Klangerzeuger

Misha ist ein innovatives Eurorack-Instrument bzw. Sequenzer, der einen einzigartigen, intervallbasierten Ansatz zum Spielen und Erzeugen von Melodien verwendet. Er ist so konzipiert, dass er wie ein Tasteninstrument gespielt werden kann, und doch können Sie den Misha nicht nur live spielen, sondern auch Sequenzen aufzeichnen, die auf vielfältige Weise verändert werden können und so neue Wege der spontanen Kreativität eröffnen.

Die B4000+ packt die legendäre Hammond B3 Orgel in eine ultra kompakte Box. Niemand würde eine Gitarre ohne Hals bauen, ohne geht es einfach nicht. Darum haben wir die B4000+ entwickelt, mit neun Zugriegeln: zum Anfassen, zum Schrauben, aber am wichtigsten: zum Spielen! Basierend auf einem der besten und leistungsfähigsten digitalen Signalprozessoren auf dem Markt, dem Sharc DSP von Analog Devices, wurde der Klang und die Wärme der B3 bis ins letzte Detail liebevoll nachgebildet – mit allen elektrischen und mechanischen Unzulänglichkeiten, die das Instrument zur Legende gemacht haben. Eben eine echte Orgel mit voluminösem Bass-Bauch, definierten Mitten und dem nötigen “Scream” in den Höhen: Der authentische Sound einer lebendigen elektromechanischen B3. Die B4000+ simuliert alle 91 Tonewheels, wenn gewünscht, auch mit Übersprechen, und mechanischem Verschleiß. Alles natürlich voll-polyphon, mit Scanner-Vibrato, Röhrenverstärker und Hall, und – selbstverständlich – dem legendären Leslie. Alles perfekt simuliert und abgestimmt. Nur das Gewicht des Originals haben wir etwas reduziert. Zwei Keyboards können direkt mit den MIDI Ports der B4000+ verbunden werden, ohne einen MIDI Merger zu benötigen, um sowohl das obere als auch das untere Manual spielen zu können. Natürlich kann auch ein Pedal Manual hinzugefügt werden – damit sind alle drei Manuale mit voller Polyphonie komplett. Für externe Lautstärkekontrolle kann auch ein Pedal angeschlossen werden, und auch ein Schalter für Sustain oder Rotorgeschwindigkeit. Auch mit nur einem angeschlossenen Keyboard können zwei Manuale mit der Split Funktion gespielt werden. Per USB kann die B4000+ mit dem Sequencer des PC verbunden werden. Ein externes analoges Signal, angeschlossen an der B4000+, kann an einem beliebigen Punkt der Effektkette eingespeist werden. Die B4000+ ist das perfekte und kostengünstige Instrument für den legendären Orgelsound – im Taschenformat.

Mellotron Digitales Mellotron M4000DThe new digital Mellotron was very well received at NAMM 2010 and Frankfurt 2010. It and has been developed by us here at Mellotron and is solely our own product and has nothing to do with any other manufacturer. Some initial specifications:It is a 24 bit digital uncompressed audio playback unit with ca 100 Mellotron and Chamberlin sounds. Extra cartridges will be available. It has a custom built full Mellotron style wood keyboard with depth sensitivity. The front panel user inteface has 2 TFT-displays of high quality and are capable of showing pictures of the actual instruments. The dimensions of the cabinet are 34"x19.5"5.25" (86x50x13.5cm) (WxDxH). Here are some pictures of the digital Mellotron with it's user interface and a side and back view of the cabinet.We will be at Frankfurt Musikmesse 2011 in the EMC booth (Moog distributor for Germany) in hall 5.1 booth C47.

The M4000D MINI Mellotron was developed to meet the needs of keyboardists who want an even smaller and lighter Digital Mellotron. The MINI is also designed to fit perfectly on top of the regular M4000D to make a great looking dual manual Mellotron. Same features, sounds and front panel as the M4000D. Only differences compared to the M4000D: High-quality semi-weighted Fatar piano style keyboard with velocity sensitivity. No aftertouch. Lightweight sheet metal cabinet, fits perfectly on the M4000D, total weight only 21 pounds (9.5 kg). Same output signals as the M4000D, but only unbalanced 1/4" connectors. The weight is 9.5 kg instead of 17.5 kg for the regular M4000D. Dimensions: 807x329x76 mm  

Die 19"-Rack-Version des Mellotron M4000D bietet sämtliche Features der Keyboard-Variante. Klangerzeugung und technische Ausstattung sind identisch. Auch hier lassen sich ausnamslos alle Funktionen direkt auf dem Bedienfeld erreichen. Zusätzlich verfügt das Mellotron M4000D Rack über einen Regler für die Kopfhörer-Lautstärke auf dem Front-Panel.Wird ein entsprechend ausgestattetes MIDI-Keyboard verwendet, lässt sich auch beim Mellotron M4000D polyphoner Aftertouch nutzen.Abmessungen: 19"-Standard-Rack-Format, 2 HE Einbauhöhe

The analogue monosynth reborn Nothing out there sounds this warm, fat and dirty. Bass Station II is our pure analogue monosynth. We based it on our classic Bass Station, then enhanced every area to make it even bigger, angrier and more versatile. It has two tuneable oscillators, a sub-oscillator for enormous bass, plus noise and ring modulation. It also gives you two distinct analogue filter types: the classic multi-mode filter and a new acid filter, for a massive variation in sonic possibilities. Artist Soundpack We decided to put a call out to a handful of our Bass Station II artists to have them create some patches for a new soundpack. Here’s the roster of analogue noodlers who got involved: Nite Jewel, Cian from Super Furry Animals, Jeremy from Everything Everything, Jason Miles, Victor Parris Mitchell, Adam Freedland. Much More Than Bass This synth can sound as mellow or aggressive as you want. Seek out sweet spots with the filter mod to make it sing. Crank the distortion and it will growl with pent up anger. Push the resonance to self oscillation to create shrieking leads. Bass Station II can sound however you feel. Easy Controls for Complex Design We put as many controls as possible onto Bass Station II, so you can totally lose yourself in discovering and creating new sounds. Of course, we also laid out all those controls in the clearest and most useful way, to keep sound design as straightforward and fun as possible. Save and Load Patches We loaded Bass Station II with 64 diverse patches that showcase its huge sonic variation. We also left 64 slots free, so you can easily save and load your own patches on the unit, or in the free librarian software. Instant Inspiration Bass Station II's pattern-based arpeggiator and step sequencer are a fun and immediate way to find new inspiration. The sequencer lets you record your own notes, ties, rests and rhythms in real time, then store them, recall them and use them with any patch you like. Easily and automatically sync them to your music software or hardware setup, or even add swing to get your groove going. Connect to Just About Anything Bass Station II is fully class compliant, so you can plug into anything via USB and start playing. It also has MIDI I/O on 5 pin din ports, so you can connect your other MIDI gear. You can even connect an external instrument and run it through Bass Station II's analogue filter and effects.

Circuit Rhythm ist ein vielseitiger Sampler zur Produktion und Abspielen von Beats. Nehme Samples direkt in der Hardware auf und schneide, forme und re-sample deine Sounds anschließend in einem Flow. Halte deinen Groove quantisiert oder off-grid im Sequencer fest und schichte acht Sample-Spuren übereinander. Belebe dein Live-Set mit Performance FX: Zelebriere Unvollkommenheit mit Lo-Fi-Tape, bringe deinen Mix mit Beat Repeat zum Stottern, und mehr. Integriere Circuit Rhythm in dein Studio oder produziere dank eingebautem und aufladbarem Akku Beats wo immer du willst. Beats machen, leicht gemacht Mit Circuit Rhythm kannst du deine Beatproduktion weiter vorantreiben und Samples in unglaubliche Tracks verwandeln. Im Handumdrehen optimierst du Samples, editierst Patterns und erstellst Beats über optimierte Arbeitsabläufe ganz ohne Bildschirm und greifst auf einen blitzschnellen Sequenzer zurück. Ein leistungsstarker und flexibler Sampler Finde deinen Groove, ohne dabei klanglich an Grenzen für deinen Sound zu stoßen. Erstelle deine Beats mit hochwertigen Künstler-Sounds direkt aus der Box. Oder schließe dein Smartphone, deinen Plattenspieler oder deine Synthesizer an Circuit Rhythm an und zeichne deren Sounds direkt in der Maschine auf, die du dort weiter bearbeitest und per Resampling in neuen Klänge transformierst. Mit acht flexiblen Sample-Spuren kannst du Samples direkt abspielen, ganz gleich, ob du gerade von Vinyl aufzeichnest, Basslinien und Melodien komponierst oder Drum-Grooves in Echtzeit einspielst. Das perfekte Performance-Werkzeug. Bringe mit einem Master-Filter im DJ-Stil und einer breiten Palette von Performance-Effekten mächtige Höhepunkte und Drops in deine Live-Sets. Nutze die Unvollkommenheit von Vinyl-Simulation und Digitiser, generiere Stottereinlagen mit Beat Repeat und per Gater, drehe mit dem Reverser die Zeit zurück und erkunde neue Klangfarben mit Auto-Filter und Phaser für ein wirklich dynamisches Klangbild. Mit Grid FX kannst du deinen Samples neues Leben einhauchen. Überall Musik machen Erwecke Beats dort zum Leben, wo immer dir Inspiration begegnet. Die Portabilität von Circuit Rhythm macht dieses es zum besten Freund mobiler Beatproduzenten. Mit eingebautem Akku und einer microSD-Karte zur Speichererweiterung kannst du Beats in voller Länge erstellen, abspielen und speichern – alles an einem Ort. Optimiert für die Integration ins Studio Circuit Rhythm lässt sich leicht in jedes Studio-Setup integrieren. Dank MIDI-DIN-Buchsen im Vollformat, Sync-Ausgang und Audio-Eingang kannst du Circuit Rhythm mit deiner favorisierten Hard- oder Software kombinieren und Musik ohne technische Widerstände erstellen. Es ist der perfekte moderne Sampler zur Beatproduktion und der Drumcomputer zur Ergänzung deiner Studio-Arbeitsabläufe. Übernimm die volle Kontrolle über deine Samples Mit Reglern für Distortion, Slope, Hoch- und Tiefpassfilter und vielem mehr kannst du deine Samples unmittelbar bearbeiten. Schicke deine Spuren an üppige Delays und Reverbs, um riesige Klänge zu erschaffen, und bringe deine Beats per Sidechain zum pumpen. Der Master-Kompressor klebt deinen Mix zusammen, sodass deine Beats jedes Mal richtig zünden. Verwalte deine Musik über Components Novation Components ist der Online-Begleiter von Circuit Rhythm, mit dem du deine Projekte, Samples und Grid-FX-Vorlagen ganz einfach zentral sichern und bequem verwalten kannst. Es wurde für die nahtlose Zusammenarbeit mit deinem Gerät entwickelt. So kannst du deine benutzerdefinierte Sample-Library per Cloud-Backup organisieren und das Beste aus den Sample-Packs herausholen, die zum Download und zur Verwendung in deinen Produktionen bereit stehen.

Circuit Rhythm ist ein leistungsstarker und vielseitiger eigenständiger Sampler und Drumcomputer für den modernen Beatmaker. Nehme direkt auf das Gerät auf, dann schneide, forme, reverse, loope, resample und spiele chromatisch – alles in einem Gerät. Mehr als nur eine einfache Groovebox bietet Circuit Rhythm einen nahtlosen Workflow vom Sample bis zum fertigen Beat dank seines leistungsstarken, hands-on Sequencers. Außerdem ist es mit innovativen Effekten ausgestattet, die deine Live-Performances aufwerten, von Lo-Fi-Tape über Stutter, Beat-Repeat und vieles mehr. Mit bis zu vier Stunden Akkulaufzeit ist Circuit Rhythm bereit, deine nächste Idee überall und jederzeit festzuhalten, wenn die Inspiration kommt.

MiniNova is a compact, super-cool studio and live synth with the same sound engine as its big brother; UltraNova. It comes with 256 incredible onboard sounds that you can tweak with five knobs, or totally warp with eight 'animate' buttons. It has up to 18 voices with as many as five synth effects on each sound. MiniNova also has an onboard VocalTune™ effect as well as a classic vocoder so you can recreate iconic vocal sounds from hip hop, urban and electronic music.Small synth, big soundsDon't let its size fool you. MiniNova is the latest in the 'nova' range of synths dating back to the legendary Supernova series. It has the same incredibly powerful sound engine and synth effects as the Novation UltraNova which means it is capable of creating dirty-fat bass synth sounds, soaring leads, lush pads and vintage synth sounds. All this in a 37 mini-key form with a USB port and MIDI i/o so you can hook it up to your laptop and control your music software or connect it to another keyboard or sound module.TutorialsMininova – Selecting Sounds:This tutorial gives you an overview of the Mininova's sounds and how to preview, edit and affect them. The Mininova arpeggiator's sequence buttons and powerful filter controls are also demonstrated.  There are a number of exiting sounds for you to play with, edit, and save - or you can simply create your own patches and store them in 128 available slots.  Mininova – Vocoder and Vocaltune: This tutorial demonstrates the on-board Vocoder, Vocaltune and effects of the Mininova.For more tutorials visit www.youtube.com/NovationTVClassic & brand-new vocal effectsMiniNova takes vocal effects one-step further. As well as a vocoder, it has VocalTune. This means you can talk into the mic and play the tune you want your voice to follow on the keyboard recreating those classic hip hop / urban vocal effects. You can also run your voice through MiniNova's effects engine, adding reverb, distortion, chorus/phase, gator compression or EQ. This doesn't need to be limited to your voice; there is an input into which you can plug a guitar or any other instrument and give it the same treatment; effects or vocoder.Choose your sound - and get more for freeMiniNova has 256 onboard sounds and space to save another 128 of your own sounds. You can quickly search for sounds by selecting the style of music you're making, or the type of sound you're after whether it's bass synth, lead - hip hop or techno. MiniNova comes with a free software Patch Librarian so you can store as many sounds as you want on your computer. If 256 is not enough, there are numerous soundpacks for MiniNova assembled by renowned artists and sound designers. These include plenty of vintage synth sounds. They can be downloaded free from: novationmusic.com/soundpacks.The 'Animate' performance modeSwitch to 'Animate' mode and press one of the 8 backlit buttons (whilst playing the keyboard) to trigger awesome performance functions Jam with the ArpeggiatorSwitch to 'Arpeggiator' mode to jam with arpeggiator rhythms in realtime.  The 8 buttons act like an arpeggiator step sequencer so you can switch steps in and out!Editing software includedEditing sounds in such a powerful synth can be overwhelming, so we've created a software application that gives you visual access to the synth engine. The MiniNova Editor works as a plug-in within your DAW or music software.  You can fully edit MiniNova using the hardware; the software just makes it easier to see what you are doing.The Synth Engine and effectsMiniNova has an enormously powerful sound engine and synth effects, unheard of in a micro synth. There are 14 conventional waveforms to choose from (square, sine, sawtooth, pulse, triangle and combinations), 36 wavetables and 20 digital waveforms. Each of the 3 oscillators (per voice) have density/detune for fattening up sounds, virtual sync and 'hardness' - which acts as an additional lowpass filter. There are 14 filter types (and you can run 2 simultaneously), 6 envelope generators, 3 LFOs and 20 modulation slots where you can link modules of the synth engine together to shape sound. MiniNova can add up to 5 effects to each sound including distortion, reverb, chorus/phase, delay, compressor, EQ and Novation's unique gator effect.Instant editing and performance controlThe 'Perform' section enables you to access the synth and effects engines by switching between 6 positions to assign 4 knobs, giving you instant access to 24 sound-bending parameters.

Product Hardware Specifications 42 Control knobs 8 35mm Sliders 1 Volume knob 2 Data encoders Rubberised knob caps with spun metal discs 30 Function buttons (not lit) 16 Function buttons (lit) 2 Animate buttons plus hold button 90 Indicator LEDs OLED display Kensington Security Slot Power switch Power supply connector USB socket for system / MIDI comms only (no bus-power) MIDI In / Out / Thru 2 1/4" jack socket for continuous or switched pedals 3.5mm jack socket for CV in 1/4" jack sockets for left and right outputs 1/4" jack socket for headphone output Metal chassis with American walnut wooden end cheeks Metal magnetic inset end pieces Synth Engine 8 voice polyphonic (voice modes available unison etc.) Mono-Timbral 5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2 Per voice 3 oscillators 1 noise generator 1 ring modulator 2 LFOs 1 Amp envelope and 2 mod envelopes 1 Filter Waveforms include: Sine, tri, sawtooth, square / pulse plus 17 wavetables of 5 waveforms per row Filter 1x State variable OTA filter per voice 12/24dB slope Low-pass / band-pass / high-pass Pre-filter overdrive Post-filter distortion Modulation 16 modulation slots per patch Each slot has 2 sources to 1 destination Mod sources (17) Direct (depth) Modulation wheel Aftertouch (polyphonic and channel AT) Expression pedal 1 Expression pedal 2 Keyboard velocity LFO1 positive LFO1 bi-polar LFO2 positive LFO2 bi-polar Amp envelope Mod envelope 1 Mod envelope 2 Animate 1 Animate 2 CV mod input bi-polar Mod destinations (37) Oscillator 1-3 frequency, v-sync level, shape amount and level Noise source level Ring modulator output level Overal synth output level Filter drive, distortion, cut-off frequency and resonance LFO 1 and 2 frequency Amp env / mod env 1 / mod env 2 attack, decay and release FM Osc 1 -> osc 2, osc 2 -> osc 3, osc 3 -> osc 1 and noise -> osc 1 Osc 3 -> filter cutoff frequency Noise -> filter cutoff frequency Effects Analogue distortion Chorus - 3 types Delay with 16 types of delay sync, LP and HP damping, slew and stereo Reverb - 3 types Misc Arpeggiator w/ key latch – 33 patterns Patch storage - up to 512 on hardware (ships with 256 factory patches) Glide All knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc commands for external control and mapping

Aufbauend auf den innovativen Grundlagen von Novation Peak ist Summit ein 16-stimmiger Synthesizer mit drei Oszillatoren pro Stimme, der sich an Profi- und Semiprofi-Musiker richtet, die ein inspirierendes und leistungsstarkes Instrument für den Live- und Studio-Einsatz suchen. Genau genommen liefert dir Summit sogar die Power von zwei Peaks, denn du kannst zwei völlig unabhängige Patches auf die Klaviatur aufteilen oder sie in Layern anordnen, um im Handumdrehen zwischen ihnen hin und her zu schalten. Außerdem wurde das Layout vom Peak erweitert, sodass viele „versteckte“ Kontrollelemente und Funktionen direkt über die Frontblende zugänglich sind – FM-Routing, die LFOs 3 und 4, alle Arpeggiator-Parameter und vieles mehr – und natürlich die Pitch- und Mod-Räder. Summit bringt außerdem zahlreiche neue Filteroptionen und einen Audioeingang zur Verarbeitung externer Quellen mit seinen Reverb-, Chorus- und Delay-Effekten mit. Herzstück von Summit sind drei digitale New Oxford-Oszillatoren pro Stimme, die auf dem FPGA-Chip (Field Programmable Gate Array) basieren. Außerdem erzeugt der Synthesizer authentische Wellenformen im Analogstil mit unglaublich hoher Auflösung, was die FM- und Wavetable-Synthese erleichtert und reichhaltige, komplexe und hochtexturierte Rohklänge ermöglicht. Jede Stimme bespielt einen True Stereo-Signalpfad aus gedoppelten Analogfiltern, drei analogen Distortion-Stufen und analogen VCAs, während du deine Patches mit einer Vielzahl von Modulationszuweisungsoptionen und drei vielseitigen Effekten aufpolieren und zum Leben erwecken kannst. Der Peak mit Extra-Power Die gefeierte Peak-Architektur erreicht das nächste Level: Mit 16 Stimmen, erweiterten Steuerelementen an der Frontblende, neuen Filteroptionen, einem Keyboard über fünf Oktaven und mehr Zwei Klänge auf einmal Multitimbrale Engine zum Aufteilen, Stapeln und Umschalten zwischen zwei Patches gleichzeitig Digital dort, wo es zählt Digitale, auf FPGAs platzierte New Oxford-Oszillatoren für Wavetable- und FM-Synthese im Analogstil Analog dort, wo es drauf ankommt Gedoppelte Analogfilter, analoge VCAs und drei analoge Distortion-Stufen pro Stimme Effekte und Arpeggiator für jeden Bereich Verarbeite jeden Bereich oder ein externes Audiosignal mit Reverb-, Chorus- und Delay-Effekten, erzeuge Riffs und Melodieläufe mit verschiedenen Arp-Modi, einstellbarer Gate-Dauer und Preset-Patterns Multitimbraler, polyphoner Synthesizer mit 16 Stimmen auf zwei Bereichen                                  Drei NCO New Oxford-Oszillatoren pro Stimme, die subtraktive, Wavetable- oder FM-Klangerzeugung ermöglichen                                                                   Analoge Multimodus-Filter mit 12/24 dB pro Stimme mit Doppelmodus Hochwertiges, halbgewichtetes Tastenbett über fünf Oktaven mit Anschlagdynamik und Aftertouch Effekte für jeden Bereich: Distortion, Chorus, Delay und Reverb Stereo-Audio-Eingang, kann auf Onboard-Effekte und Aux-Ausgänge geroutet werden             Features: Multitimbraler, polyphoner Synthesizer mit 16 Stimmen auf zwei Bereichen                             Drei NCO New Oxford-Oszillatoren pro Stimme, die subtraktive, Wavetable- oder FM-Klangerzeugung ermöglichen                             Analoge Multimodus-Filter mit 12/24 dB pro Stimme mit Doppelmodus                             Hochwertiges, halbgewichtetes Tastenbett über fünf Oktaven mit Anschlagdynamik und Aftertouch                             Effekte für jeden Bereich: Distortion, Chorus, Delay und Reverb                             Stereo-Audio-Eingang, kann auf Onboard-Effekte und Aux-Ausgänge geroutet werden

FEATURES: 8-voice, pure-analog polyphony with sine, saw, square, triangle, and noise Two discrete SEM/OB-X-lineage VCOs per voice deliver classic punchy Oberheim tone Discrete SEM-lineage VCFs deliver authentic OB-X-style tone and presence Genuine Curtis filters add bold OB-Xa/OB-8 character Meticulously modeled envelope responses match each OB model: OB-X, OB-Xa, and OB-8 The 61-key FATAR velocity- and touch-sensitive keyboard allows unparalleled expression and responsiveness Bi-timbral capability allows two presets simultaneously for splits and doubles 400-plus factory programs, including the full set of factory sounds for the OB-X, OB-SX, OB-Xa, and OB-8 Integral, fanless, heatsink-free power supply Real walnut end cheeks High-resolution OLED display enables patch management and easy access to advanced features Classic Oberheim Pitch and Mod levers allow expressive note bending, vibrato, and access to arpeggiator functions ENHANCEMENTS: Additional SEM filter modes add high-pass, band-pass, and notch functions to the classic OB-X filter Vintage knob allows variable amounts of voice-to-voice variability to emulate the behavior of vintage instruments Velocity sensitivity adds expressiveness to volume and filter Channel Aftertouch adds real-time performance-based modulation Enhanced unison allows variable voice stacking from 1-8 voices Variable triangle wave cross-modulation Over 600 user-programmable preset locations Programmable per-voice pan allows wider stereo presence Variable oscillator and noise levels

Die perfekte Passform Der OB-X8 Synthesizer wurde von allen Seiten dafür gelobt, den klassischen Oberheim-Sound einer neuen Generation zugänglich zu machen. Und jetzt gibt es alle OB-X8 Presets, Synthese-Funktionen und Sound-Editing-Bedienelemente in einem kompakten Paket, das in jeden kreativen Raum passt.  Die neue OB-X8 Desktop-Version hat alles, was die Keyboard-Version hat, mit Ausnahme des 61-stimmigen Fatar-Keybeds und der Pitch- und Modulationshebel. Aber lassen Sie sich nicht davon abhalten, die ganze klangliche Kraft des Oberheim OB-X, OB-Xa und OB-8 zu erleben, und zwar in einem Format, das kompakt genug ist für Studios jeder Größe und praktisch genug, um es unterwegs zu nutzen! Think Small, Play Big Das OB-X8 Desktop-Modul verfügt über eine identische Sound-Engine wie die Keyboard-Version und bietet einen rein analogen Signalweg mit diskreten VCOs, VCAs und Filtern. Und dank des knob-per-function Prinzips haben Sie sofortigen Zugriff auf praktisch alle Parameter des Synthesizers, so dass Sie mit Leichtigkeit und Präzision Ihre eigenen einzigartigen Sounds kreieren können. Analog Pur! Der Audiosignalweg des OB-X8 ist komplett analog gestaltet und strotzt nur so vor Wärme und Druck. Es ist derselbe charakteristische Oberheim-Sound, der ikonische Tracks wie "1999" von Prince, "Jump" von Van Halen und "Tom Sawyer" von Rush so unvergesslich gemacht hat. Und jetzt können Sie Ihre eigene Musik mit diesem Sound bereichern. Völlig neue Sounds Die klassischen Werksklänge der OB-Serie, die Sie von unzähligen Aufnahmen kennen, sind alle da. Aber das ist erst der Anfang: Unser Netzwerk von Weltklasse-Sounddesignern hat speziell für den OB-X8 atemberaubende neue Sounds entwickelt. Und da der OB-X8 über klare und leicht verständliche Bedienelemente verfügt, ist das Erstellen eigener Sounds so einfach wie das Drehen an ein paar Reglern und das Speichern der gewünschten Sounds. Drei in Einem Der OB-X8 vereint die drei verschiedenen Voice-Architekturen des OB-X, OB-Xa und OB-8 in einem einzigen Instrument. Die einzelnen Filtertypen und andere einzigartige Eigenschaften jedes Modells wurden originalgetreu nachgebildet, so dass Sie den OB so authentisch wie möglich erleben können. Sie können sogar Elemente verschiedener Modelle mischen, um Sounds zu erzeugen, die mit den Originalen nie möglich waren. So leistungsfähig und vielseitig war noch nie ein Synthesizer aus der OB-Serie. Seite 2022 OB-Kenner wissen, dass die unzähligen "Page 2″-Funktionen die verborgene Kraft des originalen OB-8 freisetzen. Wir haben alle klassischen Page 2-Parameter übernommen und neue für den 2022 geschaffen, so dass Sie direkten Zugriff auf mehr als 40 nuancierte Bedienelemente haben, wie z.B. zusätzliche SEM-Filtermodi, Panning pro Stimme, LFO-Keyboard-Tracking, Mod-Delay-Zeit und Hüllkurveninversion, unabhängige Pulsbreitensteuerung und vieles mehr.    Spezifikationen Hardware  8-stimmige rein-analoge Polyphonie Zwei diskrete OB-X/SEM-Lineage VCOs pro Stimme liefern den klassischen, druckvollen Oberheim-Klang Diskrete VCFs der SEM-Linie liefern authentischen OB-X-Sound und Präsenz Echte Curtis-Filter verleihen dem OB-Xa/OB-8 einen kräftigen Charakter Sorgfältig modellierte Hüllkurvenantworten passen zu jedem OB-Modell: OB-X, Ob-Xa, und OB-8 Bi-timbrale Funktion ermöglicht zwei Presets gleichzeitig für Splits und Doubles Über 400 Werksprogramme, einschließlich aller Werkssounds für den OB-X, OB-SX, Ob-Xa und OB-8 Integriertes lüfter- und kühlkörperfreies Netzteil Verkleidung aus Walnussholz Hochauflösendes OLED-Display für Patch-Management und einfachen Zugriff auf erweiterte Funktionen Weitere Verbesserungen  Zusätzliche SEM-Filtermodi erweitern den klassischen OB-X-Filter um Hochpass-, Bandpass- und Notch-Funktionen Der Vintage-Regler ermöglicht eine variable Variabilität von Stimme zu Stimme, um das Verhalten von Vintage-Instrumenten zu emulieren Die Velocity-Reaktion verleiht der Lautstärke und dem Filter zusätzliche Ausdruckskraft Kanal-Aftertouch-Antwort fügt Performance-basierte Modulation in Echtzeit hinzu Erweitertes Unisono erlaubt variables Stacking von 1-8 Stimmen Programmierbares Panning pro Stimme ermöglicht breitere Stereopräsenz Variable Oszillator- und Rauschpegel Variable Dreieckswellen-Crossmodulation Über 600 benutzerprogrammierbare Preset-Speicherplätze Ein- und Ausgänge  L/R-Stereo und Mono-Ausgänge Eingänge für Lautstärke-, Sustain- und Filterpedal Arpeggiator Clock Input MIDI-Eingang, -Ausgang, -Thru USB Das OB-X8 Desktop-Modul wiegt 4,34 kg und misst LxBxH (55,88 cm x 21,59 cm x 10,16 cm).  

Thomas Elroy Oberheim. TEO - der TEO-5 ist ein modernes Instrument mit klassischer analoger Klangerzeugung, aber dennoch elegant und leistungsstark für die klanglichen Anforderungen von heute. TEO-5 fängt die Geheimnisse des OB-X, Four Voice und TVS ein, deren legendärer Geist in eine kompakte, erschwingliche Traumfabrik gebracht wurde. Es ist das, was Tom, der Maestro höchstpersönlich, schon immer bauen wollte: eine zeitlose Klangpalette, unverfälscht und zugänglich. Der TEO-5 ist Ihr klanglicher Reisepass - vom Studio bis zur Bühne. Ein Tor zum Erbe von Oberheim und ein preiswerter Einstieg in Ihr Hobby. Egal, ob Sie ein erfahrener Profi sind, der ein kompaktes Kraftpaket sucht, oder ein neuer Künstler, der sein analoges Abenteuer beginnt, TEO-5 lädt Sie ein.

Thomas Elroy Oberheim. TEO - der TEO-5 ist ein modernes Instrument mit klassischer analoger Klangerzeugung, aber dennoch elegant und leistungsstark für die klanglichen Anforderungen von heute. TEO-5 fängt die Geheimnisse des OB-X, Four Voice und TVS ein, deren legendärer Geist in eine kompakte, erschwingliche Traumfabrik gebracht wurde. Es ist das, was Tom, der Maestro höchstpersönlich, schon immer bauen wollte: eine zeitlose Klangpalette, unverfälscht und zugänglich. Der TEO-5 ist Ihr klanglicher Reisepass - vom Studio bis zur Bühne. Ein Tor zum Erbe von Oberheim und ein preiswerter Einstieg in Ihr Hobby. Egal, ob Sie ein erfahrener Profi sind, der ein kompaktes Kraftpaket sucht, oder ein neuer Künstler, der sein analoges Abenteuer beginnt, TEO-5 lädt Sie ein.

Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument Both the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.

Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.

3 OSCILLATORS Two analog, voltage-controlled oscillators One DSP-based digital oscillator Analog oscillators produce three classic wave shapes: (triangle, saw, pulse) with variable shape modulation/pulse width on each Digital oscillator produce 32 digital wavetables of 16 waves each with wave morphing, plus classic wave shapes (sine, triangle, saw, variable-width pulse) and super saw Digital oscillator 3 can function as an LFO for complex wavetable-based modulation White noise generator Hard sync, per-oscillator Glide, Oscillator Slop 3-VOICE PARAPHONIC PLAYABILITY 3-voice paraphonic mode with individually-gated envelopes per oscillator 3 FILTERS Three classic filter types Filter 1 is a 4-pole, 24 dB per-octave, Prophet-6™ low-pass filter Filter 2 is a classic, 4-pole, 24 dB per-octave, transistor ladder filter with optional resonance compensation Filter 3 is a 2-pole, 12 db per-octave, OB-6™ state-variable filter. It can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. 3 LFOS Three syncable LFOs with phase offset and slew per LFO Five waveshapes: triangle, saw, reverse saw, square, and S&H 4 ENVELOPES Four ADSR envelopes with delay (Filter, VCA, and two Auxiliary envelopes) Envelopes freely assignable to multiple modulation destinations All envelopes can repeat/loop DIGITAL EFFECTS Dual digital effects Stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, super plate reverb FEEDBACK AND DISTORTION Tuned feedback with Grunge for extra-aggressive tonal destruction Programmable analog distortion 32-SLOT MODULATION MATRIX 32 slot modulation matrix with over 46 mod sources and over 171 mod destinations Modulation assignment buttons enable quick and easy modulation routing Mod Matrix runs at audio rates 4 CONTROL VOLTAGE INS & OUTS AND GATE OUT Four control voltage (CV) inputs and outputs for interfacing with modular synths and other CV-compatible devices Parameters that can be sent to CV outputs include oscillators, LFOs, envelopes, sequencer tracks and any other source within the modulation matrix. Runs at audio rates. Gate Out for triggering external CV-compatible devices. Any CV in can be used as a gate input. 16-TRACK SEQUENCER Advanced sequencer with three modes: normal, gated, and trigger 16 tracks and 4 linkable 16-step phrases Per-step ratcheting, duration, and velocity Multiple playback modes: forward, reverse, forward/reverse, random Supports real-time/step input, rests, and variable-length sequences Syncs to MIDI clock and external audio and CV input Sequences freely assignable to any modulation destination ARPEGGIATOR Sophisticated arpeggiator with up, down, up+down, random, assign modes Syncs to MIDI clock and external audio and CV inputs Re-latching arpeggiation Runs concurrent with Sequencer for arpeggiated patterns with parameter automation CONTROLS Over 60 knobs and 70 buttons enable deep, comprehensive editing with minimal menu diving Backlit pitch and mod wheels are easily visible in low-light situations and have a smooth, precise response. Independently adjustable upper and lower pitch wheel range Position-sensitive latchable touch slider for enhanced interactivity and control Full-sized, three-octave, semi-weighted keyboard with velocity and aftertouch MEMORY 512 user and 512 factory programs Playlist mode for generating easily accessible set lists of your favorite programs

3 OSCILLATORS Two analog, voltage-controlled oscillators One DSP-based digital oscillator Analog oscillators produce three classic wave shapes: (triangle, saw, pulse) with variable shape modulation/pulse width on each Digital oscillator produce 32 digital wavetables of 16 waves each with wave morphing, plus classic wave shapes (sine, triangle, saw, variable-width pulse) and super saw Digital oscillator 3 can function as an LFO for complex wavetable-based modulation White noise generator Hard sync, per-oscillator Glide, Oscillator Slop 3-VOICE PARAPHONIC PLAYABILITY 3-voice paraphonic mode with individually-gated envelopes per oscillator 3 FILTERS Three classic filter types Filter 1 is a 4-pole, 24 dB per-octave, Prophet-6™ low-pass filter Filter 2 is a classic, 4-pole, 24 dB per-octave, transistor ladder filter with optional resonance compensation Filter 3 is a 2-pole, 12 db per-octave, OB-6™ state-variable filter. It can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. 3 LFOS Three syncable LFOs with phase offset and slew per LFO Five waveshapes: triangle, saw, reverse saw, square, and S&H 4 ENVELOPES Four ADSR envelopes with delay (Filter, VCA, and two Auxiliary envelopes) Envelopes freely assignable to multiple modulation destinations All envelopes can repeat/loop DIGITAL EFFECTS Dual digital effects Stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, super plate reverb FEEDBACK AND DISTORTION Tuned feedback with Grunge for extra-aggressive tonal destruction Programmable analog distortion 32-SLOT MODULATION MATRIX 32 slot modulation matrix with over 46 mod sources and over 171 mod destinations Modulation assignment buttons enable quick and easy modulation routing Mod Matrix runs at audio rates 4 CONTROL VOLTAGE INS & OUTS AND GATE OUT Four control voltage (CV) inputs and outputs for interfacing with modular synths and other CV-compatible devices Parameters that can be sent to CV outputs include oscillators, LFOs, envelopes, sequencer tracks and any other source within the modulation matrix. Runs at audio rates. Gate Out for triggering external CV-compatible devices. Any CV in can be used as a gate input. 16-TRACK SEQUENCER Advanced sequencer with three modes: normal, gated, and trigger 16 tracks and 4 linkable 16-step phrases Per-step ratcheting, duration, and velocity Multiple playback modes: forward, reverse, forward/reverse, random Supports real-time/step input, rests, and variable-length sequences Syncs to MIDI clock and external audio and CV input Sequences freely assignable to any modulation destination ARPEGGIATOR Sophisticated arpeggiator with up, down, up+down, random, assign modes Syncs to MIDI clock and external audio and CV inputs Re-latching arpeggiation Runs concurrent with Sequencer for arpeggiated patterns with parameter automation CONTROLS Over 60 knobs and 70 buttons enable deep, comprehensive editing with minimal menu diving Backlit pitch and mod wheels are easily visible in low-light situations and have a smooth, precise response. Independently adjustable upper and lower pitch wheel range Position-sensitive latchable touch slider for enhanced interactivity and control Full-sized, three-octave, semi-weighted keyboard with velocity and aftertouch MEMORY 512 user and 512 factory programs Playlist mode for generating easily accessible set lists of your favorite programs

OSCILLATORS Two authentic CEM 3340 VCOs per voice Simultaneously selectable wave shapes. Oscillator A: sawtooth, pulse. Oscillator B: sawtooth, triangle, pulse. Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) MIXER Oscillator 1 amount Oscillator 2 amount White noise amount LOW-PASS FILTER Four-pole, resonant, low-pass filter per voice Switchable between authentic versions of the Prophet-5 Rev1/2 filter and Prophet-5 Rev3 filter Rev1/2 filter is a Dave Rossum-designed 2140, the modern counterpart of the original 2040 filter found in the Prophet-5 Rev1 and Rev2 Rev3 filter is a Doug Curtis-designed CEM 3320 Filter can be driven into self-oscillation with the Resonance control Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generatorVelocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Three wave shapes: sawtooth, triangle, square. All waveshapes can be engaged simultaneouslyBoth Initial Amount and mod wheel controlMod destinations: oscillator A frequency, oscillator B frequency, oscillator A and B pulse width, filter cutoff POLY MOD Sources: filter envelope and oscillator BDestinations: oscillator A frequency, oscillator A pulse width, filter cutoff VINTAGE KNOB Recreates the characteristics of various Prophet-5 models by varying the behavior of oscillators, envelopes, amplifiers, and other parameters. Go from a very stable “4” — as in Prophet-5 Rev4, (the new version) — all the way to “1,” as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s. AFTERTOUCH Channel (mono) aftertouchDestinations: filter cutoff frequency, LFO amount BI-TIMBRAL OPERATION Layer mode: two different 5-voice programs stacked together simultaneouslySplit mode: two independent, user-assignable performance zones, with a different 5-voice program assigned to each. PERFORMANCE CONTROLS Full-sized, semi-weighted, premium Fatar 5-octave keyboard with velocity and aftertouchMod wheelSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)Polyphonic glide (portamento)Unison (monophonic) mode with configurable voice count, from one to all ten voices and key modesPreset switch: when off, the front panel is live; what you see is what you hear PATCH MEMORY 200 user and 200 factory programs in 5 banks of 40 programs eachDirect program access, including Prophet 5-style single-button access to the current set of 8 programs IN/OUT Mono output (1 x 1/4” phone jack)Headphone output (stereo, 1/4” phone jack)MIDI in, out, and thru portsUSB for bidirectional MIDI communicationControl voltage in/out (1 x 1/4” phone jack) 0- +5V input/output signal. Configured for 1-volt-per-octave operation.Gate in/out (1 x 1/4” phone jack). Accepts a 1.5 to 15-volt on/off signal to gate the envelopes of a single voice on the Prophet-10. Outputs a 15-volt on/off used to gate the envelopes of an external synth.Low-pass filter cutoff expression pedal inputVolume expression pedal inputSustain footswitch input POWER IEC AC power inlet for internal power supplyOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 28 watts maximum power consumptionPHYSICAL SPECS37.37” L x 16.35 W x 5.95″ H (94.92 cm x 41.52 cm x 15.11 cm)32 lbs (14.51 kg)Roadworthy all-steel construction with premium black walnut heartwood body and trim

Prophet REV2 Specifications OSCILLATORS 2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation) Glide (portamento): separate rates per oscillator White noise generator Analog VCAs Hard sync FILTERS 1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) ENVELOPES 3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop. SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence. LFOS 4 LFO’s with key sync per LFO MODULATION 8-slot modulation matrix ARPEGGIATOR Programmable arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat CONTROLS  5-octave keyboard with semi-weighted action, velocity, and aftertouch 52 knobs and 20 buttons enable deep and comprehensive editing with little to no menu diving. Spring-loaded pitch wheel and assignable mod wheel MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS Oiled African mahogany wood end panels Dimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height) Weight: 20.5 lbs. (9.3 kg)

A Modern Classic Reinvented The Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it’s exactly the same on the inside — Dave Smith’s reimagining of his now-classic Prophet ’08 poly synth. The Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. You can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features. 16-Voice Polyphony With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords via your MIDI controller, stack two 8-voice sounds for massive, complex textures, or split your controller into two completely separate 8-voice Prophet Rev2 instruments. An 8-voice version of the desktop module is also available, which, like the Prophet Rev2 keyboard, can later be expanded to 16-voices with the Expander Kit if desired. Bold Sound The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement. Waveshape Modulation A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast. Effects Per Layer The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix. Extended Mod Matrix Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It’s a veritable sound designer’s playground. Poly Step Sequencing The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Per-Knob Programmability The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. Eminently Playable All of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you’re gigging or recording, it’s an analog powerhouse like no other.

Prophet REV2 Specifications OSCILLATORS 2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation) Glide (portamento): separate rates per oscillator White noise generator Analog VCAs Hard sync FILTERS 1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) ENVELOPES 3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop. SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence. LFOS 4 LFO’s with key sync per LFO MODULATION 8-slot modulation matrix ARPEGGIATOR Programmable arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat CONTROLS  5-octave keyboard with semi-weighted action, velocity, and aftertouch 52 knobs and 20 buttons enable deep and comprehensive editing with little to no menu diving. Spring-loaded pitch wheel and assignable mod wheel MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS Oiled African mahogany wood end panels Dimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height) Weight: 20.5 lbs. (9.3 kg)

A Modern Classic Reinvented The Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it’s exactly the same on the inside — Dave Smith’s reimagining of his now-classic Prophet ’08 poly synth. The Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. You can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features. Bold Sound The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement. Waveshape Modulation A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast. Effects Per Layer The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix. Extended Mod Matrix Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It’s a veritable sound designer’s playground. Poly Step Sequencing The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Per-Knob Programmability The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. Eminently Playable All of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you’re gigging or recording, it’s an analog powerhouse like no other.