted in the USA AES 24 Bit Digital I/O AES single wire 192k supported Self-clocking to incoming sample rates 44.1k to 192k 6 State of the art dual core Analog Devices DSPs < 20 Picoseconds Jitter Input level adjustable in 2 dB steps Balanced XLR analog I/O 24-bit conversion Dual D/A Fully-balanced, DC-coupled analog input and output circuits

The Bricasti Model 7 reverb Processor provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation.The Bricasti Model 7 is a modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind.The Bricasti Model 7 features an exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.Main features: 100 Unique reverb presets Revolutionary new reverb algorithm True Stereo Reverb Process Classic and new Presets; Halls, Plates, Rooms, Chambers, Ambient Spaces 12 Parametric Program Parameters 100 User registers 4 Front panel “Favorites” for quick saves and compares Dual Dedicated Power Supplies Custom design toroidal transfomer linear supply for analog High performace switching supply for digital Separate Digital and Analog modules Non corrosive Stainless Steel chassis and top cover Milled anodzied aluminum front panel, knobs and button caps Postive feel 2 db stepped analog input level control MIDI I/O Hand Crafted in the USA AES 24 Bit Digital I/O AES single wire 192k supported Self-clocking to incoming sample rates 44.1k to 192k 6 State of the art dual core Analog Devices DSPs < 20 Picoseconds Jitter Input level adjustable in 2 dB steps Balanced XLR analog I/O 24-bit conversion Dual D/A Fully-balanced, DC-coupled analog input and output circuits

The Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Prcoessor with reduced front panel controls, and is intented to be used in conjunction with the M10 remote control. As it is necessary to have an M10 fro control, the M7M is available bundled together with the M10 in several different configurations, with one or more M7Ms. However, it is also offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup with duplicating unnecessary user interface controls. Main features: 100 Unique reverb presets Revolutionary new reverb algorithm True Stereo Reverb Process Classic and new Presets; Halls, Plates, Rooms, Chambers, Ambient Spaces 12 Parametric Program Parameters 100 User registers Dual Dedicated Power Supplies Custom design toroidal transfomer linear supply for analog High performace switching supply for digital Separate Digital and Analog modules Non corrosive Stainless Steel chassis and top cover Milled anodzied aluminum front panel, knobs and button caps MIDI I/O Hand Crafted in the USA AES 24 Bit Digital I/O AES single wire 192k supported Self-clocking to incoming sample rates 44.1k to 192k 6 State of the art dual core Analog Devices DSPs < 20 Picoseconds Jitter Input level adjustable in 2 dB steps Balanced XLR analog I/O 24-bit conversion Dual D/A Fully-balanced, DC-coupled analog input and output circuits

Das System One besteht aus einem M10 und einem M7M, das als Stand-alone-Gerät betrieben werden kann, oder dem M7 zugefügt werden kann, um so noch mehr Bearbeitungs- und Bedienmöglichkeiten zu erhalten.

System bestehend aus: 2 x Bricast1 M7M Hallprozessor ohne Bedienfront, 1 x M10 Remote inkl. 10mtr. Remotekabel, 1 x 25cm System-Verbindungskabel

System bestehend aus: 3 x Bricast1 M7M Hallprozessor ohne Bedienfront, 1 x M10 Remote inkl. 10mtr. Remotekabel, 2 x 25cm System-Verbindungskabel

System bestehend aus: 4 x Bricast1 M7M Hallprozessor ohne Bedienfront, 1 x M10 Remote inkl. 10mtr. Remotekabel, 3 x M7-SC 25cm System-Verbindungskabel

EF-X3 Tisch-Chorus-Echo mit BBD-Analog-Chorus und Federhall Das EF-X3 Table Top Chorus Echo ist das neueste Produkt der Bandverzögerungsserie von Echo Fix. Das in Australien in höchster Qualität gefertigte EF-X3 bietet viele unserer gefragtesten Funktionen und baut auf der Dynamik und dem Vertrauen auf, das wir nach drei Jahren der Produktion des EF-X2 gewonnen haben.

EF-X3 Tolex-Gehäuse Chorus Echo mit BBD Analog Chorus & Spring Reverb Das EF-X3 Chorus Echo mit Tolex-Gehäuse ist das neueste Produkt der Bandverzögerungsserie von Echo Fix. Das in Australien in höchster Qualität gefertigte EF-X3 bietet viele unserer gefragtesten Funktionen und baut auf der Dynamik und dem Vertrauen auf, das wir nach drei Jahren der Produktion des EF-X2 gewonnen haben.

EF-X3R Chorus Echo mit BBD Analog Chorus und Federhall Der EF-X3R ist das neueste Produkt der Bandverzögerungsserie von Echo Fix. Der in Australien nach höchsten Qualitätsstandards gefertigte EF-X3R bietet viele unserer gefragtesten Funktionen und baut auf der Dynamik und dem Vertrauen auf, das wir nach drei Jahren der Produktion des EF-X2 gewonnen haben.

The karacter 500 is a box full of vibrant colors. It covers a complete spectrum including mastering-grade saturation, tube-inspired distortion and glorious destruction. Gone are the days when only racks full of outboard gear could achieve these elusive and highly desirable styles of tonal coloration. The entire unit is designed with discrete class-A topology, so even the most lo-fi sounds will benefit from the karacter’s high-end touch. Enhance your tracks or decimate everything – It’s a matter of karacter.

Springtime - Analog Studio Reverb Design The IGS Springtime is a 4-channel analog studio reverb built using pairs of springs. One short and one long pair. Every channel has separate wet and dry volume knobs. Also each channel has a 3 band EQ for the wet signal. What it does The Springtime fills your room with sound. It glues your mix and enriches the individual tracks. It adds lovely warm color to the midrange. Without EQ, it sounds perfect. With EQ, you can add more definition if you need it. Everyday use Try stereo buss send for music tracks to channel 3 and 4 (long springs), mono vocal to channel 1 (short) plus any solo, mono instrument to channel 2 (short). Sometimes even individual instruments can be sent to both kinds of springs in parallel. If you plug it into the insert use 100% Dry and 10% Wet. On sends use 100% Wet, 0% Dry.

The second generation of the dual channel saturator is fitted with Looptrotter’s world famous solid state saturation circuit. It was created to add low order harmonics and smoothly even the signal in a musical and ear friendly way, significantly increasing the RMS level without raising peaks at the same time, so desired in modern music production. Generation 2 upgrades include: TRS instrument inputs (-10dB) LO Safe/ HI Smooth THD filters DRY/WET signal control

gleichzeitig hohe Dichte und geringste Färbungüberwältigende TransparenzSubsonic-Option für Donner- und Erdbebeneffekte2xIn / 2xOut Modus (standard QRS Plug-In ≤192kHz)2 phasenneutrale Eingangskanälebis zu 2 separate Ausgangskanäleoder 1 Stereo Ausgangspaar mit einer Korrelation von 50% (einstellbar)bis zu 4 Pegelanzeigen (Bargraphs) auf der Frontseite24bit / 192kHz auf allen Signalwegen (±12,5% für Varispeed)niedrige Latenz <<1msMute-, Bypass- und Solo-Funktionen über Hotkey-Menüeingebauter Nadelimpuls-Testgenerator3 Bedienelemente auf der Frontseitebis zu 15 Plug-in-Bänke für SoftwareWebbrowser-basierte Fernsteuerung über EthernetMIDI, USBextrem kompaktes, kühles Gehäuse, 19" 1HE, nur 36mm Tiefe,universelle Stromversorgung (100-240V, 50-60Hz), Verbrauch <14VA

 Eigenschaften 2493gleichzeitig hohe Dichte und geringste Färbungüberwältigende Transparenz2 In / 2 Out Modus2 phasenneutrale Eingangskanälebis zu 2 separate Ausgangskanäleoder 1 Stereo Ausgangspaar mit einer Korrelation von 50% (einstellbar)bis zu 4 Pegelanzeigen (Bargraphs) auf der FrontseiteADC: 111 dBu ungewichtet (114 dBu A-Filter)DAC: 111 dBu ungewichtet (114 dBu A-Filter)Latenz ~3ms (Ain⇒Aout)Mute-, Bypass- und Solo-Funktionen über Hotkey-Menüeingebauter Nadelimpuls-Testgenerator3 Bedienelemente auf der Frontseitebis zu 15 Plug-in-Bänke für SoftwareWebbrowser-basierte Fernsteuerung über EthernetMIDI, USBextrem kompaktes, kühles Gehäuse, 19" 1HE, nur 36mm Tiefe,universelle Stromversorgung (100-240V, 50-60Hz), Verbrauch <18VADesignteam unter der Leitung des Designers des legendären QUANTEC QRS von 1982. 

 2496 Eigenschaften:gleichzeitig hohe Dichte und geringste Färbungüberwältigende TransparenzSubsonic-Option für Donner- und Erdbebeneffekte2xIn / 2xOut Modus (standard QRS Plug-In ≤192kHz)2xIn / 6xOut Modus (standard QRS Plug-In ≤96kHz)2 phasenneutrale Eingangskanälebis zu 6 separate Ausgangskanälebis zu 3 Stereo-Ausgangspaare mit einer Korrelation von 50% (einstellbar)bis zu 8 Pegelanzeigen (Bargraphs) auf der Frontseite24bit / 192kHz auf allen Signalwegen (±12,5% für Varispeed)niedrige Latenz <<1msMute-, Bypass- und Solo-Funktionen über farbige LED-Tipptasten auf der Frontseiteeingebauter Nadelimpuls-Testgenerator14 Kipphebel (plus/minus) für direkte Parameterveränderunginsgesamt 27 Bedienelemente auf der Frontseitebis zu 15 Plug-in-Bänke für SoftwareWebbrowser-basierte Fernsteuerung über EthernetMIDI, USBextrem kompaktes, kühles Gehäuse, 19" 1HE, nur 36mm Tiefe,universelle Stromversorgung (100-240V, 50-60Hz), Verbrauch <15VADesignteam unter der Leitung des Entwicklers des legendären QUANTEC QRS von 1982. 

 2498 Eigenschaften:gleichzeitig hohe Dichte und geringste Färbungüberwältigende TransparenzSubsonic-Option für Donner- und Erdbebeneffekte2xIn / 8xOut Modus (standard QRS Plug-in ≤96kHz)8xIn / 8xOut Modus (standard QRS Plug-in ≤48kHz)zweifach/vierfach 2xIn / 2xOut Modus (spezielles QRS2/4 Plug-in ≤96/48kHz) angekündigtbis zu 8 phasenneutrale Eingangskanälebis zu 4 Stereo-Eingangskanäle mit einstellbarer Tiefenstaffelungbis zu 8 separate Ausgangskanälebis zu 4 Stereo-Ausgangspaare mit einer Korrelation von 50% (einstellbar)bis zu 16 Pegelanzeigen (Bargraphs) auf der Frontseite24bit / 96kHz auf allen Signalwegen (±12,5% für Varispeed)niedrige Latenz <<1msMute-, Bypass- und Solo-Funktionen über farbige LED-Tipptasten auf der Frontseiteeingebauter Nadelimpuls-Testgenerator14 Kipphebel (plus/minus) für direkte Parameterveränderunginsgesamt 27 Bedienelemente auf der Frontseitebis zu 63 Plug-in-Bänke für SoftwareWebbrowser-basierte Fernsteuerung über EthernetMIDI, USBAnschluss über DSUB25-Buchse (AES59-, Tascam- und Yamaha-Beschaltung)Lieferung mit Kabelpeitsche (DSUB25-Stecker auf 8 XLR)extrem kompaktes, kühles Gehäuse, 19" 1HE, nur 36mm Tiefe,universelle Stromversorgung (100-240V, 50-60Hz), Verbrauch <20VADesignteam unter der Leitung des Entwicklers des legendären QUANTEC QRS von 1982.  

Der Vitalizer Mk3-T ist ein hochwertiges Audio-Enhancement-Tool, das durch seine patentierte Schaltung Audio-Produktionen lebendiger und detaillierter klingen lässt. Die Vitalizer-Technologie verbessert Transparenz, Lautheit und Bassfundament nach Bedarf.

 Originally designed as a 'distortion box' to simulate distortion in valve amps it has found lots of uses beyond this. We know that some owners use them on drum loops, vocals, piano sounds and even across entire tracks (it is a stereo unit). We have refined this so that distortion figures are reduced to only 0.2% at lowest to about 99.9% (at least that's what our distortion meter tells us!). Predominant distortion can be changed from even to odd harmonics with a simple switch. We know it's recently been rented to mix a JAMES BOND movie! If you're looking to use the Culture Vulture in a mastering application, or require balanced transformer inputs, check out the Culture Vulture MV. Warm sounds gently or create a noise like a 200 watt guitar stack with the speakers slashed Dual mono operation Odd or even harmonic distortion, or combination of both All tube design free of solid state additives High impedance line input or instrument inputs All valve design free from solid state additives 4 & 7 kHz filters Overdrive & bypass switches Maximum output level: +20dBV Distortion: 0.2% to 99.9% Noise: Variable better than 75dB below M. O. L at most settings Input Impedance: 30k Output Impedance: 2.5k ohm ( should ideally drive a 10k input impedance ) Frequency response: >1dB variation over 10Hz to 25kHz ( actually +/- 1.75dB over 50Hz to 15kHz at low distortion )  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

The Culture Vulture Super 15 is the most comprehensive Vulture to date. It incorporates all the features found on the 11th Anniversary edition such as the 7 extra distortion functions, but also now features a 2 position Presence switch. The Drive switch has three positions with a +10dB option sitting squarely between ‘Normal’ and ‘Overdrive’, enabling users tomake their sounds ‘a little more crunchy’ with increased brightness. The Function switch now offers further enhancements including special dynamic tunable mid-lift in the P positions and extra drastically-processed harmonics in the SQ positions. The Output Level controls have a -10dB attenuator which can be used in conjunction with Drive +10dB for comparison purposes or just to reduce high levels. The module’s line inputs are balanced while the line plus low level outputs are unbalanced. Five NOS military-grade valves are utilised for long life, low noise and enhanced performance, mirroring The Culture Vulture Mastering Plus. And of course dials now up to 15.and it really does have more gain. Even more distortion effects including 3 SQ (“squash”) settings. 5 musically tuned sharp dynamic mid lift settings; Bias control is more useful than ever before for type of sound and mid lift; Extra mid way +10dB setting on Drive switch, before Overdrive (+20dB) ; Broad Presence control on + 10 dB position; -10dB attenuator enables comparison between the above, or useful to control high levels; Extra Output level to easily drive DAWs; Transformer balanced line input, unbalanced DI input; Unbalanced Hi & Lo outputs for better transparency; All inputs and outputs on standard TRS jacks; Low pass filter to remove unwanted HF overtones; Low noise, long life, selected NOS valves, carefully matched for stereo; Bypass switches connect Line In direct to Hi output avoiding all electronics; Made in England;

The DSR-3 - dual spring reverb - is a professional spring reverberation unit for use with stereophonic sound sources. Besides this function, the unit offers additional parallel and serial operational modes for advanced and creative applications. As in our valve based model ReTubeVerb, the classic VSR-3 and the creative Retroverb Lancet, the DSR-3 relies on finest quality reverberation springs manufactured by AccuBell (formerly Accutronics). To assure perfect stereo sound, the springs were carefully selected and hand-matched. Each channel offers two band equalization with BASS and TREBLE control being matched to the specific frequency spectrum of the springs. By this, the effect can easily be adapted to your personal sound preferences. The DSR-3 offers TS in- and output jacks as well as balanced XLR in- and outputs. Balancing the outputs is carried out by specially designed and manufactured output transformers with excellent sound characteristics. This also qualifies the unit to be used as a first class DI box. The three operational modes allow both SPRING REVERB channels to be used in interaction or independently: STEREO for the use with stereophonic sound sources. For perfect channel matching, the first SPRING REVERB channel's physical controls are used to define both channels settings. DUAL MONO for use with two independent sound sources. Each DSR–3 channel works as an independent unit. SERIAL for experimental reverberation effects. Here, the first SPRING REVERB channel is fed into the second channel. This allows creation of long lasting reverberation tails. The DSR-3 is carefully assembled by hand in our electro acoustic manufactory in Erlbach, Germany. The VERMONA DSR-3 allows creating full, deep and rich reverberation effects at highest quality breathing the charm of former days.

Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal.Filter SectionThe filter section itself has three modes: low-pass, high-pass and band-pass. The last one works with a slope of 12dB per octave whereas low- and high-pass  are 24dB filters.You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.Other than the filter section of Mono Lancet, Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the VERMONA M.A.R.S. respectively DAF-1 and Action Filter.ModulationWithout modulation Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input.The LFO has two frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay.The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source. LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.DriveFilter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet - with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.Feature Envelope follower. It detects the level of the input signal and converts it into a control voltage. Envelope. The envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the triger source it works as an Attack-Decay or as an Attack-Sustain-Release envelope. LFO with the waveforms sawtooth (rising and falling), square, sine ans sample&hold. Additionally it can output the envelope voltage. It can oscillate freely or be re-triggered by a number of trigger sources. CV/ pedal input for an external control voltage or an expression pedal. inputs and outputs Audio: input and output 6,35mm-jack (1/4") inputs for crash, trigger, bypass and pedal/CV inlet for external 12V AC power supply measures and weight dimensions: 260 x 138 x 66mm (W x D x H); weight: 1,4kg

 Auch wenn die Hallspirale schon ein paar Jahre auf dem Buckel hat gehört sie noch lange nicht zum alten Eisen, am Wenigsten aber ihr Klang. Bei klassischen und modernen Gitarren Verstärkern kann man den Federhall fast schon als Standard bezeichnen, ebenso findet man Vertreter seiner Gattung in zahlreichen Studios, denn auch für Gesang, Orgel und Synthesizer eignet er sich bestens.Ein weiteres Mal präsentiert VERMONA ein Federhall Gerät der Extraklasse und ein weiteres Mal lautet der Name „ReTubeVerb“. Verbesserungen im Detail und vielfach geforderte Features wie den hochwertigen trafosymmetrischen Ein- und Ausgang und die Möglichkeit das Gerät im Rack unterzubringen katapultieren das ReTubeVerb in eine eigene Liga.Kompromisslose RöhrentechnikDas ReTubeVerb basiert auf einer klassischen Röhrenschaltung - Halbleiter sind im Signalfluss tabu. Diese konsequent umgesetzte Bauweise erfordert zwar einigen Aufwand, das Ergebnis rechtfertigt das Konzept aber mehr als genug. Ohne das Signal unangenehm zu färben oder gar zu verfremden wird es mit der natürliche Wärme und musikalischen Komprimierung der Röhren verfeinert.HallspiraleDie Hallspirale mit insgesamt drei Doppelfedern erzeugt dichten voluminösen Hall. Wie bei all unseren Federhall Geräten lassen wir uns auf keine Kompromisse ein, sondern verlassen uns auf die Erfahrung und Qualität von ACCUTRONICS.EqualizerMit drei sinnvoll gewählten Frequenzen kann der Hall-Klang unkompliziert und dennoch gezielt angepasst werden. Neu ist die Möglichkeit den EQ komplett aus der Signalkette zu nehmen.Symmetsicher Ein- und AusgangNeben den unsymmetrischen Line- und Instrumenteneingängen gibt es einen vollwertigen trafosymmetrischen Ein- und Ausgang. Es handelt sich hierbei nicht um ein halbherzig implementiertes Feature, sondern um eine vollwertige und uneingeschränkte Lösung mit viel Liebe zum Detail. Die Ein- und Ausgangsübertrager mit exzellenten Audioeigenschaften werden speziell nach unseren Vorgaben gefertigt.True BypassNeben der „Effect Stop“ Funktion, die es erlaubt die Röhrenvorstufe ohne Halleffekt zu nutzen verfügt das neue ReTubVerb über einen True Bypass.Das ReTubeVerb stützt sich auf traditionelle Technologien und bringt das Thema Federhall auf den aktuellen Stand der Zeit. 

Der VSM-2 ist ein kreatives, vollständig analoges Mix- und Mastering-Tool. Der VSM bietet MS, Mischen und zwei anspruchsvolle Farbgeneratoren in einer 2U-Bauweise. Der VSM-2 ist auch in einer „Basisversion“ ohne harmonische Generatoren erhältlich.Dies stellt eine „Alles-in-Einem“-Lösung für Mastering-Studios dar, die keine weiteren Investitionen in Mastering-Pulte, Umschaltgeräte, Monitor-Controller, MS-En- und -Dekodierer usw. mehr benötigen.Wie alle Produkte von Vertigo Sound wird auch der VSM-2 nach höchsten Branchenstandards gefertigt, um die bestmögliche Leistung und maximale Haltbarkeit zu gewährleisten.