Synchronizer/Clockgeneratoren
Multiple 10MHz outputs and an ultra-stable Word Clock signal in just 1U rack space 10MX is the newest and the premier member of the Isochrone family. It features technologies from two of Antelope's legendary products. The atomic precision of the 10M and the sophisticated jitter-management algorithm of Trinity are combined in a futuristic, 1U rack space enclosure, providing the world's most stable and musical clocking. 10MX is a fusion of proven technologies and contemporary industrial design, where no compromises are allowed and both build-quality, and performance-excellence are top priority. The new Rubidium Atomic Clock is an epiphany of more than 20 years’ expertise in the digital audio world, making vividly real the clarity, depth, width and 3-dimensionality distinctive of the analog sound. 10MX is perfectly suited for recording, mixing and mastering environments. Its form factor, occupying only 1U of rack space, makes it ideal for live sound application where rack slots are precious commodity. The multiple atomic outputs allow up to 10 devices to be clocked simultaneously over BNC outputs of 10MHz. The unit can also be used as a master clock with 4 outputs, supporting the outstanding sampling rate of up to 768 kHz via BNC. Two more clocking outputs are available via AES and two via S/PDIF. The new Rubidium Atomic Clock is equally easy manageable either from the front panel or the intuitive software control panel available for OS X and Windows, connecting via a USB port. Features Rubidium core with accuracy of 0.05 ppb (parts per BILLION) 4th generation Acoustically Focused Clocking (AFCTM ), employing 64-bit DSP Master clocking up to 768 kHz over 4 WC 2 x S/PDIF and 2 x AES/EBU master clocking outputs up to 192 kHz Atomic clocking compatible with any device that accepts 10MHz reference Utmost ease of operation, just connect it and power it on PC/Mac connection via USB, allowing remote control and firmware upgrades Intuitive Software Control Panel Extremely sturdy mechanical construction
768 kHz HD Master Clock For over a decade, Antelope’s legendary OCX Master Clock has been a dominant force in the audio world. This legacy now continues with the newest master clock by Antelope Audio - Isochrone OCX HD. OCX HD raises the bar yet again, delivering sample rate support of up to 768 kHz, Antelope’s best-in-class 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator. OCX HD Master Clock offers a great variety of clocking options – 10 configurable in pairs Word Clock Outputs on BNC, four AES/EBU Outputs and two more on S/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven,proprietary clocking technology delivers the most musical and reliable audio sync generation on the market. Additionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, Trinity Master Clock. A 10 MHz Input allows for syncing with Antelope's newest Atomic Clock – 10MX. Antelope’s latest master clock benefits from flexible firmware update functionality, as featured in all new-generation Antelope products, allowing for fast and easy firmware updates on the user-friendly software control panel, available for both OS X and Windows. The desktop app provides convenient remote control to simplify project workflow. The device is also easily configurable from an elegant front panel, which will add a futuristic aesthetic to any gear rack. Features 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm Sample rate support of up to 768 kHz over WC Multipliers/dividers enabling the output of 5 different sample rates 4x AES/EBU and 2x S/PDIF clocking outputs up to 192kHz for additional connectivity Comprehensive audio gear-boxing Universal Video Input on BNC Atomic clock input for optimum accuracy and calibration 3 recallable presets Rate lock from Control Panel to avoid settings change during session Ergonomic front panel control Software Control Panel, allowing remote control and firmware updates via USB
Antelope Isochrone TrinityUniversal high-definition master clock employing Antelope's 4th Generation of Acoustically Focused Clocking with 64-bit Digital Signal Processing (DSP) and up to 384 kHz audio streaming.A master clock that stands out:In the fickle world of Audio & Video formats, the new Trinity will be the Master Clock that stands out from the crowd for years to come, with the kind of features that other manufacturers can only aspire to. With dedicated functions and controls, the new Trinity is the best sounding and most versatile Master Clock available anywhere.The features that make it unique:There are unique features that are only available on the Trinity - such as Audio up to 384kHz, Varispeed, nine completely independent generators, and a Triple display! Of course, all of this comes in an intuitive menu-free user interface, just as you would expect from Antelope.Features: 4th Generation of Acoustically Focused Clocking employing 64 bit DSP leads to a new level in detailed & focused sound Oven Controlled Crystal Oscillator or Atomic Input for supremely low jitter Factory calibrated to better than +/- 0.001 ppm accuracy A wealth of rear panel connectivity for tremendous flexibility Comprehensive audio gear-boxing for anything in, anything out Atomic Input for ultimate performance 3 Independent & simultaneous audio generators up to 384kHz, and varispeed control +/- 200 cents 3 Independent & simultaneous HD generators, covering 16 formats 3 Independent & simultaneous SD generators, simultaneously offering PAL & NTSC Full Euro and USA Pull-ups / pull-downs for SD and HD video USB connection via PC & Mac allowing full remote control, loading/saving presets and firmware upgrades Dual redundant power supply with automatic switchover for added reliability
Halten Sie Ihr Pro Tools-System und angeschlossene Geräte stets synchron und reibungslos im Verbund - egal wie komplex Ihr Setup ist. PRO TOOLS | SYNC X dient als Bindeglied jeder Musik-, Film- oder Fernsehproduktion und bietet eine zuverlässige Taktung mit geringem Jitter, ein nahezu Sample-akkurates Einlocken und Frame-genaue Synchronisierung. Unterstützt werden alle branchenüblichen Taktquellen, Pull-Up / Down-Raten, Timecode-Raten sowie HD / SD-Formate. Dank des integrierten Video-Referenzsignalgenerators können sich Video-Peripheriegeräte direkt einrasten, wodurch die Produktionsumgebung optimiert wird. Leistungsmerkmale zuverlässige Taktung mittels Low Jitter JetPLL Clocking Technologie nahezu Sample-akkurates Einlocken und Frame-genaue Synchronisation Unterstützung aller üblichen Taktquellen Loop Sync I/O Word Clock I/O (1 Eingang, 6 Ausgänge) 10 MHz Clock In AES3 and AES3id I/O GPIO, Bi-Phase/Tach In, Pilot In LTC I/O MTC Out 9-pin (für Machine Control) integrierter Video-Referenzsignalgenerator (4 Ausgänge) Video Reference I/O (1 Eingang, 2 Ausgänge) Host Serial Port
Introducing the Micro Clock mk2, a completely revolutionary design in external clocking from Black Lion Audio. The Micro Clock mk2 is a radical departure in design from its predecessor. It features ultra-low jitter third order crystal oscillators with a revolutionary patent-pending high current parallel drive circuit designed to increase the amount of desirable harmonics within the clock's spectral band. In addition to this, our proprietary noise reduction circuitry dramatically eliminates the unwanted switching harmonics normally found in digital signals. These are musically unrelated signals that create distortion and phase cancellation within the converted audio signal. Because of these technological advances, the Micro Clock mk2 is one of the best performing external word clocks within the pro audio market today. When we introduced the Micro Clock mk2 we didn't anticipate the amount of demand and controversy that managed to accompany it. External clocking is certainly a hot button issue. Some folks maintain that there's no basis for it; that it's a sort of modern "emperor's new clothes." The reasoning behind this is that the device being clocked externally will simply filter the incoming clock signal through its phase lock loop, thereby eliminating any sort of benefit associated with the superior clock. In addition, the simple act of accepting the incoming signal and creating a new signal that's in phase will add some jitter. The biggest problem with this theory is that we know nothing about the PLL filter in question; it's completely hypothetical. Many PLL's in pro audio are designed to filter out unwanted signals that are outside of the desired bandwidth, although some are configured to filter out unwanted harmonics that lie within the signal's frequency band. It's incredibly rare to find one that does both at the same time. In the case of the Micro Clock mk2, there is very little undesirable in-band or out of band content (below 10 picoseconds using a Delta Sigma average). There is, however, an abundance of desirable harmonically related in-band spectral content; more so than the average internal clock. No PLL filter is designed to remove these desirable harmonics; they're busy trying to remove the unwanted stuff. Simply put, the Micro Clock mk2 will not only provide audible improvement to your conversion process, but it will do it as well as or better than any other external clock on the market today.SPECIFICATIONS Output: 3 galvanic-isolated BNC with fixed 75 ohm terminations @ 6 volts peak to peak Power: 9-12 volts DC Sampling rates: six selectable rates, 44.1 kHz-192 kHz Jitter: maximum 1 pico second of intrinsic jitter, less than 10 picoseconds of accumulated jitter measured using a delta sigma averaging method. The Micro Clock mk2 is simple and probably even boring looking by most standards. It's housed in a rugged yet basic 3 inch by 4 inch chassis that provides optimum RF shielding. It has no lights, no frequency display, and none of the usual visual candy that your friends might envy, but that's because those items create unwanted noise that affect the signal. For a modest black box, it does its job incredibly well and at a price that's unheard of for this level of performance! The power supply is 12 volts DC using a wall wart that's capable of accepting both 120 and 240 volts AC. It features six selectable output frequencies from 44.1 kHz on up to 192 kHz. Output level is approximately 4 volts peak to peak. Jitter at the crystal oscillator is approximately 1 picosecond RMS, and it's just under 10 picoseconds RMS at the output. Both of these figures are obtained using a Delta Sigma averaging method. The Micro Clock mk2 is compatible with all modern digital devices that have 75 ohm BNC word clock input.
Features Ultra-low jitter, harmonically-enhanced word clock signal generation Dimmable frequency display 8 selectable sample rates (44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz, 352.8kHz, and 384kHz) 6 BNC outputs with dedicated output drivers for maximum isolation RCA S/PDIF output Optical S/PDIF output AES output 1U removable rack ears The Micro Clock MkIII is a significant redesign of its predecessor, the Micro Clock MkII. Core technological improvements include lower-jitter crystal oscillators, higher-quality galvanic transformer isolation in the signal path, dedicated output drivers with better isolation, higher-precision signal division, and much heavier noise filtration throughout the circuit. All of this results in a more robust, lower-jitter clock signal than the Micro Clock MkII, with even more desirable harmonics in the clock’s spectral band that impart an undeniable musical quality to the conversion process. The feature set has expanded to include an LED frequency display, six BNC outputs capable of up to 384kHz, AES and RCA S/PDIF outputs capable of up to 192kHz, an optical S/PDIF output capable of up to 96kHz, and removable 1U rack ears. Product Description The Micro Clock MkIII is the culmination of almost 10 years of research involving jitter- reducing, harmonic-enhancing design techniques not found in any other master word clocks on the market. It not only can sync all of your digital audio gear together, but can significantly improve the sound quality as well. It may be the most significant single upgrade you can make to your digital audio setup. Get ready to hear what you’ve been missing!
We spent the better part of a year field-testing the Micro Clock MkIII XB prior to its release, and got a lot of positive feedback on the impact it made in a wide variety of setups. Its small form factor and its ability to drive up to 1,000 feet of coaxial cable make it not only the perfect solution for improving the conversion quality of an audio interface, but also for re-clocking digital mixing consoles at live shows or houses of worship, and as the master word clock in large post-production or broadcast facilities. It can easily sync all of your digital gear together, even if it’s located in different rooms, or different buildings!
Die Revolution Clock ist eine erstklassige Word Clock mit sieben ultra-stabilen, jitterarmen Ausgängen, die für höchste Präzision in professionellen Audio-Setups entwickelt wurde. Sie bietet vier BNC-Ausgänge zur Synchronisation externer Geräte sowie zusätzliche S/PDIF-, optische und AES/EBU-Ausgänge für maximale Konnektivität. Die patentierte Macro MMC-Technologie sorgt für extrem niedrigen Jitter und minimale Rauschwerte, wodurch eine stabile und saubere Signalübertragung gewährleistet wird. Mit Unterstützung von Sampleraten von 44,1 kHz bis 384 kHz eignet sich die Clock für eine Vielzahl anspruchsvoller Anwendungen im Studio und im Broadcast-Bereich. Die Revolution Clock ist die ideale Lösung für professionelle Umgebungen, in denen präzise Synchronisation und höchste Audioqualität entscheidend sind.
Die Revolution Clock Mini ist eine hochwertige Word Clock in einem kompakten Gehäuse, die für präzise Synchronisation in professionellen Audio-Setups entwickelt wurde. Mit drei BNC-Ausgängen ermöglicht sie die zuverlässige Synchronisierung externer Geräte im Bereich von 44,1 kHz bis 192 kHz. Die patentierte Macro MMC-Technologie sorgt für extrem niedrigen Jitter und minimale Rauschwerte, was eine stabile und saubere Signalübertragung gewährleistet. Dank ihres kompakten Designs eignet sich die Clock ideal für den flexiblen Einsatz im Studio oder unterwegs. Die Revolution Clock Mini bietet jederzeit und überall eine studio-taugliche Synchronisation auf höchstem Niveau.
KONFIGURIERBARES AD/DA MIT 16 KANÄLENBurl Audio ist stolz, die Veröffentlichung des B16 Mothership bekannt zu geben , einer 2U-Version mit 2 Steckplätzen des revolutionären B80 Mothership, Burl Audios Vorzeigeprodukt. Einfach ausgedrückt hat das B80 Mothership die digitale Aufnahme neu definiert, und jetzt ist der legendäre Sound in einem kleineren, tragbareren B16 Mothership zu finden. Das neue B16 Mothership nutzt die für das B80 entwickelte Technologie und verwendet genau dieselben E/A-Karten wie das B80 Mothership, wodurch Burl Audios tiefe Hingabe an analoge Class-A-Schaltkreise fortgeführt wird. Das Ergebnis ist nicht nur hörbar, sondern auch spürbar. Das Mothership hebt sich von allen anderen Schnittstellen auf dem Markt ab, nicht weil es gefärbt ist, sondern weil es die Quelle nicht sterilisiert. Das B16 Mothership verwendet ein kartenbasiertes System und ein robustes 2U-Gehäuse. Es verfügt über zwei Tochterkartensteckplätze mit interner Stromversorgung und ein Motherboard Ihrer Wahl für Digilink-, MADI-, Dante- oder SoundGrid-Konnektivität. Jeder ADC-Kanal verwendet einen proprietären BX1-Transformator und jeder DAC-Kanal verfügt über den neuesten diskreten Operationsverstärker BOPA4 von Burl Audio.Der BMB1 ist standardmäßig mit zwei DigiLink-Anschlüssen für den direkten Anschluss an Pro Tools ausgestattet. Der BMB2 verfügt über zwei optische MADI-Anschlüsse für die Verwendung mit ASIO- oder CORE AUDIO PCIe MADI-Karten. Der BMB3 verfügt über zwei Ethernet-Anschlüsse für die Verwendung mit Dante-fähigen DAWs und jedem Dante-fähigen Gerät, beispielsweise einem digitalen Mischpult. Die BMB4- Karte ermöglicht die Verbindung zu jedem SoundGrid-Gerät sowie eine geringe Latenz für eine vollständige digitale Audio-Netzwerklösung. Der BMB6 bietet 8 Kanäle für AES/EBU IO-Konnektivität und bietet eine einfache Schnittstelle zu jedem AES/EBU-Gerät.
KONFIGURIERBARES AD/DA MIT 16 KANÄLENBurl Audio ist stolz, die Veröffentlichung des B16 Mothership bekannt zu geben , einer 2U-Version mit 2 Steckplätzen des revolutionären B80 Mothership, Burl Audios Vorzeigeprodukt. Einfach ausgedrückt hat das B80 Mothership die digitale Aufnahme neu definiert, und jetzt ist der legendäre Sound in einem kleineren, tragbareren B16 Mothership zu finden. Das neue B16 Mothership nutzt die für das B80 entwickelte Technologie und verwendet genau dieselben E/A-Karten wie das B80 Mothership, wodurch Burl Audios tiefe Hingabe an analoge Class-A-Schaltkreise fortgeführt wird. Das Ergebnis ist nicht nur hörbar, sondern auch spürbar. Das Mothership hebt sich von allen anderen Schnittstellen auf dem Markt ab, nicht weil es gefärbt ist, sondern weil es die Quelle nicht sterilisiert. Das B16 Mothership verwendet ein kartenbasiertes System und ein robustes 2U-Gehäuse. Es verfügt über zwei Tochterkartensteckplätze mit interner Stromversorgung und ein Motherboard Ihrer Wahl für Digilink-, MADI-, Dante- oder SoundGrid-Konnektivität. Jeder ADC-Kanal verwendet einen proprietären BX1-Transformator und jeder DAC-Kanal verfügt über den neuesten diskreten Operationsverstärker BOPA4 von Burl Audio.Der BMB1 ist standardmäßig mit zwei DigiLink-Anschlüssen für den direkten Anschluss an Pro Tools ausgestattet. Der BMB2 verfügt über zwei optische MADI-Anschlüsse für die Verwendung mit ASIO- oder CORE AUDIO PCIe MADI-Karten. Der BMB3 verfügt über zwei Ethernet-Anschlüsse für die Verwendung mit Dante-fähigen DAWs und jedem Dante-fähigen Gerät, beispielsweise einem digitalen Mischpult. Die BMB4- Karte ermöglicht die Verbindung zu jedem SoundGrid-Gerät sowie eine geringe Latenz für eine vollständige digitale Audio-Netzwerklösung. Der BMB6 bietet 8 Kanäle für AES/EBU IO-Konnektivität und bietet eine einfache Schnittstelle zu jedem AES/EBU-Gerät.
KONFIGURIERBARES AD/DA MIT 16 KANÄLENBurl Audio ist stolz, die Veröffentlichung des B16 Mothership bekannt zu geben , einer 2U-Version mit 2 Steckplätzen des revolutionären B80 Mothership, Burl Audios Vorzeigeprodukt. Einfach ausgedrückt hat das B80 Mothership die digitale Aufnahme neu definiert, und jetzt ist der legendäre Sound in einem kleineren, tragbareren B16 Mothership zu finden. Das neue B16 Mothership nutzt die für das B80 entwickelte Technologie und verwendet genau dieselben E/A-Karten wie das B80 Mothership, wodurch Burl Audios tiefe Hingabe an analoge Class-A-Schaltkreise fortgeführt wird. Das Ergebnis ist nicht nur hörbar, sondern auch spürbar. Das Mothership hebt sich von allen anderen Schnittstellen auf dem Markt ab, nicht weil es gefärbt ist, sondern weil es die Quelle nicht sterilisiert. Das B16 Mothership verwendet ein kartenbasiertes System und ein robustes 2U-Gehäuse. Es verfügt über zwei Tochterkartensteckplätze mit interner Stromversorgung und ein Motherboard Ihrer Wahl für Digilink-, MADI-, Dante- oder SoundGrid-Konnektivität. Jeder ADC-Kanal verwendet einen proprietären BX1-Transformator und jeder DAC-Kanal verfügt über den neuesten diskreten Operationsverstärker BOPA4 von Burl Audio.Der BMB1 ist standardmäßig mit zwei DigiLink-Anschlüssen für den direkten Anschluss an Pro Tools ausgestattet. Der BMB2 verfügt über zwei optische MADI-Anschlüsse für die Verwendung mit ASIO- oder CORE AUDIO PCIe MADI-Karten. Der BMB3 verfügt über zwei Ethernet-Anschlüsse für die Verwendung mit Dante-fähigen DAWs und jedem Dante-fähigen Gerät, beispielsweise einem digitalen Mischpult. Die BMB4- Karte ermöglicht die Verbindung zu jedem SoundGrid-Gerät sowie eine geringe Latenz für eine vollständige digitale Audio-Netzwerklösung. Der BMB6 bietet 8 Kanäle für AES/EBU IO-Konnektivität und bietet eine einfache Schnittstelle zu jedem AES/EBU-Gerät.
KONFIGURIERBARES AD/DA MIT 16 KANÄLENBurl Audio ist stolz, die Veröffentlichung des B16 Mothership bekannt zu geben , einer 2U-Version mit 2 Steckplätzen des revolutionären B80 Mothership, Burl Audios Vorzeigeprodukt. Einfach ausgedrückt hat das B80 Mothership die digitale Aufnahme neu definiert, und jetzt ist der legendäre Sound in einem kleineren, tragbareren B16 Mothership zu finden. Das neue B16 Mothership nutzt die für das B80 entwickelte Technologie und verwendet genau dieselben E/A-Karten wie das B80 Mothership, wodurch Burl Audios tiefe Hingabe an analoge Class-A-Schaltkreise fortgeführt wird. Das Ergebnis ist nicht nur hörbar, sondern auch spürbar. Das Mothership hebt sich von allen anderen Schnittstellen auf dem Markt ab, nicht weil es gefärbt ist, sondern weil es die Quelle nicht sterilisiert. Das B16 Mothership verwendet ein kartenbasiertes System und ein robustes 2U-Gehäuse. Es verfügt über zwei Tochterkartensteckplätze mit interner Stromversorgung und ein Motherboard Ihrer Wahl für Digilink-, MADI-, Dante- oder SoundGrid-Konnektivität. Jeder ADC-Kanal verwendet einen proprietären BX1-Transformator und jeder DAC-Kanal verfügt über den neuesten diskreten Operationsverstärker BOPA4 von Burl Audio.Der BMB1 ist standardmäßig mit zwei DigiLink-Anschlüssen für den direkten Anschluss an Pro Tools ausgestattet. Der BMB2 verfügt über zwei optische MADI-Anschlüsse für die Verwendung mit ASIO- oder CORE AUDIO PCIe MADI-Karten. Der BMB3 verfügt über zwei Ethernet-Anschlüsse für die Verwendung mit Dante-fähigen DAWs und jedem Dante-fähigen Gerät, beispielsweise einem digitalen Mischpult. Die BMB4- Karte ermöglicht die Verbindung zu jedem SoundGrid-Gerät sowie eine geringe Latenz für eine vollständige digitale Audio-Netzwerklösung. Der BMB6 bietet 8 Kanäle für AES/EBU IO-Konnektivität und bietet eine einfache Schnittstelle zu jedem AES/EBU-Gerät.
KONFIGURIERBARES AD/DA MIT 16 KANÄLENBurl Audio ist stolz, die Veröffentlichung des B16 Mothership bekannt zu geben , einer 2U-Version mit 2 Steckplätzen des revolutionären B80 Mothership, Burl Audios Vorzeigeprodukt. Einfach ausgedrückt hat das B80 Mothership die digitale Aufnahme neu definiert, und jetzt ist der legendäre Sound in einem kleineren, tragbareren B16 Mothership zu finden. Das neue B16 Mothership nutzt die für das B80 entwickelte Technologie und verwendet genau dieselben E/A-Karten wie das B80 Mothership, wodurch Burl Audios tiefe Hingabe an analoge Class-A-Schaltkreise fortgeführt wird. Das Ergebnis ist nicht nur hörbar, sondern auch spürbar. Das Mothership hebt sich von allen anderen Schnittstellen auf dem Markt ab, nicht weil es gefärbt ist, sondern weil es die Quelle nicht sterilisiert. Das B16 Mothership verwendet ein kartenbasiertes System und ein robustes 2U-Gehäuse. Es verfügt über zwei Tochterkartensteckplätze mit interner Stromversorgung und ein Motherboard Ihrer Wahl für Digilink-, MADI-, Dante- oder SoundGrid-Konnektivität. Jeder ADC-Kanal verwendet einen proprietären BX1-Transformator und jeder DAC-Kanal verfügt über den neuesten diskreten Operationsverstärker BOPA4 von Burl Audio.Der BMB1 ist standardmäßig mit zwei DigiLink-Anschlüssen für den direkten Anschluss an Pro Tools ausgestattet. Der BMB2 verfügt über zwei optische MADI-Anschlüsse für die Verwendung mit ASIO- oder CORE AUDIO PCIe MADI-Karten. Der BMB3 verfügt über zwei Ethernet-Anschlüsse für die Verwendung mit Dante-fähigen DAWs und jedem Dante-fähigen Gerät, beispielsweise einem digitalen Mischpult. Die BMB4- Karte ermöglicht die Verbindung zu jedem SoundGrid-Gerät sowie eine geringe Latenz für eine vollständige digitale Audio-Netzwerklösung. Der BMB6 bietet 8 Kanäle für AES/EBU IO-Konnektivität und bietet eine einfache Schnittstelle zu jedem AES/EBU-Gerät.
GENERATOR, READER, CONVERTER LTC-MIDI-USB, GPIO, REAL TIME CLOCKFEATURES7 GPIO+9GPI, USB, GPO EventsReal Time ClockLTC Timecode In/Out (XLR)Dual Channel USB-MIDI Interface, bi-directional, converts to MTC and LTCMac/Windows Even Control/Setup SoftwareLarge (0.56"/ 14 mm) Ultra Bright LED DisplayWord Clock or SD/HD Video Sync Reference1U Rack mount brackets availableRS422 configured as device or controllerConverts MMC to Sony P2The TC-5B RS-422 is a professional MTC/LTC interface with LED display, Video Sync, Word Clock input and USB port. The TC-5B 422 is designed to be equally at home in Audio, Video and Lighting Environments, applications include Digital Audio Workstations, Non Linear Video Editors, Mixing Consoles, Show Control and Lighting Control. Replacement for MIF4. The dual midi interface allows for the control/setup software to be run at the same time as a user application. As a test tool the TC-5B RS-422 can check the frequency of Timecode, MTC, Video and Word Clock. The TC-5B RS-422 can also compare LTC with MTC.
FEATURES 7 GPIO+9GPI, USB, GPO Events Real Time Clock LTC Timecode In/Out (XLR) Dual Channel USB-MIDI Interface , bi-directional, converts to MTC and LTC LTC/MTC generator controlled from front panel or by MMC from USB or MIDI Mac/Windows Event Control/Setup Software Large (0.56”/ 14 mm) Ultra Bright LED Display Word Clock or SD/HD Video Sync Reference 1U Rack mount brackets available TC-5B-Midi: Midi In/Out (5 pin Din) TC-5B-RS422: RS422 configured as device or controller TC-5B-RS422: Converts MMC to Sony P2 DESCRIPTION The TC-5B-Midi/RS-422 is a professional MTC/LTC interface with LED display, Video Sync, Word Clock input and USB port. The TC-5B-Midi/RS-422 is designed to be equally at home in Audio, Video and Lighting Environments, applications include Digital Audio Workstations, Non Linear Video Editors, Mixing Consoles, Show Control and Lighting Control. Replacement for MIF4. The dual midi interface allows for the control/setup software to be run at the same time as a user application. As a test tool the TC-5B-Midi/RS-422 can check the frequency of Timecode, MTC, Video and Word Clock. The TC-5B-Midi/RS-422 can also compare LTC with MTC.
Digital audio workstations as well as lighting and show control software make use of MTC midi timecode for synchronisation. The new mif4 provides professional interfacing to standard LTC (SMPTE) timecode. Rosendahl sync algorithms suppress timecode jitter and drop outs.
The D-Clock is a dual input/twenty output word clock distributor with a 16 character blue LCD display providing a reference measurement of the incoming sample rate. Both AES/EBU and BNC word clock inputs feature a zero latency loopthrough output with switchable high impedance to maintain the correct level of the digital signal for onward distribution. The D-Clock displays incoming sample frequencies up to 768 kHz to an accuracy of 2ppm (parts per million) with two further modes - sample frequency with ±ppm error and sample frequency with % pull up/down for video users. 2 in/20 out Clock Measurement and Distribution Amplifier Inputs: BNC with zero latency loopthrough AES with with zero latency loopthrough Outputs: BNC loopthrough / AES loopthrough 20 BNC clock outputs 33½ impedance 3 sample rate measurement LCD modes accurate to 2ppm Universal voltage filtered mains power input Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Grimm Audio’s CC1 brings the incredible clock stability of the AD1 to your current setup! The CC1 accepts Word Clock and distributes a super high quality Word Clock and AES/EBU sync to all equipment in your system. Now, any studio can benefit from some of the features of our AD1’s unique sound quality like ultimate musical timing and stability of tone. Grimm Audio’s extensive research into the correlation between jitter and sound quality brought to light that emotional response to music is vastly more sensitive to jitter than previously realized. Attention turned from “making jitter low” to achieving the most stable clock possible. This research turned up a surprising array of previously underestimated performance factors like power supply noise, oscillator control circuit noise and low-level crosstalk. Owing to a radically redesigned discrete crystal oscillator, clock stability betters that of even the best test equipment available. To sync to an external reference the CC1 sports a PLL offering an astounding 90dB of jitter suppression at 10Hz, further improving at 60dB/dec. The CC1 offers base rates of 44.1kHz and 48kHz and 1/2/4 multiples in separately selectable groups, in addition to an AES/EBU reclocker for cleaning the digital feed to your DA converter. Like all Grimm Audio products, the CC1 features striking styling and solid build quality.
If you are the kind of person who likes converters to sound transparant, so flavors can be added in a controlled manner, the Grimm oscillator circuitry will be your first choice. It objectively has the lowest jitter of any pro audio clock device on the market. By using the CC2 as external word clock generator for your sound card or digital mixing desk, its sound quality is very likely to increase. Whether you are working in a recording studio, a mastering studio or mixing live sound, the CC2 will guarantee optimal sound quality. Customers using a Grimm Audio clock report "superior detail and imaging" and "a palpable increase in naturalness, extension and spaciousness". With the CC2 this top quality clock performance is now within reach of everyone's budget.
DIGITAL AUDIO AND SD/HD VIDEO SYNC MASTER CLOCK GENERATORMC-3.2 SMART CLOCK HD is an universal digital audio and SD/HD video sync master clock generator. The MC-3.2 SMART CLOCK HD provides different high-stable clock signals for simultaneous synchronization of digital audio and SD/HD video devices. The unit offers lowest clock-jitter, extremely high flexibility, 16 outputs in total and a new designed, simple user interface. Based on circuit designs of MUTEC‘s well-known iCLOCK and iD, the MC-3.2‘s signal quality and function flexibility achieve levels of performance, which are totally outstanding in the respective market range! The SD bi-level video reference generator supports PAL 24/25fps and NTSC 29.97/30fps as Black + Burst, composite sync and color bar. The HD tri-level video reference generator offers 720p, 1080i and 1080p formats with various frames rates. Furthermore, MC-3.2 generates 17 lowest-jitter Word Clock rates up to 768.0kHz and so-called ‘Super Clocks’ with all common Pull Ups/Downs. Different multipliers can be individually assigned to every pair of outputs for multi-clock-operation. This all makes MC-3.2 SMART CLOCK HD the most flexible A/V clock generator in a 9.5" case currently available in the industry! FEATURES: • SD bi-level and HD tri-level syncs simultaneously available • Audio and video signals coupled to one common AES11, Grade 1, • reference clock (0.5ppm) • Improves acoustical audio quality and eliminates digital "Clicks and Pops" • Generates Word Clocks, Super Clocks, AES/EBU + S/PDIF blanks • at the same time • Built-in international power supply APPLICATIONS: • SD/HD video + audio synchronization • Ultra low-jitter clock supply for entire studio • Film, video and audio transfers • Acoustical improvement of AD/DA converters • Stellate clock signal supply
Enhancement of Sound Quality by high-resolution Audio Re-Clocking It is widely known that a master clock changes the sound quality of digital audio devices more or less to a higher level. But carving out finest audio details in your recordings to reproduce individual instruments as clear as possible and to raise the precision of their positions within the spatial sound to a maximum is possible at best with high-resolution re-clocking of your digital audio material. That is what MUTEC's new audio re-clocking algorithms paired with the 1G-Clock technology perform in the MC-3+ Smart Clock. Thus, the sensing of the incoming audio is carried out with highest resolution which leads to ultimate precision during merging the audio data with the new ultra-low-jitter clock. The result is unparalleled richness of details and spatiality of the re-clocked audio material. The real next Step in Audio Clock Generation While others argue for their products with standardly known technical aspects, MUTEC really sets the benchmark of digital audio clocking to a higher level using the proprietary 1G-Clock technology for the first time in the MC-3+ Smart Clock. Running a frequency synthesis on a specifically calculated high clock rate, eliminates completely typical jitter inducing artifacts which are present in all standardly implemented DDS processes. Additionally, we took a look around the clock generation circuit and developed totally new ultra-low-noise power supplies and PCB design rules aligned to high-speed communication technologies to virtually eliminate all electrical noise. Thus, the new 1G-Clock technology helps you to bring jitter down to an unique low level, which leads to unprecedented transparency in your audio recordings. Usability in Studio and Live Event Environments The new MC-3+ Smart Clock works not only as generator, but also as clock distributor. Unlike other products, the MC-3+ effectively regenerates incoming clock signals to higher purity as the signal source. This helps to stabilize already existing clock systems and improves the level of sound reproduction quality in your studio environment. In cases when the MC-3+'s digitally-compensated clock accuracy is not sufficient, it is possible to lock the system to references of higher accuracy like so-called Atomic clocks or GPS receivers to raise the timing accuracy to the highest possible level. Additional to that, for the use during live events or in mobile trucks, the MC-3+ features anytime-fail-safe clock generation in every state of operation. Entering the hold-over-mode and re-synchronization of returning clock references is carried out so smoothly that live recordings will surely not be affected. Thus, the new MUTEC MC-3+ Smart Clock ensures flawless synchronization of connected devices at any time, while enhancing the sound of your audio production impressively. Features Incorporates MUTEC's unique 1G-Clock technology for lowest jitter possible Improves audiophile quality of any connected digital audio device Re-clocks digital audio most aggressively Raises clearly audible the sound quality of any DA converter Eliminates digital “Clicks and Pops” Enhances existing master clocks Digitally-compensated clock accuracy for highest precision of the generated clocks Locks to 10 MHz clock signals of so-called Atomic clocks or GPS receivers Outputs clock signals fail-safe in any state of operation Generates Word Clocks, Super Clocks, AES3 + S/P-DIF blanks simultaneously Converts between AES3 and S/P-DIF as well as between AES11 and Word Clock New-designed, simple user interface Front panel lock-out for preventing misuse Rack-space-saving 9.5“ housing Built-in, international power supply
The MC-3+ Smart Clock USB is setting a new benchmark for clocking technology and the reproduction of digital audio by uniquely combining an audiophile USB interface with an audio re-clocker in perfection! Particularly designed for the demands of high-end consumer audio, the device expands a new sonic universe with increased musicality, clarity, and precision. As such, the MC-3+USB will prove its worth in many audiophile listening rooms around the world. Features: Unique, bit-transparent Re-Clocking without conventional sample rate conversion for purest sound quality Audiophile, asynchronous two-channel USB interface with ultra-low noise audio clock oscillators and total galvanic isolation of up to 2500 VRMS, respectively 4242 VPK, for suppression of high-frequency interferences Converts DSD/DoP streams (64-256) to PCM audio with selectable output clock rate Locks to MUTEC's REF10, as well as so-called atomic clocks and GPS clock references Improved, next-generation REVIVE re-clocking and 1G-Clock technology by MUTEC Additional Features: Serves as a flexible digital input switching matrix, audio format converter and master clock Compatible to Apple Macintosh and Windows PCs Intuitive user interface and easy installation Update-capability via USB Available with black- or clear aluminum front panel Galvanic isolation up to 2500 VRMS in accordance with UL1577, respectively 4242 VPK in accordance with DIN EN 60747-5-2 (VDE 0884 part 2) Converts DSD/DoP streams (64-256) to PCM audio with selectable output clock rate Transfers USB audio streams into AES3 and S/P-DIF and outputs those to five digital audio formats simultaneously Converts between USB PCM audio, USB DSD/DoP audio, AES3 and S/P-DIF, as well as between AES11 and Word Clock Highly compatible USB audio class 2.0 driver for Windows supporting ASIO, MME, DirectSound, WASAPI, Kernel Streaming, PCM 16Bit, 24Bit, 32Bit and Float-32Bit at all clock rates between 44.1kHzand 192.0kHz Ultra-low jitter Word Clock generation with clock rates up to 1,536.0 kHz Scalable to FS1x512 clock rates, 22,5792 MHz & 24,576 MHz, for e.g. high-end audio interfaces Locks to Rubidium- (10 MHz), Cesium- (5 MHz) and GPS clock references Generates Word Clocks, Super Clocks, AES3 + S/P-DIF blanks simultaneously Uninterruptable, fail-safe clock generation in all operation modes Eliminates so-called digital "clicks and pops" Individual lock indicators for the clock or audio reference and the re-clock reference USB, AES/EBU, AES/EBUid and S/P-DIF interfaces in one box S/P-DIF interconnections via BNC, RCA and optical interfaces available as in- and outputs Front panel lock-out for preventing of misuse Rack-space-saving 9.5" housing Built-in, universal power supply
Word Clock Distribution Amplifier and Audio Clock Converter The MUTEC MC-7 is a very flexible, high-performance Word Clock distribution amplifier and audio clock converter. In today’s studio environments, clock distribution is more significant as mostly assumed. Actually, a clock signal does more than only synchronizing digital audio devices, it does also influence the acoustical result of your recordings. Due to this, the MC-7 is designed to cover both aspects with excellence! FEATURES: • Distributes and converts Word Clock, AES3/11 and S/PDIF. • Extracts and re-generates clock signals out of digital audio signals. • Improves audio quality of connected devices. • Handles clock rates from 32.0kHz up to 192.0kHz/768.0kHz. • Supports so-called Super Clocks for older Digidesign ProTools systems. • Offers 4 inputs and 11 outputs in total. • Protects from reference signal dropouts. • Supplies interruption-free output signals. • AES11, Grade 1, internal reference clock (0.5ppm). • Compact case size fits in every studio set-up. • Built-in international power supply. The MC-7 converts and distributes Word Clock, AES3/11 and S/P-DIF signals. An incoming reference signal passes latest audiophil-optimized PLL circuits, to be distributed and output as low-jitter, high-quality clock signal, regardless of the condition of the reference signal. Thereby, connected audio devices will benefit from the MC-7’s signal regeneration abilities, which improve their sound qualities audibly. Furthermore, the MC-7 functions as multiplier for the clock rate of the incoming reference signal. Therefore, the outputs can be individually multiplied by x1, x2, x4, which leads to a very wide range of possible output Word Clock rates from 32.0kHz up to 768.0kHz. This enables e.g. the contemporaneous output of an incoming 48.0kHz reference signal with 96.0kHz, 192.0 kHz and as so-called Digidesign Super Clock. A special ‘Pass’ functionality secures the availability of an incoming digital audio signal for further use. For live or broadcast use, a special ‘Hold’ functionality can be activated additionally with every operation mode. This function guarantees interruption-free output signal supply in cases when the external reference is of insufficient quality or lost completely. Thus, the MC-7 is predestined to be used as centralized clock stabilizer and distributor, where reliable signal availability is a must. Due to its synchronisation features and connection flexibility, the MC-7 offers unique possibilities to provide interconnections between digital audio devices on a reliable and useful basis. This all makes MC-7 for sure an unique and outstanding digital audio clock distributor and converter enabling to handle every clocking issue in your studio set-up with ease! APPLICATIONS: • Stellate Word Clock distribution. • Sound improvement of digital audio devices. • Audiophil clock recovery and regeneration. • Interconnection of consumer and professional digital audio devices. • Line extension for e.g. theatre or broadcast installations. • Output expansion for MUTEC's iCLOCK, iCLOCKdp, iD, iDdp, MC-3, MC-3.1 and MC-3.2.