Großmembran Mikrofone

Features: Powerful mic modeling engine duosonic / stereosonic microphone output split in 2 independent audio channels for maximum control and re-micing large double-membrane condenser capsule switchable polar patterns and anything in between ultra-low resonance headbasket and body construction shock mount with pop filter and special oxygen-free copper y-cable extensive library of vintage mic emulations

The Antelope Audio Edge Go is a studio-grade large-diaphragm condenser USB microphone that gives musicians, content creators, and producers unprecedented access to Antelope's industry-leading mic-modeling technology. What would your recordings sound like if you had a locker full of classic vintage microphones? With the Antelope Edge Go, you'll unlock detailed software emulations of the world's most iconic mics and studio effects processors. Just plug your Edge Go USB microphone into your Mac or PC, launch the included Edge Go software, and start rolling. Pristine USB Output for High-Resolution Recording -- Anywhere You've never seen a USB mic quite like the Edge Go. Built to Antelope's exacting specifications, with the same dual-diaphragm capsules as the Antelope Edge Duo condenser microphone, the Edge Go gives you USB-C output for convenient recording directly to your computer -- with no need for an external preamp, mixer, or audio interface. The Edge Go mic functions as its own audio interface, offering pristine A/D conversion with up to 192 kHz/24-bit resolution -- far higher resolution than the typical USB mic can deliver. In the pro audio world, Antelope is known for building the high-end analog-to-digital converters and super-accurate digital clocks found in world-class recording studios and broadcast facilities. The Edge Go draws on this impressive pedigree of engineering expertise to bring you Antelope sound quality in a go-anywhere, bus-powered USB microphone. Edge Go Mic + Software = Classic Microphone Emulations The Antelope Edge Go mic includes Edge Go control panel software, which lets you instantly audition and compare 11 expertly crafted microphone emulations. They're all modeled after the time-tested studio mics you've heard on thousands of hit recordings: Fat-sounding tube mics like the Tokyo 800T, Berlin 49T, Berlin 67, and Vienna 12; crisp FET condensers like the Berlin 87, Berlin M103, Berlin 47 FT, and Vienna 414; and smooth ribbons like the Sacramento 121R and Oxford 4038. Just select the mic you'd like to hear and dial in the pickup pattern you want to use: omnidirectional, cardioid, bidirectional figure-8, and everything in between. Antelope's software models meticulously emulate the distinctive character of each iconic microphone -- effectively giving you access to an epic mic collection. And you can record through the Edge Go microphone with no mic emulation applied for a transparent, flat 20 Hz - 20 kHz large-diaphragm condenser sound. Antelope-Modeled Effects: Preamps, EQ, Compression, Reverb and More Antelope's software magic doesn't end with microphone modeling. The Edge Go also gives you access to a killer collection of 22 effects modeled after classic studio gear, including all the must-have mic preamplifiers, dynamics processors (limiters, compressors, gates, expanders), de-esser, equalizers, and Antelope's AuraVerb with 6 reverb types to help you dial in the right ambiance from barely-there atmosphere to epic echoes. There's even a reel-to-reel tape effect to give your recordings a distinctively vintage vibe. Not sure where to start? Edge Go software gives you one-click access to presets like "Telephone Effect," "Massive Reverb Space," "Fan Noise Reduction," and more, so you can nail that sound in your head and start recording fast. Get creative and build the effects chain of your dreams, then save it as a preset, so inspiration is only a click away. FPGA Processing Inside the Microphone -- Not Your Computer's CPU All the processing power you need to run Antelope's mic emulations and effects models is built right into the Edge Go microphone's hardware, in the form of a dedicated FPGA chip. With the Edge Go mic, there's no need to bog down your DAW with effects processing plug-ins, sap your computer's limited CPU power, or buy an external DSP accelerator or interface box. Antelope Audio is an industry leader when it comes to harnessing the power of FPGA (Field Programmable Gate Array) chips for real-time audio processing -- and with the Edge Go microphone, all that power is now in your hands. Everything You Need to Start Rolling Your Edge Go microphone comes packed in a road-ready hard case with a heavy-duty shock mount, a professional metal mesh pop filter, an adjustable-angle desktop mic stand with a sturdy non-slip base, and a USB-C to USB-A cable. There's even a 1/8" stereo headphone jack right on the Edge Go microphone body for easy zero-latency monitoring. Just add your favorite pair of headphones, your computer with a USB input, and the audio software of your choice, and you'll have everything you need to start recording. Features: Studio-grade dual-diaphragm condenser microphone with 192 kHz/24-bit USB output 1/8" stereo headphone output on the microphone for zero-latency monitoring Includes Edge Go software with 11 microphone emulations and 22 studio effects, with easy presets for dialing in your sound fast Built-in Antelope FPGA processing for real-time processing without sapping your computer's CPU Comes with hard case, shock mount, metal pop filter, desktop mic stand, and USB-C to USB-A cable No need for an external audio interface, preamp, power supply, or DSP accelerator Ideal go-anywhere recording rig for musicians, podcasters, vloggers, voiceover artists, and content creators

Features: one-of-a-kind quadrosonic modeling microphone rotatable head with large double-membrane condenser capsules audio signal split into 4 independent xlr output channels for optimum control and re-micing switchable patterns: cardioid, figure-8 and omnidirectional individual mic emulation and polar pattern selection for each head infinite top head rotation for maximum flexibility ultra-low reflection, fully symmetrical top and bottom heads extensive library of vintage mic emulations custom luxury shock mount, two special oxygen-free copper y-cables and a custom handmade wooden case included

Edge Solo is a high-quality single-capsule large-diaphragm condenser microphone by Antelope Audio. Combined with Antelope’s cutting-edge modeling technology, it allows users to emulate the world’s most iconic vintage microphones with uncanny accuracy. The Edge Solo features modeling that was performed in one of the most respected facilities in Germany using an exquisitely preserved collection of classic microphones. SINGLE CAPSULE, SINGLE MEMBRANE CONDENSER FIXED CARDIOID CHARACTERISTICS ACCURATE MIC MODELING EXPANDING LIBRARY OF THE WORLD’S MOST RENOWNED CARDIOID MICROPHONES EASY TO USE IMPRESSIVE DYNAMIC RANGE AND FREQUENCY RESPONSE In the box: Breakout cable: Not included (standard 3-pin XLR cable) Mount: Hard mount included Case: Standard small suitcase

The Edge Strip bundle includes the stunning Edge Modeling Microphone, the Discrete MP ultra-linear mic preamp and our native AFX modeling plug-ins. These three elements work hand-in-hand to deliver a locker full of unobtainable vintage mics and a rack full of classic outboard gear, all for a fraction of the price of the originals

Audio-Technica’s AT4047MP delivers vintage sound in a multi-pattern design with selectable omnidirectional, cardioid, and figure-of-eight polar patterns. The microphone’s transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs. With a wide dynamic range, incredibly low self-noise and high SPL capability, this versatile microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups and voiceovers. Three switchable polar patterns: cardioid, omnidirectional, figure-of-eight Engineered to meet the critical acoustic requirements of professional recording, broadcast and sound reinforcement Transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs Exceptionally low self-noise, wide dynamic range and high SPL capability Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity Vintage silver-matte finish on microphone and shock mount Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections Custom shock mount provides superior isolation Integral 80 Hz high-pass filter switch and 10 dB pad switch

Stereo Condenser MicrophoneOffering the realism of a live sound field, the AT4050ST is a side-address condenser with cardioid and figure-of-eight elements configured in a Mid-Side arrangement. This innovative stereo condenser allows sound recordists the choice of selecting a left-right stereo output or choosing discrete Mid-Side signals for later manipulation, a remarkable flexibility. The microphone’s dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range. Its transformerless circuitry virtually eliminates low-frequency distortion. Features:    Innovative side-address Mid-Side stereo microphone engineered for professional recording, broadcast and sound reinforcement    Independent cardioid and figure-of-eight condenser elements    Switch selection of Mid-Side mode and two internally matrixed stereo modes    Dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range of the microphone    Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients    The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics remain constant over years of use    Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections    Integral 80 Hz high-pass filter switch and 10 dB pad switch    State-of-the-art design and manufacturing techniques ensure compliance with A-T’s stringent consistency and reliability standards    Custom shock mount provides superior isolation    Certified by the METAlliance (Music Engineering and Technology Alliance)Technische Spezifikationen:    ELEMENT     Externally-polarized (DC bias) condenser    POLAR PATTERN     Cardioid and Figure-of-eight    FREQUENCY RESPONSE     20-18,000 Hz    LOW FREQUENCY ROLL-OFF     80 Hz, 12 dB/octave    OPEN CIRCUIT SENSITIVITY     Stereo 90°: -42 dB (7.9 mV) dB re 1V at 1 Pa    Stereo 127°: -41 dB (8.9 mV) dB re 1V at 1 Pa    Mid: -36 dB (15.8 mV) dB re 1V at 1 Pa    Side: -36 dB (15.8 mV) dB re 1V at 1 Pa    IMPEDANCE     50 ohms    MAXIMUM INPUT SOUND LEVEL     Mid and Side: 149 dB SPL, 1 kHz at 1% T.H.D.;    159 dB SPL, with 10 dB pad (nominal)    NOISE     Stereo 90°: 25 dB SPL    Stereo 127°: 16 dB SPL    Mid: 15 dB SPL    Side: 17 dB SPL    DYNAMIC RANGE (typical)     Mid: 134 dB, 1 kHz at Max SPL    Side: 132 dB, 1 kHz at Max SPL    SIGNAL-TO-NOISE RATIO     Stereo 90°: 69 dB, 1 kHz at 1 Pa    Stereo 127°: 78 dB, 1 kHz at 1 Pa    Mid: 79 dB, 1 kHz at 1 Pa    Side: 77 dB, 1 kHz at 1 Pa    PHANTOM POWER REQUIREMENTS     48V DC, 6.4 mA typical (both channels total)    SWITCHES     90°, 127°, M-S;    Flat, roll-off;    10 dB pad (nominal)    WEIGHT     517 g (18.2 oz)    DIMENSIONS     193.0 mm (7.60") long,    53.4 mm (2.10") maximum body diameter    OUTPUT CONNECTOR     Integral 5-pin XLRM-type    CABLE     5.0 m (16.5') long, 8-conductor, shielded, vinyl-jacketed stereo cable with 5-pin XLRF-type connector at microphone end and two 3-pin XLRM-type connectors at output end    ACCESSORIES FURNISHED     AT8449 shock mount for 5/8"-27 threaded stands; microphone dust cover; protective carrying case    AUDIO-TECHNICA CASE STYLE     R1

The AT4060a is a large-diaphragm cardioid condenser tube microphone, designed for use in the most demanding studio applications. Each hand-selected tube is individually aged and tested, then employed in a uniquely configured circuit for enhanced tube performance. Specially tuned elements improve dynamic range and the allow the AT4060a to handle high SPLs without sacrificing high-frequency characteristics. Floating-construction mounting of the elements provides isolation from noise and vibration. The AT4060a operates in conjunction with the included tube microphone powering unit, featuring low-impedance output and a ground-lift switch. Vintage tube sound with the versatile performance necessary for the most demanding studio applications Hand-selected tubes are individually tested and aged to maintain peak performance Regulated and heavily filtered heater current prevents noise contamination of audio signal chain Wide dynamic range, low self-noise and high max SPL capability Large coupling transformer provides superior low-frequency linearity Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics achieved remain constant over years of use Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity

Das OC-S10 ist ein Großmembran-Kondensatormikrofon der Spitzenklasse, das speziell für die Aufnahme von Lead-Vocals und Soloinstrumenten mit höchster Präzision entwickelt wurde. Mit fünf wählbaren Richtcharakteristiken, drei Low-Cut-Filtern und umschaltbaren -10dB- und -20dB-Pads bietet das OC-S10 außergewöhnliche Vielseitigkeit für jede Aufnahmesituation. In Kombination mit der Dual-Output-Funktion (beide Standard-XLR) bietet es maximale Flexibilität in der Nachbearbeitung und ermöglicht Ihnen, Ihren perfekten Sound zu finden und zu gestalten.

Handcrafted CKR6 ceramic capsule handmade in Vienna, like the CKR12 capsule, but with single diaphragm Rugged Design Metal housing, cap, and grille High precision cardioid pattern directional characteristic Switchable high pass filter 40 Hz (2nd order), 160 Hz (2nd order)

Mit dem OC18 Dual Set Plus präsentiert der Wiener Hersteller ein Mikrofonset mit umfangreichem Zubehör für Studio- und Liveanwendungen. Jedes OC18 wird im betriebseigenen Messraum auf Herz und Nieren überprüft um die Auslieferung eines perfektes Paares zu garantieren. Austrian Audios OC18 ist die „stripped down“ – Version des innovativen OC818 Großmembranmikrofons und konzentriert sich auf sein wesentlichstes Feature, die CRK12 Kapsel: Basierend auf der legendären CK12 Mikrofonkapsel, entwarfen die Wiener Audio-Ingenieure ihre eigene, weiterentwickelte CKR12 Kapsel, indem sie weltweit verschiedene Originale der berühmten Vintage-Kapsel aufspürten und diese akribisch getestet, gemessen und nach ihren besten Eigenschaften bewertet haben um aus den gewonnenen Daten und Erfahrungen viel mehr als nur eine „Kopie“ zu entwickeln. Das in liebevoller Handarbeit gefertigte OC18 glänzt durch seinen unverkennbaren, transparenten „Made in Vienna“-Sound, der sowohl im Studio als Instrumental- und Vocalmikrofon, wie auch als Mikrofon in lauten Liveumgebungen eine herausragende Figur macht. Das OC18 Dual Set Plus beinhaltet: 2x OC18 Mikrofon, 2x OCS8 elastische Mikrofonaufhängung, 2x OCW8 Windschutz, 2x OCH8 Mikrofonklemme, 1xSB1 Stereo Schiene, Transport Koffer Features: Dual Set mit umfangreichem Zubehör für Studio- und Liveanwendungen Inkl. 2x OC18 Mikrofon, 2x OCS8 elastische Mikrofonaufhängung, 2x OCW8 Windschutz, 2x OCH8 Mikrofonklemme, 1xSB1 Stereo Schiene, Transport Koffer Kondensator-Großmembranmikrofon Richtcharakteristik: Niere Handgefertigte CKR12 Keramikkapsel basierend auf der legendären CK12 Kapsel Vollständig entwickelt und handgefertigt in Wien Frequenzbereich: 20 Hz – 20 kHz Empfindlichkeit: 13 mV/Pa Ausgangsimpedanz: 275 Ω (symmetrisch) Lastwiderstand: >1 kΩ SPL (max.): 148 dB / 158 dB (mit Pad) Eigenrauschen: 9dB SPL(A) Signal-Rausch-Abstand: >84 dB Spannungsversorgung: 48 V (<2.2mA) Lowcut Filter: 40 Hz, 80 Hz & 160 Hz Pad: -10 dB & -20 dB Abmessungen (OC818 Mikrofon): 157 x 63 x 35 mm Gewicht (OC18 Mikrofon): 335 g

Includes: OC18 Microphone, Spider mount, Mic Clip, Windshield, Case Features: As per the OC818 but classic cardioid same handmade CKR12 ceramic capsule but single diaphragm no micropro- cessor (factory calibrated bias voltage) no microproces- sor means no wireless control and no Preset Mode it’s a classic “Made in Vienna” mic, of course, but stripped down to the essentials every Austrian Audio OC18 and OC818 is within 1dB of each other so any two microphones is a stereo pair! add an OC18 to an OC818 for a spaced pair at any time! debuts Austrian Audio’s Open Acoustics Technology

Features: Dual Output Großmembranmikrofon Umschaltbare Richtcharakteristik: Kugel, Niere, Superniere, Acht, 255 Zwischenstufen per App Frei konfigurierbare Richtcharakteristik via PolarDesigner Plug-In für Win & Mac Echtzeiteingriff auf Richtcharakteristik via optionalem OCR8 Bluetooth-Dongle und PolarPilot App für Android & iOS Handgefertigte CKR12 Keramikkapsel basierend auf der legendären CK12 Kapsel Vollständig entwickelt und handgefertigt in Wien Frequenzbereich: 20 Hz – 20 kHz Empfindlichkeit: 13 mV/Pa Ausgangsimpedanz: 2 x 275 Ω (symmetrisch) Lastwiderstand: >1 kΩ max. SPL: 148 dB / 158 dB (mit Pad) Eigenrauschen: 9dB SPL(A) Signal-Rausch-Abstand: >84 dB Spannungsversorgung: 48 V (<4mA) Low Cut Filter: 40 Hz, 80 Hz & 160 Hz Pad: -10 dB & -20 dB Abmessungen (OC818 Mikrofon): 157 x 63 x 35 mm Gewicht (OC818 Mikrofon): 360 g Farbe: schwarz matt

Mit dem OC818 Dual Set Plus Black erweitert Austrian Audio seine erfolgreiche OC818-Serie um ein umfangreich ausgestattetes Komplettset, das speziell auf die Anforderungen professioneller Studioanwender zugeschnitten ist. Aufgrund der hohen Nachfrage – insbesondere aus dem Recording- und Produktionsbereich – wurde dieses Set als vielseitige Lösung für anspruchsvolle Stereo- und Mehrmikrofonaufnahmen entwickelt. Das Set enthält zwei OC818 Black Großmembran-Kondensatormikrofone, die für ihre außergewöhnliche Klangqualität, hohe Flexibilität und moderne Technologie bekannt sind. Geliefert wird das gesamte System in einem robusten Transportkoffer, der sowohl sicheren Schutz als auch einfachen Transport gewährleistet. Zum umfangreichen Lieferumfang gehören außerdem zwei OCS8 elastische Mikrofonspinnen, zwei OCW8 Windschutze, zwei OCH8 Mikrofonklammern, zwei OCC8 Mini-XLR-Kabel sowie eine SB1 Stereo-Schiene. Dadurch bietet das Set alles, was professionelle Tontechniker für präzise Stereoaufnahmen und vielseitige Studioanwendungen benötigen. Klanglich überzeugt das OC818 mit einem offenen, detailreichen und äußerst edlen Soundcharakter. Die klangliche Nähe zum legendären AKG C12 ist deutlich wahrnehmbar, gleichzeitig entwickelt das Mikrofon jedoch seinen eigenen modernen und hochwertigen Klangstil mit hoher Transparenz und Musikalität. Besonders innovativ ist die Integration moderner Funktionen und Softwarelösungen wie dem „PolarDesigner“. Diese Technologie eröffnet neue kreative Möglichkeiten sowohl während des Aufnahmeprozesses als auch in der Postproduktion und macht das OC818 zu einem außergewöhnlich flexiblen Allround-Mikrofon für professionelle Studios.

Includes: OC818 Microphone, Spider mount, Mini XLR, Mic Clip, Windshield, Case Features: Multipattern Dual Output Condenser Microphone with world’s first optional wireless Control Handmade CKR12 ceramic capsule, made to same critical dimensions as the best legacy CK12 capsules we could find, measure, and record multiple polar patterns microprocessor control of polarization voltages 2 different analog high-pass filters with 3 settings 2 different types of analog pads dual out- puts for recording each diaphragm separately debuts Austrian Audio’s Open Acoustics Technology handmade in Vienna, again!

The Chandler Limited EMI Abbey Road Studios ‘TG Microphone’ is a solid-state large diaphragm condenser microphone. Continuing the rich tradition of innovation, the TG Microphone is unique in its feature-set, isn’t a clone of any other microphone, and as the name implies, the sound is TG. The TG Microphone’s unique on-board EMI ‘Tape Equalizer’ section combined with its ‘Dual Tone System’, dedicated PSU and other features create an extremely flexible microphone capable of rivaling scenarios where the FET47, C414 and U47 traditionally have found favor. The Tape Equalizer is adapted from the NAB/IEC tape equalizer facility found on vintage EMI TG12410 transfer consoles or mastering consoles, and applied with great effect in the TG Microphone. Historically used to compensate for tapes played back on machines of the opposite standard, the repurposed tape equalizer allows the engineer to shape the sound at the source and mitigates the need for injecting equipment downstream. The ‘Dual Tone System’ modifies the input stage of the TG Microphone and extends the versatility of the microphone to accommodate a greater array of sources. System ‘A’ is what you’d expect, TG mid forward, while the alternate ‘B’ voicing is more pristine, takes extreme SPLs and is at home wherever a FET47 would be the choice. The microphone’s specialized Low-Cut filter in combination with Tape Equalizer work together to create a super-set of 5 additional tonal variations available from the mic. The Low-Cut filter is frequency selectable at 90 Hz or 50 Hz. Chandler Limited TG Microphone, EMI Abbey Road StudiosMuch like tube microphones, the TG Microphone relies on a dedicated power supply (PSU). The use of a dedicated PSU, rather than 48V phantom power is integral to the TG Microphone’s larger than solid-state sound. The TG Microphone makes use of multiple TG amplifier circuits, however, unlike the heralded REDD Microphone, does not feature an internal preamp. Other features include: cardioid and omni patterns, and a 10 dB pad. Shockmount, 25’ Mogami 4-pin mic cable, dedicated PSU, and wooden case are included. FEATURES Microphone Type Large Diaphragm Condenser Transducer Type Gold membrane, custom spec. Circuit Type TG, Solid-state Dual Tone System A/B voicing Tape Equalizer TG, 5 settings Low-Cut Filter Switchable— Out, 90 Hz/50 Hz Patterns Cardioid / Omni PAD 10 dB / Switchable Impedance 200Ω Power External, PSU included Mic Cable 4 Pin, 25' Mogami, included Shockmount Included Case Wooden, Included

REDD Microphone Large-diaphragm Tube Condenser Mic with Onboard Preamp The Chandler Limited REDD Microphone is a large diaphragm tube condenser microphone, combining mic and preamp into a single, beautifully handcrafted professional recording device. Featuring the vacuum tube based REDD.47 Mic Amplifier circuit directly coupled to a custom handmade premium platinum membrane capsule, the REDD Microphone can be used with or without an external preamplifier. This unique microphone design provides the shortest possible distance between the two most important elements in the recording chain – delivering a larger than life full-bodied sound, with silky smooth top-end. The Chandler Limited REDD Microphone was designed to handle a variety of source materials, including: vocals, strings, piano, drums, bass guitar, electric and acoustic guitars. Features available from the microphone body, include: REDD.47 Mic Amplifier, providing nine gain selections, from +4 to +33db in the ʻ NORMʼ position, extended gain and punch in ʻ DRIVEʼ mode for more tonal and coloration possibilities, switchable Cardioid/Omni patterns, 10db Pad, and Phase reverse. Continuous output control and low-contour feature are accessible from the high-quality external power supply. Shockmount, 25ʼ Mogami microphone cable, PSU, and custom molded flight case, featuring high-density rigid foam, are included. Continuing in the rich tradition of innovation at EMI, dating back to the early 1930s with Alan Blumlein, the father of ʻ Stereoʼ , the companyʼ s first coil microphones, velocity ʻ ribbonʼ mics and the “Blumlein pair” technique, Chandler Limited and Abbey Road Studios introduce the first EMI badged microphone in over a half century, the REDD Microphone. Designed by Chandler Limited Founder and Chief Designer, Wade Goeke, the patent pending REDD Microphone represents a shift in traditional microphone design, bringing together historic circuitry and the heralded EMI REDD.47 preamplifier sound in a new and unique way. Visually, the aesthetic is unmistakably classic, an ode to a gilded age of audio; however, the REDD Microphone is not a U-Type clone or derivative of any other microphone. Rigorously tested at Abbey Road Studios on a variety of sources and against some of the most famous and classic microphones in recording industry history, the REDD microphone excelled. Features: Large-diaphragm Tube Condenser Microphone The first EMI-branded mic in over a half century Combines microphone and preamp in one elegant device Onboard vacuum tube REDD.47 mic amplifier Can be used without an external mic preamp Handmade platinum-membrane capsule Gain between +4 and +33dB (switchable on the microphone) Drive setting for increased coloured gain (+36dB max.) 10dB pad and polarity reverse switches Includes outboard power supply, high-quality spider-type shockmount, a 25-foot Mogami mic cable and custom-molded flight case Handcrafed in the USA

Wir präsentieren das FLEA12 , unsere sorgfältig gefertigte historische Nachbildung des berühmten C-Twelve-Mikrofons. Dieses Mikrofon verfügt über ein modernes Netzteil und einen integrierten Richtcharakteristikschalter und vereint klassisches Design mit zeitgemäßer Funktionalität.

This mic is an exact replica of C12 and involves a modern style power supply with integrated pattern switch. As standard, it is equipped with Tim Campbell's CT12 capsule - great choice if you are considering the clones of original CK12. The mic is equipped with 6072 tube. The transformer is our own replica of original . Considering the sound, it is simply "Rolls-Royce". In some applications this mic will seem somewhat neutral, but it benefits will stand out during mixdown. It's fantastic for vocals, acoustic instruments as well as ambient miking. Those, who have not experienced, will not believe. Includes: microphone in wooden box, power supply, cable with swivel mount connector

FLEA 249 is an exact replica of M249 microphone. All mechanical parts are absolutely exact replicas. FLEA 249 is fitted with capsule F7 - our exact replica of legendary M7 capsule. Another important part is transformer which is also our exact replica of transformers used in M249 mics. The last important part of the electronical system of the microphone is its tube, triode, carefully selected for noise reduction. This mic is fantastic not only for female vocals. You can - taste it !!! The sound is soft and pleasant. The full set includes microphone in wooden box, PSU, cable, and of course safe portable case. At the PSU is placed switch for 110V/230V. Includes: microphone in wooden box, power supply, cable, yokemount

FLEA 250 is our replica of famous M250 microphone. All mechanical parts are identical to original. FLEA 250 is fitted with our own capsule and transformer. As you know, this mic is great to use on AB stereo recording technique. Best for symphonic orchestra miking or as a spot microphone for acoustic instruments. This is not end of use of this microphone. Try and you will love it !!! Clear and pleasant sound. The full set includes microphone in wooden box, 115/230V PSU, cable, and of course safe flight case. Includes: microphone in wooden box, power supply, cable, yokemount.

Actually this mic is an exact replica of the U47. It is equipped with F7 capsule – our exact replica of M7 capsule, our replica of BV8 transformer and TELEFUNKEN EF12 or E80F tubes. Those are actually the next generation of EF12 tubes but with a longer lifetime. In fact, EF12, EF14, UF14 or VF14 are the same tubes with different heating. Especially we focus on EF12 tube as we consider its sound character closest to original. Of course, the price depends on the type of tube. Those of you who have knowledge of prices know that the price of a good VF14 tube can reach 1,500€, so it is obvious that this mic is not a cheap thing. But this mic is possible to use for almost everything and always sounds perfect. The body is duraluminium and is nickel plated . The grille is available in two versions: glossy chrome or matt nickel. The whole set comprises the mic in wooden box, cable, shockmount and power supply

Actually this mic is an exact replica of the U47. It is equipped with F7 capsule – our exact replica of M7 capsule, our replica of transformer and TELEFUNKEN EF14, UF14 or VF14 tubes. In fact, they are the same tubes with different heating. Especially we focus on EF12 tube as we consider its sound character as closest to original. Of course, the price depends on the type of tube. Those of you who have knowledge of prices know that the price of a good VF14 tube can reach 1,500€, so it is obvious that this mic is not a cheap thing. But this mic is possible to use for almost everything and always sounds perfect. Of course, there are a few exceptions, but only a fool would position this mic 5 cm from the kick-drumhead of a heavy metal drummer. The body is duraluminium and is nickel plated . The grille can be made in two versions: glossy chrome or matt nickel. The whole set comprises the mic in wooden box, cable, shockmount and power supply. Everything is packed in safety portable case. Includes: microphone in wooden box, power supply, cable, shockmount.

You like the U47 sound and you are set up mainly for a cardioid "mood"? Don't really need an omni ? This is the right place for you. The FLEA 47 NEXT sounds identical to the FLEA 47! Built with the same wiring and components as the FLEA 47. Elimination of the omni pattern allowed us to make slightly different design. Compared to the FLEA 47 design, the FLEA 47 NEXT - comes without a pattern selector , which is unnecessary due to the cardioid only modification, and a different microphone bottom connector. We used a 7pin Binder connector for the 47 Next. The FLEA 47 NEXT is packaged with our full standard kit , Felt lined wooden box, power supply, cable and shock mount. Includes: microphone in wooden box, power supply, cable, shockmount