Features
Thunderbolt 3 interface, with 256 Bidirectional Channels at 48 & 96 kHz, 128 channels at 192 kHz and 64 channels at 384 kHz.
Main and expansion Thunderbolt 3 Port w. 15W Power Source Each. Both of the two Thunderbolt 3 ports can function as main and expansion port.
Audio Drivers for macOS and Windows.
MADI interface on BNC connectors with 64 Bidirectional Channels at 48kHz, 32 channels at 96kHz, 16 channels at 192 kHz and 8 channels at 384 kHz.
Dual ADAT interface on TosLink Light pipes with 16 Bidirectional Channels at 48kHz, 8 channels at 96kHz, and 4 channels at 192 kHz. Configurable also as 2 Ch. S/PDIF input.
DANTE AoIP interface via Ethernet with 256 Bidirectional Channels at 48 and 96kHz, 128 channels at 192 kHz.
Module Slot for optional dual Madi module via 2 x SFP (LC Fiber or HD/BNC Coax) connectors with 128 Bidirectional Channels at 48kHz, 64 channels at 96kHz, 32 channels at 192 kHz and 16 channels at 384 kHz.
wo card slots available for DAD I/O Expansion Cards.
Word Clock I/O, and Video Black and Burst input on BNC connectors.
128 channels speaker processing with a total of 1024 filters and delay.
Summing Processor 64 Output / 512 Input Busses.
Internal Router: 4096 x 4096.
32bit Floating Point Processing.
DADman control software for macOS and Windows connecting via Ethernet or Thunderbolt.
Pro|Mon monitor control functionality and integration for Avid Eucon Enabled Devices via DADman.
19” Rack Unit 1U Height.
Technical Overview
2 Ch. microphone or instrument input
Dual stereo headphone output
Dual stereo monitor output
A/D, D/A and D/D Converter with sample rates from 44,1 to 384 kHz and DSD
Up to 984 Input and Output Channels
Router and Monitoring Interface
Thunderbolt 3 I/O (256 Ch.)
Dante AoIP I/O (256 Ch.)
MADI I/O (64 ch.)
ADAT I/O (16 Ch.) / SPDIF (2 ch.)
2 Slots for Optional Multi-Format DAD I/O Cards
512x64 Ch. Pro|Mon Summing and Speaker 1024 ch. EQ Processing
Core 256 may not take up much space, but the power you can squeeze out of this little box might just make your jaw drop to the floor. With tons of channels, a wide palette of digital connectivity, built-in SPQ processing, Eucon control compatibility, internal summing engine and drivers for macOS and Windows 10, it is a pristine digital audio interface by any measure and for just about any application.
However, there is one application that should be emphasized in particular: Core 256 is simply the perfect Dante and MADI interface for Dolby Atmos® RMU.
The size and shape of Core 256 fits nicely for sharing a 1U rack shelf with a Mac Mini running Dolby Atmos® Renderer, Dolby Atmos® Production Suite or Dolby Atmos® Mastering Suite. For immersive audio post production facilities, this solution will represent the missing link that streamlines and optimizes the multichannel workflows seamlessly.
Features
The basic I/O configuration for the Core 256 interface is:
• 2 Thunderbolt 3 Ports (each w. 15W power)• 256 Bidirectional Channels at 48 & 96 kHz• ASIO / Core Audio Thunderbolt PCIe drivers• MADI/BNC-Optional 2 x SFP (LC fiber or HD/BNC coax)• ADAT /Lightpipe (16 Ch.)• DANTE: 256 Ch. at 48 kHz, 128 Ch. at 96 kHz, 64 Ch. at 192 kHz (IP Core)• WC I/O• SPQ: 64 Ch. with 16 Filters• Pro|Mon Support• Summing Processor 64 Output / 512 Input Busses• Internal Router: 1500 x 1500• 32bit Floating Point Processing• Avid Eucon Enabled Devices via DADman• APPLE Silicon M1 and Intel Compatible Software• Control via Ethernet or Thunderbolt Connection• 12V DC External Power (Max 60W)• ½ Rack Unit 1U Height
Further, the mini module slot can be mounted with an optional dual bidirectional MADI module with optical SFP or mini coax connectors.
RedNet A16R MkII is a 16-channel analogue Interface for Dante networks, with two channels of AES3 I/O. Individual input and output channel level controls allow for precise adjustment of all I/O levels using RedNet Control. With two power supplies and primary and secondary etherCON network connectors, RedNet A16R MkII is perfect for critical-path applications in recording, post-production, live sound and broadcast. Built-in redundancy features allow for silent fail-over in the event of power or network outage, providing reassurance for system technicians.Analogue inputs and outputs are connected through four rear-panel AES59-configured DB25 connectors, while an additional pair of AES3 I/O is provided through male and female XLR for added flexibility. The XLR input can accept DARS signals in addition to AES3. Word Clock I/O on BNC connectors allows external devices to clock to RedNet A16R MkII, or alternatively allows RedNet A16R MkII to act as a network clock grand master, synchronised to external input. RedNet A16R MkII is well suited to permanent installation and repeated strike and setup: all connectors lock and remain terminated even under stress, providing worry-free installation and peace of mind once situated in a rack. In addition, all Focusrite Pro products come with a three-year warranty and award-winning customer support.Key Features
16-channel bi-directional analogue interface for Dante networks, with additional two-channel AES3 I/O.
Precision A-D and D-A conversion with 119dB dynamic range, flat from 20Hz - 20 kHz (+/- 0.15dB).
Individual input/output channel level control using RedNet Control software.
Dual PSUs with locking IEC inlets.
Dual locking etherCON connectors for Primary and Secondary network connections.
Power supply and ethernet redundancy with auto switchover in case of failure.
Front-panel LED indicators for PSU, network, sample rate, signal present and clock source status.
Sample rate conversion on the AES3 inputs allows external equipment to run at any sample rate.
Analogue I/O on four AES59 standard DB25 connectors.
Digital I/O on a pair of XLR connectors (AES3).
Rear panel XLR connector can either be used as a DARS input or as a traditional AES3 audio input.
BNC connectors for Word Clock input and output.
Compact 1U chassis allows maximum functionality in minimum rack space.
AES67 and AES70 compliant.
SMPTE ST 2110 compliant when used with Dante Domain Manager (sold separately).
Full operability with Focusrite RedNet and Red interfaces, plus all Dante devices from hundreds of manufacturers.
Remote control with RedNet Control, and route via Dante Control.
RedNet A8R expands Focusrite’s growing range of 1U Dante interfaces with network and power supply redundancy, providing eight channels of analogue input and output. RedNet A8R offers high quality 192kHz/24-bit A-D and D-A digital conversion with up to 119dB dynamic range, plus two channels of AES/EBU digital I/O, to and from the Dante network.
RedNet A8R provides 24-bit conversion at 44.1, 48, 88.2, 96, 176.4 and 192kHz sample rates (remotely-selectable) and includes pull-up/down capability. Electronically-balanced analogue audio I/O is provided on DB25 connectors wired to AES59 specifications. Internal signals are balanced throughout. Inputs and outputs are remotely configurable for 0dBFS= +18dBu or +24dBu signal levels. In addition, two channels of AES/EBU I/O are provided on XLR connectors, with sample rate conversion on the input. The clock source for the unit may be internal, or external via Word Clock or DARS (via the XLR input). RedNet A8R also outputs Word Clock.
RedNet A8R features power and network redundancy, with two separate universal (100–240V) PSUs, which include IEC connectors with retaining clips, plus dual network interfaces on locking etherCON connectors. These ports can be configured remotely to Redundant or Switched (daisy-chain) mode.
Key Features
Eight channels of high-quality line-level analogue I/O
24-bit precision Focusrite conversion up to 192kHz
119dB dynamic range, flat from 20Hz – 20kHz, +/-0.15dB
Internally balanced throughout
Dante-based remote-controlled audio-over-IP connectivity
Dual power supplies and network connections with full power and network redundancy, including latching connectors for maximum reliability
Word Clock I/O and DARS for increased flexibility, plus an additional two channels of AES/EBU I/O
Analogue I/O to AES59 standard on DB25 connectors
Comprehensive front-panel indicators
Software-based routing and control – no hardware patching required
RedNet D16R MkII is a 16-channel bi-directional digital interface for Dante networks. The 1U rackmount device features individual input and output channel level controls, allowing for precise calibration and control of all input and output levels using RedNet Control. RedNet D16R MkII features power supply and Ethernet redundancy with auto switchover in case of failure. Various connection options make RedNet D16R MkII a flexible addition to any Audio-over-IP system. A pair of DB25 multipin connectors each connect eight channels of AES3 I/O into and out of the interface, while XLR and RCA ports enable two-channel AES3 and S/PDIF connections, respectively, to be made. Sample rate conversion on every input enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Word Clock I/O on BNC connectors allows synchronisation to house clock, or syncing external equipment to the Dante network. Key Features
16-channel bi-directional digital interface for Dante networks.
Individual input and output channel level control using RedNet Control software.
Dual PSUs with locking IEC inlets.
Dual locking etherCON connectors for Primary and Secondary network connections.
Power supply and ethernet redundancy with auto switchover in case of failure.
Front-panel LED indicators for PSU, network, sample rate, signal present and clock source status.
Sample rate conversion on all input channels.
Two DB25 connectors with AES59 standard configuration; each carries eight channels of AES3 I/O.
RCA connectors for two-channel S/PDIF input and output.
XLR connections for alternate AES3 I/O and DARS input.
BNC connectors for Word Clock input and output.
Compact 1U chassis allows maximum functionality in minimum rack space.
Full operability with Focusrite RedNet and Red interfaces, plus all Dante devices from hundreds of manufacturers.
Remote routing and control using RedNet Control and Dante Controller.
64-channel bridge between MADI and Dante Networks
RedNet D64R provides the link between a Dante Ethernet-based audio system and any MADI / AES10 setup. D64R supports up to 64 channels of both coaxial and optical MADI interfaces and is completely bi-directional, allowing the use of any Dante components including RedNet’s high quality interface products with a MADI system – or MADI components with a Dante system. D64R features a sample rate converter (SRC) on each input and output allowing interfacing between MADI and Dante irrespective of the sample rate at which either system is operating. Connect a Dante network to MADI-based digital consoles, computer cards, converters and much more. In addition to both coax and optical MADI interfaces, RedNet D64R provides Word Clock in and out. The D64R features a rugged, roadworthy exterior and high internal build quality, with Ethernet and power supply redundancy. In addition, it offers a compact 1U rack-mount form factor for a full 64 channels of I/O.
Key Features
Connects a MADI system and a Dante network seamlessly together. Connect Dante to digital mixing consoles, interfaces and cards that use MADI; or extend a MADI system with RedNet’s versatile, superb-quality audio interfaces and connectivity – or any other Dante compatible devices.
Built-in redundancy with dual locking power and etherCON network connectors.
Supports both coax and optical interfaces – connect simply to any MADI equipment.
Slave either the Dante system or MADI streams to an external clock
Supports up to 64 channels of digital audio I/O at standard sample rates (44.1/48kHz) from a MADI system, 32 channels at 96kHz and 16 at 192kHz.
Sample rate conversion (SRC) on each input and output, allowing MADI and Dante systems to operate simultaneously at different sample rates.
Simple 1U rack-mount module with the classic red aluminium faceplate.
RedNet Control and Dante software allow remote routing and control from the audio computer system via a software control panel – no hardware patching required.
32-Channel Bridge between Dante Networks and Pro Tools|HD
RedNet HD32R is a 1U, 19in rack-mount Dante interface that allows Pro Tools|HD users direct access to the full benefits of the Dante digital audio networking system, including its uniquely flexible network topology and premium quality audio interfaces. The Pro Tools system is connected to the HD32R via standard Mini DigiLink ports. HD32R acts as a 64-channel (32 in/32 out) digital break in/out box, operating in the same way as a standard interface, and supporting a wide range of Pro Tools|HDX and HD cards. Up to six HD32R modules can be used with a Pro Tools|HDX system and three with Pro Tools|HD, allowing the maximum channel count for either. The HD32R features a rugged, roadworthy exterior and high internal build quality, with Ethernet and power supply redundancy. In addition, it offers a compact 1U rack-mount form factor for a full 32 channels of I/O.
Key Features
Allows Dante Ethernet-based audio networking products to interoperate fully with Pro Tools|HD & Pro Tools|HDX
Ethernet and power supply redundancy with auto switchover in case of failure and locking connectors
Provides the vital link to create an extensive high-quality audio network based on standard Cat 5e or Cat 6 wiring, bringing the latest advances in digital audio networking to Pro Tools|HD
Cost-effectively increase audio I/O quality and flexibility with RedNet interfaces
Permits multiple workstations to access the same interface hardware and I/O
No changes to Pro Tools workflow required – simple, logical assignment of RedNet I/O to Pro Tools|HD inputs and outputs
Up to 32 I/O with Pro Tools|HD over single DigiLink connection per RedNet HD32R
Additional Avid/Digidesign interfaces may be connected to expansion ports
Upgrade to RedNet interfaces while remaining fully compatible with TDM- or AAX-DSP-based plugins and saved sessions
Overview
8-channel remote-controlled mic pre and A/D for Dante networks
RedNet MP8R is an 8-channel remote-controlled microphone preamplifier and A/D for the Dante audio-over-IP network, designed specifically for the live sound/recording and broadcast environments, and other workflows where reliability is paramount, with Ethernet and power supply redundancy. The MP8R features eight high-quality remote-controlled mic preamps developed specifically for the RedNet range, and backed by thirty years of mic preamplifier development. Each preamp has a dual input impedance of 10k or 2.4k ohms, allowing flexibility when running multiple mic pres in parallel. The device includes eight auxiliary outputs with automatic DSP-based gain tracking for digital “splits”. Following the mic pres are eight channels of Focusrite’s legendary high-precision A/D converters, operating at up to 192kHz/24-bit with minimum latency and offering class-leading dynamic range and overall performance. The MP8R features a rugged, roadworthy exterior and high internal build quality. In addition, the unit offers a compact 1U rack-mount form factor.
Key Features
Built-in redundancy with dual power and network connections
Rugged roadworthy all-metal construction, high build quality, locking power and etherCON Ethernet connectors
Eight Focusrite remote-controlled preamps with enhanced input level capability, and dual input impedance to deliver maximum performance when one mic feeds single or multiple pres
Two outputs from each preamp: one direct and the other automatically gain-compensated to deliver a constant level
Remote-controllable Gain, Phantom Power and High-Pass Filter from Yamaha CL and QL Series Consoles.
20dB pad, HPF and polarity inversion per input
Operate locally, or remotely via RedNet Control software, Pro Tools, MIDI or OCA (Open Control Architecture – available 2015 via firmware update)
Precision low-latency conversion at up to 24-bit/192kHz, with best-in-class dynamic range and overall audio quality
6-segment LED level meters; OLED display indicates input gain and system information
Compact 1U form factor
Full interoperability with other Dante products and networks
Feature:
4x4 Dante (4 Dante Inputs and 4 Dante Outputs)
Master volume control for headphones
Easy access to all volume controls on face of unit
Dual-color signal and peak indicators on each input channel
Concentric volume control on each channel reduces space and simplifies user interface by placing local inputs on the tips and Dante inputs on the rings of each knob
True 48-volt phantom power remotely/locally selectable on each microphone input
Burr-Brown 24-bit Delta-Sigma A/D converters
Burr-Brown 24-bit enhanced multilevel delta-sigma D/A conversion
1/8” unbalanced stereo input for auxiliary sources such as metronome, iPod, external microphone preamp, etc.
Balanced 1/4” inputs automatically have 18dB of padding over XLR inputs
Combo XLR & 1/4” TRS balanced inputs on channels 1 & 2 for connecting microphones or instruments
100/1000 BaseT Ethernet
Powered by Power over Ethernet (PoE+) guarantees ground isolation between M8RX interfaces Zero latency headphone monitoring of the local analog inputs
Gain, phantom power, and Dante status indictors tucked away on rear of unit
Streamlined cable connections on rear of unit
Der Aurora definierte die Standards in Transparenz, Zuverlässigkeit und Wertstabilität für professionelle A/D D/A Wandler und ist Mittelpunkt professioneller Aufnahmestudios auf der ganzen Welt. Der komplett neu entwickelte Aurora(n) führt dieses Vermächtnis fort.
Das Wichtigste im Überblick:
16 Kanal Version - jeweils auf einer Höheneinheit.
24 Bit / 192 kHz Mastering Qualität über alle Kanäle gleichzeitig.
DANTE Interfacekarte.
Onboard 32 Kanal microSD Rekorder für direkte Aufnahme und Wiedergabe.
Zwei audiophile Kopfhörerausgänge mit unabhängigen Lautstärkereglern.
1 IN, 3 OUT Wordclock, gepaart mit der neu entwickelten Lynx SynchroLock 2™ Technologie.
Kompromißlose Windows und OSX Kompatibilität.
Road-taugliches, verstärktes Rack-Chassis.
Der Aurora definierte die Standards in Transparenz, Zuverlässigkeit und Wertstabilität für professionelle A/D D/A Wandler und ist Mittelpunkt professioneller Aufnahmestudios auf der ganzen Welt. Der komplett neu entwickelte Aurora(n) führt dieses Vermächtnis fort.
Das Wichtigste im Überblick:
24 Kanal Version - jeweils auf einer Höheneinheit.
24 Bit / 192 kHz Mastering Qualität über alle Kanäle gleichzeitig.
DANTE Interfacekarte.
Onboard 32 Kanal microSD Rekorder für direkte Aufnahme und Wiedergabe.
Zwei audiophile Kopfhörerausgänge mit unabhängigen Lautstärkereglern.
1 IN, 3 OUT Wordclock, gepaart mit der neu entwickelten Lynx SynchroLock 2™ Technologie.
Kompromißlose Windows und OSX Kompatibilität.
Road-taugliches, verstärktes Rack-Chassis.
Der Aurora definierte die Standards in Transparenz, Zuverlässigkeit und Wertstabilität für professionelle A/D D/A Wandler und ist Mittelpunkt professioneller Aufnahmestudios auf der ganzen Welt. Der komplett neu entwickelte Aurora(n) führt dieses Vermächtnis fort.
Das Wichtigste im Überblick:
32 Kanal Version - jeweils auf einer Höheneinheit.
24 Bit / 192 kHz Mastering Qualität über alle Kanäle gleichzeitig.
DANTE Interfacekarte.
Onboard 32 Kanal microSD Rekorder für direkte Aufnahme und Wiedergabe.
Zwei audiophile Kopfhörerausgänge mit unabhängigen Lautstärkereglern.
1 IN, 3 OUT Wordclock, gepaart mit der neu entwickelten Lynx SynchroLock 2™ Technologie.
Kompromißlose Windows und OSX Kompatibilität.
Road-taugliches, verstärktes Rack-Chassis.
Der Aurora definierte die Standards in Transparenz, Zuverlässigkeit und Wertstabilität für professionelle A/D D/A Wandler und ist Mittelpunkt professioneller Aufnahmestudios auf der ganzen Welt. Der komplett neu entwickelte Aurora(n) führt dieses Vermächtnis fort.
Das Wichtigste im Überblick:
8 Kanal Version - jeweils auf einer Höheneinheit.
24 Bit / 192 kHz Mastering Qualität über alle Kanäle gleichzeitig.
DANTE Interfacekarte.
Onboard 32 Kanal microSD Rekorder für direkte Aufnahme und Wiedergabe.
Zwei audiophile Kopfhörerausgänge mit unabhängigen Lautstärkereglern.
1 IN, 3 OUT Wordclock, gepaart mit der neu entwickelten Lynx SynchroLock 2™ Technologie.
Kompromißlose Windows und OSX Kompatibilität.
Road-taugliches, verstärktes Rack-Chassis.
Digiface Dante
A lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.
Connectivity & Features
256 Channels: 128 in / 128 out
64 Channels Dante / 64 Channels MADI
2 x Gigabit Ethernet (802.3 compliant)
1 x MADI I/O coaxial I/0
Headphone Output
Wordclock I/0
USB 3
Bus-powered
TotalMix FX
The ANI22 device can bring up to two line / mic signals onto or from a Dante network for easy audio routing and convenient browser-based remote control. Available in XLR and block connector.
More flexibility for every kind of application where it is required to get analog audio onto and from a Dante network: The ANI22 Audio Network Interface complements the existing ANI4IN and ANI4OUT products, and is available with XLR and block connectors. It brings up to two line / mic signals onto or from a Dante network for easy audio routing and convenient browser-based remote control.
Features:
Converts up to 2 mic/line analog signals onto a Dante Network
Converts up to 2 Dante digital audio signals to line/mic analog signals, ANI22BLOCK: Analog audio block connectors (2 in, 2 out); ANI22XLR: Analog audio XLR connectors (2 in, 2 out)
Power-over-Ethernet (PoE) eliminates need for outboard power supply
Compact form factor is easy to mount without equipment rack
The ANI22 device can bring up to two line / mic signals onto or from a Dante network for easy audio routing and convenient browser-based remote control. Available in XLR and block connector.
More flexibility for every kind of application where it is required to get analog audio onto and from a Dante network: The ANI22 Audio Network Interface complements the existing ANI4IN and ANI4OUT products, and is available with XLR and block connectors. It brings up to two line / mic signals onto or from a Dante network for easy audio routing and convenient browser-based remote control.
Features:
Converts up to 2 mic/line analog signals onto a Dante Network
Converts up to 2 Dante digital audio signals to line/mic analog signals, ANI22BLOCK: Analog audio block connectors (2 in, 2 out); ANI22XLR: Analog audio XLR connectors (2 in, 2 out)
Power-over-Ethernet (PoE) eliminates need for outboard power supply
Compact form factor is easy to mount without equipment rack
The ANIUSB-MATRIX USB Audio Network Interface complements the existing ANI4IN, ANI4OUT, and ANI22 products. It offers the ideal performance, connectivity, and affordability for audio/video conferencing installations in small and medium-size meeting rooms when a premium microphone solution is desired, and acoustic echo cancellation of an A/V conferencing codec will be used.
The ANIUSB-MATRIX connects 4 Microflex Advance or Microflex Wireless microphone channels via Dante (4 in / 2 out), provides analog connectivity (1 block in / 1 block out) to a room audio/video conferencing system or a PC-based A/V conferencing application via USB (1 in/out).
An internal matrix mixer offers flexible routing, allowing users to route any input to any output. A 4-band parametric EQ filter is also available on the analog and USB outputs.
Features:
Connects 4 Dante audio inputs and 1 analog input to a AV conferencing system or a PC-based videoconferencing application
Flexible signal routing and connectivity: analog audio (1 block in / 1 block out) to room AV conferencing system; USB (1 in/out) to connect to laptop or room PC
Power-over-Ethernet (PoE) eliminates the need for an outboard power supply
Compact form factor is easy to mount without equipment rack
TRINNOV’S NEW GENERATION OF PRODUCTS
Trinnov is pleased to introduce NOVA, the first of a new generation of pro audio products. NOVA will be coming to market after 4 years of extensive research and development across multiple areas.
“I am very excited to be able to finally reveal the extraordinary work that our R&D team has accomplished over the past 4 years in terms of hardware design, software development and user experience.” said Arnaud Laborie, CEO and co-founder.
NOVA differs from the previous product generation in that it’s PC-less. Trinnov’s new Audio Core utilizes an ARM processor that provides the computational power necessary for full Trinnov processing of a limited number of channels, without the need of an additional CPU or fans.
“NOVA will be introduced in the year of our 20th anniversary. This new platform enables us to address a wider market with more cost-effective solutions for stereo and small surround applications, and ultimately to support our continued growth as a business. We developed it with the same commitment to performance and sustainability as the previous platform. This includes the ability to develop and maintain the same software across both hardware platforms” added Arnaud Laborie.
THE NEW STUDIO ESSENTIAL
NOVA is set to become the new studio essential for music makers, providing 3 main functions.
Trinnov’s Optimizer is NOVA’s main feature. Trinnov’s exclusive room correction and acoustic optimization technology is acclaimed by the most renowned sound engineers and music producers. NOVA can process and optimize up to 6 channels, including bass management.
Nova is not just a digital acoustic processor, it is also a powerful monitoring controller with no limitations in mind. From choosing your speaker sets to creating all kinds of downmixes and alternate cues.
Finally, via the Dante Virtual Sound card, NOVA can be used as an audio interface for direct DAW-to-monitoring integration.
Compact Digital Audio Processor (1U-19" rack format) featuring Trinnov Optimizer technology and additional advanced monitoring functions:
Comprehensive set of analog and digital I/Os
Dante Audio Interface (8in x 8out)
2 channels of Loudspeaker/Room Optimization
included, upgradable to 6
Handles multiple stereo or a single 5.1 speaker set
Bass management
Full control via Trinnov La Remote,
Eucon compatible (S1, S3, S6)
Compact Digital Audio Processor (1U-19" rack format) featuring Trinnov Optimizer
technology and additional advanced monitoring functions: Comprehensive set of analog and digital I/OsDante Audio Interface (16in x 16out)From 2 channels of Loudspeaker/Room Optimization up to 6Handles multiple stereo or a single 5.1 speaker setBass managementFull control via Trinnov La RemoteEucon compatible (S1, S3, S6) NOVA Bundle 4 includes:- 1x NOVA Processor- 1x 3D Microphone ETH- 1x La Remote- 1x Pair of Licenses
Compact Digital Audio Processor (1U-19" rack format) featuring Trinnov Optimizer
technology and additional advanced monitoring functions: Comprehensive set of analog and digital I/OsDante Audio Interface (16in x 16out)From 2 channels of Loudspeaker/Room Optimization up to 6Handles multiple stereo or a single 5.1 speaker setBass managementFull control via Trinnov La RemoteEucon compatible (S1, S3, S6) NOVA Bundle 4 includes:- 1x NOVA Processor- 1x 3D Microphone ETH- 1x La Remote- 2x Pair of Licenses
Designed with meticulous attention to details that make a real difference in the final sound, from parts selection to circuit layout, Nuage I/O audio interface units bring out the full sonic potential of the Nuendo DAW software. They include advanced DSP processing for stereo and surround monitoring, and use Dante network protocol for flexible system design and expansion. Three 16-channel models with different I/O configurations are available, usable individually or in combination for up to 128 channels.
Outstanding Sonic Quality Delivers Full System Potential
24 bit/192 kHz hardware operation in the Nuage I/O units ensures that the outstanding sonic detail and depth of the Nuendo DAW come through without compromise. The Nuage I/O units also feature advanced JetPLL™ jitter reduction technology for extremely low jitter and superior AD/DA resolution. The overall result is simply outstanding sound, no matter how complex the mix or how much processing is applied.
True Integrated Monitoring with Ultra-low Latency
To artists and musicians trying to lay down tracks in the studio, monitoring latency can be a huge problem that interferes with concentration and stifles creativity. The Nuage I/O units make latency issues a problem of the past thanks to advanced audio interface DSP hardware and "True Integrated Monitoring™" that reduces monitoring latency to well below the perception threshold of even the most sensitive performer. True Integrated Monitoring™ works flawlessly with the Nuendo Control Room monitoring features, a 32 monitor bus cascade, and a 16x16 monitor matrix that contributes to expandability and easy setup.
DSP Surround Processing
Surround processing capability is important in any post production system that will be used for a variety of projects. Nuage systems include all the essentials for state-of-the-art surround sound, including speaker level/delay adjustments and bass management.
Fuss-free, Flexible Network Connections
Dante is one of the most popular and well proven audio network protocols in use today, offering outstanding audio transmission quality and reliability as well as unrestricted system design and expandability. Because Nuage systems use Dante for system communication, connection between I/O unit and computer can be made via a single standard Ethernet cable. In more complex systems using multiple I/O units, standard network hubs and architecture can be used to configure the network as required. Flexible connectivity also means that a Nuage network can be linked to a live sound console, or included in a studio audio sharing installation.
Designed with meticulous attention to details that make a real difference in the final sound, from parts selection to circuit layout, Nuage I/O audio interface units bring out the full sonic potential of the Nuendo DAW software. They include advanced DSP processing for stereo and surround monitoring, and use Dante network protocol for flexible system design and expansion. Three 16-channel models with different I/O configurations are available, usable individually or in combination for up to 128 channels.
Outstanding Sonic Quality Delivers Full System Potential
24 bit/192 kHz hardware operation in the Nuage I/O units ensures that the outstanding sonic detail and depth of the Nuendo DAW come through without compromise. The Nuage I/O units also feature advanced JetPLL™ jitter reduction technology for extremely low jitter and superior AD/DA resolution. The overall result is simply outstanding sound, no matter how complex the mix or how much processing is applied.
True Integrated Monitoring with Ultra-low Latency
To artists and musicians trying to lay down tracks in the studio, monitoring latency can be a huge problem that interferes with concentration and stifles creativity. The Nuage I/O units make latency issues a problem of the past thanks to advanced audio interface DSP hardware and "True Integrated Monitoring™" that reduces monitoring latency to well below the perception threshold of even the most sensitive performer. True Integrated Monitoring™ works flawlessly with the Nuendo Control Room monitoring features, a 32 monitor bus cascade, and a 16x16 monitor matrix that contributes to expandability and easy setup.
DSP Surround Processing
Surround processing capability is important in any post production system that will be used for a variety of projects. Nuage systems include all the essentials for state-of-the-art surround sound, including speaker level/delay adjustments and bass management.
Fuss-free, Flexible Network Connections
Dante is one of the most popular and well proven audio network protocols in use today, offering outstanding audio transmission quality and reliability as well as unrestricted system design and expandability. Because Nuage systems use Dante for system communication, connection between I/O unit and computer can be made via a single standard Ethernet cable. In more complex systems using multiple I/O units, standard network hubs and architecture can be used to configure the network as required. Flexible connectivity also means that a Nuage network can be linked to a live sound console, or included in a studio audio sharing installation.
2.159,00 €*
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