Kleinmembran Mikrofone
Features 13 microphone emulations of classic microphone models Back-electret design provides transparent, balanced sound, & accurate transient responses Cardioid polar pattern suitable for wide variety of recording scenarios Frequency response of 20Hz–20kHz covers the audible spectrum Signal-to-noise ratio of 69dB Pad attenuation switch (-10db and -20dB) improves close-miking of loud sources, ensuring a clean signal without distortion. Maximum sound pressure level of 146dB High-pass filter switch (75Hz and 115Hz) eliminates low-frequency rumble and compensates for proximity effect Metal housing and black-matte finish provides style and endurance Includes shock mount holder to eliminate unwanted vibrations and provide easy positioning 48V DC Phantom Power required
deal for critical studio and live applications, the low-profile AT4021 offers a flat, extended frequency response, high maximum SPL and wide dynamic range. Its low self-noise is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer. The microphone offers outstanding reproduction of low-frequency sounds.FeaturesOutstanding performance and rugged constructionHigh SPL handling and wide dynamic rangeFlat, extended frequency responseSwitchable 80 Hz hi-pass filter and 10 dB padHigh front-to-back rejection ratio--cardioid polar pattern improves isolation of desired sound sourceLow self noise perfectly suited for digital recording equipmentExceptional reproduction of low frequency soundsLow-mass element for superb transient responseSpecifications:Element: Fixed-charge back plate, permanently polarized condenserPolar Pattern: CardioidFreq. Response: 20-20,000 HzLF Roll-Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: -34 dB (19.9 mV) re 1V at 1 PaImpedance: 250 ohmsMax Input Sound Level: 146 dB SPL, 1 kHz at 1% T.H.D.;156 dB SPL, with 10 dB pad (nominal)Noise: 14 dB SPLDynamic Range (typical): 132 dB, 1 kHz at Max SPLSignal-to-Noise Ratio: 80 dB, 1 kHz at 1 PaPhantom Power Requirements: 48V DC, 3.0 mA typicalSwitches: Flat, roll-off; 10 dB padWeight: 119 g (4.2 oz)Dimensions: 144.0 mm (5.67 in.) long,21.0 mm (0.83 in.) maximum body diameterOutput Connector: Integral 3-pin XLRM-typeAccessories Furnished: AT8405A stand clamp for 5/8 in.-27 threaded stands; windscreen; protective carrying caseAudio-Technica Case Style: S1 For more information, please visit this products webpage.
The Audio-Technica AT4022 Omnidirectional Condenser Microphone features a low-profile design and small-diaphragm condenser element. The sensitivity, frequency response and SPL capabilities make it a suitable choice for speaker cabinets, vocals, percussion instruments, drums and "spot" placement on guitars, stringed instruments, etc. The omnidirectional polar pattern provides a wide pickup area and preserves the integrity of the signal. An 80Hz high-pass filter switch reduces low frequencies and all associated noise. In addition a -10dB Pad switch provides added headroom and minimizes distortion when capturing transient (peaking) audio signals. Specifications: Omnidirectional Polar Pattern The omnidirectional polar pattern provides a generous pickup area and effectively preserves the integrity of the audio quality. Switchable 80Hz High Pass Filter The 80Hz high-pass filter switch eliminates hum and low frequency noise, rumble, etc. -10dB Pad Switch A -10dB Pad provides additional headroom for capturing peaking audio signals without distortion and noise. Transducer Fixed-charge back plate, permanently polarized condenser Polar Pattern Omnidirectional Frequency Response 20Hz - 20kHz Dynamic Range (Typical) 132dB, 1kHz at Max SPL Signal-to-Noise Ratio 80dB, 1kHz at 1Pa Maximum Input Sound Level 146dB SPL, 1kHz at 1% T.H.D.; 156dB SPL, with 10dB pad (nominal) Power Requirements 48VDC, 3.0mA typical Output Impedance 250 ohms Output Connectors 3-pin XLR Pad -10dB Low Frequency Roll-Off 80Hz Dimensions (LxDiameter) 5.67 x 0.83" (144 x 21mm) Weight 119g (4.2 oz) For more information, please visit this products webpage.
The AT4041 is recommended for professional recording and critical applications in broadcast and live-sound. It is ideal for drum overheads, acoustic guitar, piano, horns, and under snare. The AT4041 features a smooth, extended frequency response, high output, and very high SPL capability, transformerless design for low self-noise, and a switchable hi-pass filter and rugged turned-brass microphone housing.Specifications:Element: CapacitorDynamic Range (Typical): 121 dB, 1 kHz at Max. SPLPolar Pattern: CardioidPhantom Power Requirements: 48VFrequency Response: 20 - 20,000 HzSwitch: Flat/roll-offOpen Circuit Sensitivity: -36 dB (15.8 mV), +/-2 dB re 1V at 1 PaLow-frequency Roll-off: 80 Hz, 12 dB per octaveImpedance: 100 ohmsWeight: 4.2 oz. (120 g)Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D.Output Connector: XLRM-typeSignal To Noise Ratio: 70 dB, 1 kHz at 1 PaAccessories Furnished: AT8405 stand clamp; foam windscreen; protective case For more information, please visit this products webpage.
The Audio-Technica AT4049B is a versatile omnidirectional condenser microphone recommended for professional recording and critical applications in broadcast. Use the AT4049B mic with confidence in a wide variety of professional miking applications, such as acoustic instruments and percussion, where proximity effect and coloration are not desired; ambient recording for clean room sound free from off-axis coloration; and distance miking of electric guitars and other instruments in great-sounding live rooms. The greatest advantage of omni mics in general and the AT4049B in particular, is the open and extended bass response and lack of phase-cancellation problems that can occur with directional mics. Featuring direct-coupled balanced outputs for clean signals in high-output conditions, the Audio AT4049B microphone is totally free of the distortion associated with conventional transformer-coupled outputs. Its fast response to transients contributes to the open, transparent reproduction of even the most difficult-to-capture instruments. The AT4049B microphone is fully RoHS-compliant—free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS). The Audio-Technica AT4049B consists of 2 modular subassemblies: an AT4900b-48 body and an AT4049b-EL omnidirectional microphone head capsule. Audio-Technica AT4049B Omnidirectional Condenser Microphone Features:Specially engineered to meet the most critical acoustic requirements of professional recording, broadcast, and live classical recording.Omnidirectional polar pattern provides maximum ambient pickupDirect-coupled, balanced output results in a clean signal even under high-output conditionsTransformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transientsSwitchable 80 Hz hi-pass filter and 10 dB padRugged turned-brass microphone housing for enduring dependabilityState-of-the-art design and manufacturing techniques ensure compliance with A-T's stringent consistency and reliability standardsRoHS-compliant — free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)Audio-Technica AT4049B Omnidirectional Condenser Microphone Includes:AT8405a stand clamp for 5/8"-27 threaded stands; windscreen; protective carrying caseAudio-Technica AT4049B Omnidirectional Condenser Microphone Specifications:Element: Externally polarized (DC bias) capacitorPolar Pattern: OmnidirectionalFrequency Response: 20-20,000 HzLow Frequency Roll-Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: -34 dB (19.9 mV) re 1V at 1 PaImpedance: 50 ohmsMaximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D.; 155 dB SPL, with 10 dB pad (nominal)Noise: 16 dB SPLDynamic Range (Typical): 129 dB, 1 kHz at Max SPLSignal-To-Noise Ratio: 78 dB, 1 kHz at 1 PaPhantom Power Requirements: 48V DC, 4.8 mA typicalSwitch: Flat, roll-off; 10 dB pad (nominal)Weight: 130 g (4.6 oz)Dimensions: 155.0 mm (6.10") long, 21.0 mm (0.83") maximum body diameterOutput Connector: Integral 3-pin XLRM-typeOptional Interchangeable Elements (sold separately):AT4051b-EL (cardioid); AT4053b-EL (hypercardioid)Accessories Furnished: AT8405a stand clamp for 5/8"-27 threaded stands; windscreen; protective carrying caseAudio-Technica Case Style: S1For more information, please visit this products webpage
The Audio-Technica AT4051B Cardioid Condenser Microphone is ideal for professional recording and critical applications in broadcast. Featuring direct-coupled balanced outputs for clean signals in high-output conditions, the AT4051B microphone is totally free of the distortion associated with conventional transformer-coupled outputs. Its fast response to transients contributes to the open, transparent reproduction of even the most difficult-to-capture instruments.The AT4051B mic is fully RoHS-compliant—free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS). The AT4051b consists of two modular subassemblies: an AT4900b-48 body and an AT4051b-EL cardioid head capsule.Recommended uses of the AT4051B are acoustic guitar, percussion, drum overheads (mainly for cymbals), and live sound instrument recording where rear-cancellation is required.Audio-Technica AT4051B Cardioid Condenser Mic Includes:AT8405a stand clamp for 5/8"-27 threaded stands; windscreen; protective carrying case Features: Specially engineered to meet the most critical acoustic requirements of professional recording, broadcast and sound reinforcement High front-to-back rejection ratio—cardioid polar pattern improves isolation of desired sound source Direct-coupled, balanced output results in a clean signal even under high-output conditions Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients Switchable 80 Hz hi-pass filter and 10 dB pad Rugged turned-brass microphone housing for enduring dependability State-of-the-art design and manufacturing techniques ensure compliance with A-T's stringent consistency and reliability standards RoHS-compliant—free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)Specifications: Element: Externally polarized (DC bias) capacitor Polar Pattern: Cardioid Frequency Response: 20-20,000 Hz Low Frequency Roll-Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: -34 dB (19.9 mV) re 1V at 1 Pa Impedance: 50 ohms Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D.; 155 dB SPL, with 10 dB pad (nominal) Noise: 16 dB SPL Dynamic Range (Typical): 129 dB, 1 kHz at Max SPL Signal-To-Noise Ratio: 78 dB, 1 kHz at 1 Pa Phantom Power Requirements: 48V DC, 4.8 mA typical Switch: Flat, roll-off; 10 dB pad (nominal) Weight: 126 g (4.4 oz) Dimensions: 155.0 mm (6.10") long, 21.0 mm (0.83") maximum body diameter Output Connector: Integral 3-pin XLRM-type Optional Interchangeable Elements (sold separately): AT4049b-EL (Omnidirectional); AT4053b-EL (hypercardioid) Accessories Furnished: AT8405a stand clamp for 5/8"-27 threaded stands; windscreen; protective carrying case Audio-Technica Case Style: S1
This versatile studio performer may be used with confidence in a wide variety of professional miking applications.Featuring direct-coupled balanced outputs for clean signals in high-output conditions, the microphone is totally free of the distortion associated with conventional transformer-coupled outputs. And its fast response to transients contributes to the open, transparent reproduction of even the most difficult-to-capture instruments. The microphone is fully RoHS-compliant - free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).The AT4053b consists of two modular subassemblies: an AT4900b-48 body and an AT4053b-EL hypercardioid head capsule (both available separately). Additional interchangeable capsules are available in omnidirectional (AT4049b-EL) and cardioid (AT4051b-EL).FeaturesSpecially engineered to meet the most critical acoustic requirements of professional recording, broadcast and sound reinforcement Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Direct-coupled, balanced output results in a clean signal even under high-output conditions Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients Switchable 80 Hz hi-pass filter and 10 dB pad Rugged turned-brass microphone housing for enduring dependability State-of-the-art design and manufacturing techniques ensure compliance with Audio-Technica's stringent consistency and reliability standards RoHS-compliant - free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)AccessoriesAT8405a stand clamp for 5/8"-27 threaded standsWindscreenProtective carrying caseSpecificationsElement: Externally polarized (DC bias) capacitor Polar Pattern: Hypercardioid Frequency Response: 20-20,000 Hz Low Frequency Roll Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: -34 dB (19.9 mV) re 1V at 1 Pa Impedance: 50 ohms Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D.; 155 dB SPL, with 10 dB pad (nominal) Dynamic Range: 129 dB, 1 kHz at Max SPL Signal to Noise Ratio: 78 dB, 1 kHz at 1 Pa Phantom Power Requirements: 48V DC, 4.8 mA typical Switch: Flat, roll-off; 10 dB pad (nominal) Weight: 127 g (4.5 oz) Dimensions: 155.0 mm (6.10") long, 21.0 mm (0.83") maximum body diameter Output Connector: Integral 3-pin XLRM-typeFor more information, please visit this products webpage.
Handmade OCC7 condenser capsule Inspired by a legend, this newly developed capsule takes on the heritage with the benefits of the classic and the demands of today. High precision cardioid pattern directional characteristic Rugged Design Metal housing, cap, and grille Switchable high pass filter 60 Hz (2nd order), 120 Hz (2nd order) Two different types of analogue pads Pads (0, -10 dB, -20 dB) to enable to pick up sound up to 156dB Match-paired out of the box Each microphone is measured and tuned to a tolerance of max. +/-0.5 dB sensitivity at 1 kHz.
Handmade OCC7 condenser capsule Inspired by a legend, this newly developed capsule takes on the heritage with the benefits of the classic and the demands of today. High precision cardioid pattern directional characteristic Rugged Design Metal housing, cap, and grille Switchable high pass filter 60 Hz (2nd order), 120 Hz (2nd order) Two different types of analogue pads Pads (0, -10 dB, -20 dB) to enable to pick up sound up to 156dB Match-paired out of the box Each microphone is measured and tuned to a tolerance of max. +/-0.5 dB sensitivity at 1 kHz.
Austrian Audio hat sich in kürzester Zeit einen festen Platz unter den internationalen Top-Playern im Pro-Audio-Bereich erarbeitet – mit kompromissloser Qualität, smartem Engineering und echtem Wiener Handwerk. Jetzt folgt das nächste Highlight: Das CC8- SC, die Supernieren-Variante des gefeierten CC8 KleinmembranKondensatormikrofons.
Perfekt sofort einsatzbereit. Gestalten Sie den Sound, den Sie möchten.Der DM6 klingt sofort nach dem Auspacken perfekt, wenn Sie nicht genug Zeit für einen ordentlichen Soundcheck haben oder wenn Sie in der Kirche oder an kleinen Veranstaltungsorten ehrenamtliche Helfer an den Tafeln haben. Aber er ist vielseitig und leistungsstark genug, um jeden kreativen EQ zu verarbeiten, den Sie für mehr Geschmack verwenden möchten.
Das QTC30 ist ein außergewöhnlich akkurates Mikrofon. Es verkörpert den Earthworks Sound bei extrem geringem Eigenrauschen, was für ein Kleinstmembran Mikrofon sehr untypisch ist. Ein flacher Frequenzgang, bestes Impulsverhalten, niedriges Rauschen und eine minimale Störung des Schallfeldes durch die Mikrofon-Geometrie reproduzieren das Schallfeld exakt so, wie es am Mikrofon anliegt. Wenn Sie Transparenz einem gefärbten Sound vorziehen, stellt ein selektiertes Paar QTC30 das Mikrofonset Ihrer Träume dar. Frequenzgang: 6Hz30kHz +/ 1dB/3dB Charakteristik: Kugel Empfindlichkeit: 30mV/Pa (30,5dB/Pa) Stromversorgung: 48V, 10mA SPL max: 142 dB SPL max. Ausgangsspannung: 10V Ausgang: XLR symm. Lastwiderstand: 600 Ohm Noise: 22dB SPL ABewertet Abmessungen: 165mmx22mm Gewicht: 160g
Das QTC30 HDM Mikrofon zeichnet sich durch ein exzellentes Preis/Leistungsverhältnis aus. Mit seinem linearen Frequenzgang bis über 30kHz und einem exzellenten Impulsverhalten, überträgt es auch subtile Feinheiten und fängt den Klangkörper mit absolutem Realismus und einer atemberaubenden Authentizität ein. Das QTC30 ist extrem kompakt und völlig unempfindlich gegenüber Griffgeräuschen. Features: [ Typ: Kondensator [ Ersatzgeräusch: 22dB SPL A-bewertet [ Empfindlichkeit: 30mV/Pa [ Richtcharakteristik: Omni (Kugel) [ Übertragungsbereich: 6Hz-30kHz +1/-3dB [ Verstärkertyp: Class-A [ Grenzschalldruckpegel: 142dB [ PSU: 48V 2x10mA [ sehr gute Impulsantwort [ sauberer unverfärbter transparenter Klang [ für Quellen mit geringerem Schallpegel [ unempfindlich für Griffgeräusche [ sehr kompakte Abmessungen [ Matched Pair
Das Earthworks QTC 40 liefert einen flachen, erweiterten Frequenzbereich, eine exzellentes Impulsverhalten, sehr hohe Empfindlichkeit und den großartigen Earthworks-Sound mit geringerem Eigenrauschen als die anderen Modelle mit Kugelcharakteristik. Das QTC 40 ist ein außergewöhnlich genaues Mikrofon mit den typischen ±0,5dB im Bereich von 20Hz bis 20kHz. Wichtiger ist vielleicht noch, dass das QTC 40 die sauberste Impulsantwort liefert die von Earthworks gemessen wurde. Das Impulsverhalten das Tönen zu eigen ist, ist die Information die man braucht um Musik Präsenz zu verleihen. Die saubere Impulseigenschaft erlaubt es dem QTC 40 Wellenformen exakt zu übertragen.Das QTC 40 ist wundervoll zur Raummikrofonierung und für ruhige Schallquellen und ausserdem großartig für Nahmikrofonierungen. Das QTC 40 hält die volle Größe und die Natürlichkeit vieleer schwieriger und komplexer Schallereignisse fest. Dieses Mikro ist eine exzellente Wahl wenn natürlicher und ungefärbter Klang das gewünschte Resultat ist. Frequenzgang: 4Hz to 40kHz ±1dB Richtcharakteristik: Kugel Empfindlichkeit: 30 mV/Pa (30.5 dBV/Pa) Phantomspeisung: 48V, 10mA Max SPL: 142 dB Ausgangsspannung: 10V Anschlüsse: XLR Ausgangs Impedanz: 600 Ohm zwischen pin2 und pin3 Noise: 22 dB SPL (A bewertet) Größe (LxT): 229mm x 22mm (9 x .860 inches) Gewicht: 225g (.5 lb)
Das populärste Omni Mikrofon aus der Earthworks Produktpalette. Das QTC40 ist die erste Wahl von professionellen Toningenieuren und wurde von diversen Profis als das akkurateste Mikrofon bezeichnet. Mit diesem Mikrofon erhalten Sie spektakuläre Ergebnisse. Die außergewöhnliche Genauigkeit wird durch eine hervorragende Impulsantwort und extrem kurze Einschwingzeit der Kapsel erreicht. Ideal für feine Schallquellen.Es gibt keine Verfärbungen im Übertragungsbereich. Das QTC40 wird Ihre Hörerfahrungen maßgeblich verändern!Earthworks Audio aus New Hampshire, U.S.A. hat sich Qualität und klanglicher Exzellenz verschrieben und wurde einst von David Blackmer, dem brillianten Erfinder und Gründer von dbx, gegründet . Bei Earthworks galt seine Aufmerksamkeit der Entwicklung neuer Technologien für Mikrofone, Vorverstärker und Monitorlautsprecher. Diese neuen patentierten Technologien ermöglichen Earthworks die Herstellung der "nächsten Generation? professioneller Audioprodukte, welche jegliches andere hochwertige Audioequipment auf dem Markt deutlich in den Schatten stellt.Anwender von Earthworks Mikrofonen, Verstärkern oder Monitorlautsprechern beschreiben die enorme Verbesserung in punkto Klangqualität oft mit den Worten ?atemberaubend? oder ?höchst beeindruckend?. Und auch die Fachpresse ist sich einig und bezeichnet Earthworks in Ihren Testberichten als überragend. Jedes Earthworks Produkt wird mit großer Sorgfalt, akribischer Liebe zum Detail und höchsten Qualitätsansprüchen gefertigt. Earthworks ist stolz darauf nur das beste an professionellem Audioequipment zu herzustellen und fertigt ausschließlich in den USA. Die wichtigsten Daten im Überblick:außergewöhnlich gute Impulsantwortsauberer unverfärbter transparenter Klangfür Quellen mit geringerem Schallpegelmatched pair - aufeinander abgestimmtes Mikrofonpaar Technische Daten: Typ: Kondensator KleinstmembranRichtcharakteristik: KugelÜbertragungsbereich: 4 Hz - 40 kHz +/-1dBEmpfindlichkeit: 30 mV/Pa, -30,5 dBV/PaStromversorgung: 48V Phantomspeisung, 10mAGrenzschalldruckpegel: 142 dB SPLAnschluss: XLR (Pin 2+)Ersatzgeräusch: 22 dB, A-bewertetAbmessungen: 165 x 22 mmGewicht: 225 g
The QTC series (Quiet Time Coherent) is designed for recording quieter sources such as vocals, strings and distant miked orchestras or choirs. Earthworks' reputation for realism is based on these distinctive omnis. Their degree of clarity is unparalleled. Their claim of Time Coherent Response means these models do not smear the time domain as most microphones do. Earthworks microphones have exceptional impulse response and diaphragm settling time. QTC microphones handle sound levels up to 142dB with no proximity effect or handling noise. The QTC50 is the microphone for those who demand the very best. It is ideal for digital recording with sample rates up to 192kHz, and even higher where every nuance of sound must be captured. It has all of the exceptional attributes of our popular QTC40 (same as QTC1). The QTC50 has an extended high frequency response to 50kHz and better impulse response.
Das QTC 50 ist eine Weiterentwicklung des QTC 40 und besitzt zusätzlich zu dessen Eigenschaften einen erwiterten Frequenzgang (>50 kHz) und eine verbesserte Impulswiedergabe.
Sie hören das Beckenmikrofon Earthworks SR25 auf fast jedem Online-Drumming-Kanal. Sie sehen es auf allen Top-Tourneen und mit den besten Toningenieuren. Sie spüren es auf Ihren Lieblingsalben. Die SR25 sind zum Becken-, Hi-Hat- und Drum-Overhead-Mikrofon der Wahl bei Top-Studio-Sessions, den größten Festivals und auf jedem Drum-Video geworden. Sie waren der Inbegriff des Erfolgs und der schnellste Weg, um den vollsten Sound zu erzielen. Und jetzt baut die zweite Generation auf allem auf, was die Branche erwartet, und verbessert dabei alle Aspekte der Benutzerfreundlichkeit und Leistung. Wir haben alles beibehalten, was Sie geliebt haben, und Ihnen gleichzeitig mehr von allem gegeben, was Sie sich gewünscht haben – und obwohl sie normalerweise als Stereopaare verwendet werden, eignen sich die Einzelmikrofone perfekt, um Hi-Hats und anderen Spezialbecken das gewisse Extra zu verleihen.
Sie hören die Earthworks SR25 Drum-Overhead-Mikrofone auf fast jedem Online-Drumming-Kanal. Sie sehen sie auf allen Top-Tourneen und mit den besten Toningenieuren. Sie spüren sie auf Ihren Lieblingsalben. Die SR25 sind zum Standard-Becken- und Drum-Overhead-Mikrofon bei Top-Studio-Sessions, den größten Festivals und in jedem Drum-Video geworden. Sie waren der Inbegriff des Erfolgs und der einfachste Weg, den besten Sound zu erzielen. Und jetzt bietet die zweite Generation alles, was die Branche fordert, und verbessert gleichzeitig alle Aspekte der Benutzerfreundlichkeit und Leistung. Wir haben alles beibehalten, was Sie geliebt haben, und Ihnen gleichzeitig mehr von allem gegeben, was Sie sich gewünscht haben.
Das TC20 ist das preiswerteste Mikrofon aus dem Earthworks Programm. Allerdings hat es sich einige Tugenden der großen Brüder bewahrt: linearer Frequenzgang, gutes Impuls-verhalten, moderates Eigenrauschen und eine schier unendliche Bandbreite an Einsatz-möglichkeiten. Auch bei hohen Eingangspegeln werden noch akustische Details sauber übertragen. Da 'mulmt und matscht' nichts im Sound. Sie können immer alle Details der Quelle erkennen. Ob im Live-Betrieb oder im Recording-Einsatz : Das TC20 ist stets ein kompetenter Begleiter. Frequenzgang : 10Hz20kHz +/ 1dB Charakteristik : Kugel Empfindlichkeit : 8mV/Pa (42dB/Pa) Stromversorgung : 48V, 10mA SPL max : 150 dB SPL max. Ausgangsspannung: 10V Ausgang : XLR symm. Lastwiderstand : 600 Ohm Noise : 27dB SPL ABewertet Abmessungen : 160mmx22mm Gewicht : 90g Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Versatile, Massive Tone, ArticulateThe Hendyamps SDC mic was intended to be a specialty mic, designed with high SPL sources in mind, and as such, it has become the standard bearer in this category. For drum close mics to electric guitar amps, this mic revolutionize how high SPL sources are captured and are the only mics we use here at the Hendyamps Studios for those applications. CircuitFrom this capsule, the general Warhol preamp circuitry was chosen as the base for the microphone because the high voltage mosfet topology paired so well with the capsule and was able to truly capture source material in a way that simply sounded like it was finished. The purpose of this mic was not to conform the source material to itself, but to instead conform to the source material and enhance it in every way possible.PadThe SDC had a Pad permanently built into it in order to allow it to be used for high SPL sources. As a result, using this mic on low SPL sources is not advised, though still certainly possible to still achieve good results.Included Features48v Phantom Powered MicXLR InputPermanent Pad for high SPL sourcesHigh voltage mosfet circuitTransformer balanced outputUnique chassis look
Our compact body (85mm) true condenser type with integrated capsule and amplifier is available in two models the MBNM 440 cardioid and the MBNM 410 omni. Using advanced SMD technology with an extremely short signal path and low phantom power consumption plus the ability to accept voltages from 22 to 48 V, these microphones are well suited for battery operation. With a non-reflective lacquered mat black housing, precise and stunning sound reproduction is available at an entry-level price.
Our compact body (85mm) true condenser type with integra-ted capsule and amplifier is available in two models, the MBNM 440 cardioid and the MBNM 410 omni. Using advan-ced SMD technology with an extremely short signal path and low phantom power consumption plus the ability to accept voltages from 22 to 48 V, these microphones are well suited for battery operation. With a non-reflective lacquered mat black housing, precise and stunning sound reproduction is available at an entry-level price. specifications pattern- omni frequency response 15 - 20.000 Hz sensitivity of field idling 0,7 mV/µbar 1 k? at 1 kHz 7 mV/Pa rated at 1 Pa CCIR 66 dB equivalent SPLrated at CCIR 28 dB A-rated at 1 Pa. 80 dB-A equivalent SPLrated at DIN / IEC 14 dB-A max.spl at 1 k? 126 dB electrical impedance 200 ? phantom power / feed current 1,7 mA sizes without XLR ¯ ¯ 21 x 85 mm connectors XLR
The MBM 410 PZ offers easy handling solutions for smaller venues combined with an truly unbelie-vable sound image. The MBM 410 PZ proved to be the perfect microphone solution for venues such as theatres and conference rooms which do not employ full time sound engineers and the spea-ker/artist is often in charge of the sound system.The MBM 410 PZ is securely suspended by three safety mounting clips about 8 -10 feet above the sound source and the audio quality provide by this PZM is purely stunning. One to four different MBM 410 PZ may be used to cover larger recording areas such in as larger stages or conference cen-tres etc. The MBM 410 PZ comes in an inconspi-cuous gray lacquered finish and incluedes one MBNM 410. pattern 410 - omni frequency response15 - 20.000 Hz sensitivity of field idling0,7 mV/µbar 1 k? at 1 kHz 7 mV/Pa signal to noise ratio rated at 1 Pa CCIR 66 dB equivalent SPLrated at CCIR 28 dB signal to noise ratio 80 dB equivalent SPLrated at DIN / IEC 14 dB-A max.spl at 1 k? 126 dB electrical impedance 200 ? phantom power22 - 48 V plate size/ weight 800 x 800 mm / 6 kg connectorsXLR