Gesangsmikrofone

Handmade OCC7 condenser capsule Inspired by a legend, this newly developed capsule takes on the heritage with the benefits of the classic and the demands of today Cardioid Directional characteristic Switchable Low cut filter 120 Hz (2nd order) Rugged die-cast body for the most challenging live environments

ODC50 active dynamic capsule state-of-the-art dual capsule design for consistent sound 3D Pop Noise Diffusor specially designed for the OD505, this filter effectively reduces the impact of plosives. Rugged die-cast body for the most challenging live environments Switchable Low cut filter 120 Hz (2nd order) Supercardioid Directional characteristic

The Earthworks SR314 is designed from the ground up to meet both the expectations and desires of a modern live performance environment. Stainless steel is expertly sculpted through precision machining yielding an instrument that is beautiful to look at, balanced in the hand, and sensibly engineered for life on the road. Protected within its steel exoskeleton is a studio quality small diaphragm cardioid condenser capsule coupled with a Class A amplifier circuit that leverages Earthworks patented and proprietary technologies to deliver one of the fastest mics on the planet. An extended flat frequency response and a focus on time coherence (fast clean impulse response) sets the Earthworks SR314 apart. By systematically eliminating the many layers of distortion and noise normally added by each acoustic and electronic component, the Earthworks SR314 doesn’t sound like a traditional microphone – it pulls back the veil to reveal the true voice of the artist. The SR314 democratizes exceptional live music experiences, making them accessible to everyone. Quicker soundchecks and better monitor and in-ear mixes let artists focus on what matters most – the music. Engineers are unencumbered from the necessities of corrective EQ, heavy compression, de-essing and constant vigilance against feedback. Audiences reap the benefits of vocals that sit comfortably and easily in the mix, with every detail and nuance bridging the gap that so often separates the audio experience of live music from recordings. Features: Flat frequency response to 30kHz Handles up to 145dB SPL More gain before feedback than other microphones Tight cardioid polar pattern with a consistent frequency response all the way out to 90 degrees means the SR314 delivers the same quality of sound even when the singer moves off-center Extreme attenuation of sound sources located beyond 90 degrees with maximum rejection at 180 degrees Consistent low frequency response across a wide range of distances, providing articulate detailed bass up close while not getting thin with distance

Microtech Gefell BM 180The BM 180 stage microphone is a compact member of the micon series of studio condenser microphones.A classic 48V phantom powered condenser microphone design, the BM 180 ensures a high degree of intelligibility and clarity for speech, vocals and music, also when used in less favourable acoustic conditions.The design makes it particularly suited to suspension above stages. Sound engineers in Theatre, Opera and Television will be particularly impressed by the visually unobtrusive appearance of the microphone.The BM 190 comprises a BMK 190 microphone capsule and the BMV 190 stage microphone preamplifier. Use of a special capsule with a cardioid characteristic achieves excellent attenuation of undesired acoustic interference in the vicinity. The suspension coupling provides a secure positioning and precise orientation of the microphone.The stage microphone has a balanced frequency response and ensures a neutral capture of sound. The electronic circuitry employed generates a negligible noise level. The low output impedance means that XLR cable extensions can be used where required. The microphone is supplied in a dark bronze finish.  A  LEMO mini-connector system provides an easy way to exchange the BMK 190 cardioid capsule with a BMK 180 omnidirectional capsul Capsule system sure   Polar patterns omni Frequency range / Hz 40  18000 Sensitivity / mV/Pa 7 Equivalent loudness level / dB(A) 20 Max. SPL  (0,5%) / dB 147 Power Supply P 48 / XLR

Microtech Gefell BM 190The BM 190 stage microphone is a compact member of the micon series of studio condenser microphones.A classic 48V phantom powered condenser microphone design, the BM 190 ensures a high degree of intelligibility and clarity for speech, vocals and music, also when used in less favourable acoustic conditions.The design makes it particularly suited to suspension above stages. Sound engineers in Theatre, Opera and Television will be particularly impressed by the visually unobtrusive appearance of the microphone.The BM 190 comprises a BMK 190 microphone capsule and the BMV 190 stage microphone preamplifier. Use of a special capsule with a cardioid characteristic achieves excellent attenuation of undesired acoustic interference in the vicinity. The suspension coupling provides a secure positioning and precise orientation of the microphone.The stage microphone has a balanced frequency response and ensures a neutral capture of sound. The electronic circuitry employed generates a negligible noise level. The low output impedance means that XLR cable extensions can be used where required. The microphone is supplied in a dark bronze finish.  A  LEMO mini-connector system provides an easy way to exchange the BMK 190 cardioid capsule with a BMK 180 omnidirectional capsul Capsule system  Pressure gradien Polar patterns  cardioid   Frequency range / Hz  40 … 16000 Sensitivity / mV/Pa  14 Equivalent loudness level / dB(A)  15 Max. SPL  (0,5%) / dB  146 Power Supply  P 48 / XLR

Microtech Gefell MD 100The MD 100 is a dynamic microphone with cardioid polar pattern and is recommended for high-quality in sound studios and recordings of speech and music in the professional and semi-professional area.The MD 100 is manufactured in Germany together with Mikrofontechnik Leipzig GmbH (MTL) a company with a long history of dynamic microphone produktion. Microtech Gefell prides itself in making quality products and supporting them with promt service.Specifications: Polar pattern: Cardioid Beaming: >2.2 bei 1 kHz Operating principle: Acoustic: Pressure gradient transducer Electric: Moving - coil principle Frequency range: 50Hz-16kHz Sensitivity at 1 kHz: 1.6 mV / Pa ± 3 dB Rated impedance: 220 ohm ± 30 % Load impedance: >/= 1 kOhm Magnetic field disturbing factor at 50 Hz: </= 1 V/T Operating temperature range - 10 °C bis + 45 °C Output connector: 3-pin XLR-connector, gold-plated contacts Connector assignment: pin 2 (+) and 3 moving - coil pin 1 and housing ground Weight: 375 g Dimensions: 198 mm x 53 mm

Microtech Gefell MD 110The MD 110 is a dynamic microphone with hyper cardioid polar pattern and is recommended for high-quality in sound studios and recordings of speech and music in the professional and semi-professional area.The MD 110 is manufactured in Germany together with Mikrofontechnik Leipzig GmbH (MTL) a company with a long history of dynamic microphone produktion. Microtech Gefell prides itself in making quality products and supporting them with promt service.Technical Data Dynamic microphone    MD 110 Polar pattern    super cardioid Operating principle    acoustic:     Pressure gradient transducer electric:       Moving - coil principle Frequency range    50 ... 16000 Hz Sensitivity at 1 kHz    1,5 mV / Pa ± 3 dB Rated impedance    220 Ω ± 30 % Load impedance    ≥ 1 k Ω Magnetic field disturbing factor at 50 Hz    ≤ 1 V/T Operating temperature range    - 10 °C bis + 45 °C Output connector    3-pin XLR-connector, goldplated contacts Connector assignment    pin 2 (+) and 3 moving - coil pin 1 and housing ground Weight    375 g Dimensions (L x Ø )    198 mm x 53 mm

Microtech Gefell MD 120The MD 120 is a dynamic microphone with omni polar pattern and is recommended for high-quality in sound studios and recordings of speech and music in the professional and semi-professional area.The MD 120 is manufactured in Germany together with Mikrofontechnik Leipzig GmbH (MTL) a company with a long history of dynamic microphone produktion. Microtech Gefell prides itself in making quality products and supporting them with promt service.Technical Data Dynamic microphone MD 120 Polar pattern omni Operating principle acoustic:               Pressure transducer electric:                 Moving - coil principle Frequency range 50 ... 18000 Hz Sensitivity at 1 kHz 1,5 mV / Pa ± 3 dB Rated impedance 220 Ω ± 30 % Load impedance ≥ 1 k Ω Magnetic field disturbing factor at 50 Hz ≤ 1 V/T Operating temperature range - 10 °C bis + 45 °C Output connector 3-pin XLR-connector, goldplated contacts Connector assignment pin 2 (+) and 3 moving - coil pin 1 and housing ground Weight 380 g Dimensions (L x Ø ) 198 mm x 53 mm  

The LSR-3000 represents the top of the line of our long heritage of condenser microphones for stage use. It is an extraordinary microphone for demanding live applications. Based on the capsule from the famous VM-44 system in a body made for a hard life on the road. It is insensitive to hand noise, has excellent feedback rejection and can handle a staggering 150 dB!A great voice needs a great microphone. The Milab LSR-3000 is up to the task! Features: Transformerless  Shock absorbing rubber fitted capsule  Insensitive to hand noise  Built-in pop protection  12 dB switchable pad  80 Hz switchable high pass filter  Max SPL 150 dB  Gold-plated XLR connector  Available in a black or nickel finish

Nach Jahren der Forschung und Entwicklung ist das erste dynamische Handmikrofon des TECHNICAL GRAMMY®-Preisträgers David Royer ein bahnbrechendes Produkt. Es überwindet harte Präsenzspitzen und bietet eine Fülle und Musikalität im gesamten Frequenzbereich, die dynamische Handmikrofone nur selten erreichen. Sweetwater -Nutzer schwärmen von seinem „weichen und ausgewogenen … kristallklaren und brillanten“ Klang. Experten sind sich einig: Es ist einzigartig. Das Vocalist Studio bewertete es als „eines meiner fünf besten Handhelds … Ich kann nicht genug von dieser sanften Klangfarbe bekommen.“ Country-Superstar Hunter Hayes sagt schlicht: „Ich werde nie wieder live mit einem anderen Gerät singen.“ Ob Sie die Bühne beherrschen oder Ihren nächsten Hit in der Studiokabine aufnehmen – der MA-D liefert in jeder Umgebung Klarheit in Studioqualität. MA‑D von Mojave Audio: Auf der Bühne oder im Studio haben Sie die Kontrolle über Ihre Stimme selbst in der Hand.

Akustische Eigenschaften Die Grundlage dafür, dass sämtliche Nuancen der menschlichen Stimme übertragen werden, bilden die in beiden Mikrophonvarianten verwendeten Studio-Kondensatorkapseln. Verglichen mit anderen Handmikrophonen, die zudem meistens mit dynamischen Kapseln arbeiten, besitzt die KMS-Serie eine besonders hohe akustische Durchsichtigkeit, einen weiten Frequenzumfang und eine feinzeichnende Auflösung der Transienten. In beiden Mikrophonen wird durch sorgfältig abgestimmte akustische Filter sowie durch transformatorlose, sehr hoch aussteuerbare Impedanzwandler erreicht, dass auch starke Explosivlaute nicht zu Übersteuerungen des Mikrophons führen. Trotz der sehr guten Pop-Festigkeit werden Zisch- und S-Laute in ihrer natürlichen Akzentuierung übertragen, wie es nur mit Kondensatormikrophonen möglich ist. Weiterhin sind die genannten akustischen Filter so konstruiert, dass die ausgeprägten Richteigenschaften der Kapseln auch im Bassbereich erhalten bleiben. Sie geben den Solistenmikrophonen KMS 104 und KMS 105 damit eine sehr hohe Rückkopplungssicherheit bei Bühnenbeschallung. Elektrische Eigenschaften Aufgrund des bei Solistenmikrophonen typischen geringen Besprechungsabstandes ist der Bassfrequenzgang der Mikrophone entsprechend dem Naheffekt der jeweiligen Kapseln elektrisch entzerrt. Beide Mikrophone haben zusätzlich einen fest eingestellten Hochpass mit einer Grenzfrequenz von 120 Hz eingebaut (–3 dB, gemessen im freien Schallfeld). Der Dynamikumfang des KMS 104/105 beträgt 132 dB, der maximale Schalldruckpegel liegt bei 150 dB. Dank des niedrigen Eigengeräuschpegels von nur 18 dB-A lassen sich beide Mikrophone ohne das Risiko zusätzlichen Rauschens hoch aussteuern. Die Mikrophone arbeiten somit auch auf größere Entfernung mit hohem Störabstand und gewähren dem Künstler die für ihn wichtige Bewegungsfreiheit und Kreativität. Die transformatorlose Ausgangsschaltung ermöglicht eine Übertragung des Mikrophonsignals auch über lange Kabelstrecken ohne Klangeinbußen. Mechanische Eigenschaften Mikrophone für den Live-Bühnenbetrieb müssen besonders robust konstruiert sein. Deshalb haben das KMS 104 und KMS 105 dickwandige Metallgehäuse, die zudem einen wirksamen Schutz vor Griffgeräuschen bieten. Die Mikrophonkörbe sind aus gehärtetem Stahl gefertigt. Bei Bedarf können sie leicht abgeschraubt werden, um die innenliegenden akustischen Filter zu reinigen. Lieferumfang Die Mikrophone KMS 104 und KMS 105 werden zusammen mit einer passenden Stativklemme in einer attraktiven und road-tauglichen, gepolsterten Nylontasche geliefert. Akustische Arbeitsweise Druckgradientenempfänger Richtcharakteristik Niere / Superniere Übertragungsbereich 20 Hz...20 kHz Feldübertragungsfaktor bei 1 kHz an 1 kOhm 4,5 mV/Pa Nennimpedanz 50 Ohm Nennlastimpedanz 1000 Ohm Ersatzgeräuschpegel CCIR1) 28 dB Ersatzgeräuschpegel, Abewertet1) 18 dBA Geräuschpegelabstand CCIR1) (rel. 94 dB SPL) 66 dB Geräuschpegelabstand Abewertet1) (rel. 94 dB SPL) 76 dB Grenzschalldruckpegel für K < 0,5%2) 150 dB Maximale Ausgangsspannung 12 dBu Dynamikumfang des Verstärkers (Abewertet) 132 dB Speisespannung (P48, IEC 1938) 48 V ± 4 V Stromaufnahme (P48, IEC 1938) 3,5 mA Erforderlicher Steckverbinder XLR 3F Gewicht ca. 300 g Durchmesser 48 mm Länge 180 mm Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

NEUMANN KMS 104 BK, Kondensator Solisten Mikrofon, Nierencharakteristik, 20 - 20.000 Hz, 50 Ohm, 132 dB SPL max., 48 Volt Phantomspeisung, schwarz, XLR-Anschluss, 300 Gramm, Lieferung inkl. Zubehör:Stativklammer SG 105Gepolstertes Nylon-Etui

Neumann KMS 104 plusThe NEUMANN KMS 104 PLUS, SILVER has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.The NEUMANN KMS 104 PLUS have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone.The NEUMANN KMS 104 PLUS has a more extended bass frequency response. In close cooperation with professional musicians and the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.The NEUMANN KMS 104 PLUS, SILVER Main Features Include:Neumann sound on stageExcellent transparency for vocals/speechCardioid/Supercardioid polar pattern with excellent feedback rejectionWithout off-axis colorationTransformerless outputEffective pop shielding without any side effectsSet includes stand clampAcoustical operating principle: Pressure gradient transducerDirectional pattern: Cardioid/cardioid/supercardioidFrequency range: 20 Hz - 20 kHzSensitivity at 1 kHz into 1 kohm: 4.5 mV/PaRated impedance: 50 ohmsRated load impedance: 1 kohmsMatching connector: XLR3FWeight: approx. 300 gDiameter: 48 mmLength: 180 mm For more information, please visit this products webpage

 The Neumann KMS 104 BLACK Condenser Vocal Microphone. Highly regarded live vocal condenser microphone.The Neumann KMS 104 BLACK is the microphone of choice for demanding live applications. The KMS 104 has a microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. The high acoustic resolution and smooth frequency response of the microphone ensures that the musician has optimal control of the stage performance at all times. The studio condenser capsule used in the KMS104 provides the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. A carefully adjusted acoustic filter and transformerless impedance converter that can handle very high sound pressure levels, prevent the microphone from being overloaded even by strong plosive sounds. The filters thus ensure a very high level of feedback protection for the KMS 104 bk vocalist microphone when it is used with a stage sound system. Special electronic compensation is used for the proximity effect and there is also an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The dynamic range of the KMS 104 is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB-A permits the KMS104 to be used at high gain levels without the risk of additional noise. Even at large distances, it can operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. The KMS 104 bk microphone was designed for use on stage so it has a particularly robust construction with thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. The KMS 104 microphone with a matching stand clamp, is supplied in an attractive padded nylon bag that is sufficiently durable for touring.The main features of the Neumann KMS 104 BLACK include:Highly regarded live vocal condenser microphoneNeumann sound on stageExcellent transparency for vocals/speechCardioid polar pattern with excellent feedback rejectionWithout off-axis colourationTransformerless outputEffective pop shielding without any side effectsSet includes: KMS 104 bk Microphone, SG 105 Stand clamp, Padded nylon bagAcoustical operating principle: Pressure gradient transducerDirectional pattern: CardioidFrequency range: 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm: 4.5 mV/PaRated impedance: 50 ohmsRated load impedance: 1 kohmsEquivalent noise level, CCIR: 28 dBEquivalent noise level, A-weighted: 18 dB-ASignal-to-noise ratio, CCIR (rel. 94 dB SPL): 66 dBSignal-to-noise ratio, A-weighted (rel. 94 dB SPL): 76 dBMaximum SPL for THD 0.5%: 150 dBMaximum output voltage: 12 dBuDyn. range of the mic. amplifier (A-weighted): 132 dBSupply voltage (P48, IEC 1938): 48 V ± 4 VCurrent consumption (P48, IEC 1938): 3.5 mAMatching connector: XLR3FWeight approx. : 300 gDiameter: 48 mmLength: 180 mm For more information, please visit this products webpage

The microphones KMS 104 D and KMS 105 D are the transition of the well-established KMS 104/105 analog microphones into the digital domain. Based on the AES42 standard, these microphones are an ideal choice for live and on-stage applications. They provide all of the features of their analog counterparts. Additionally, they offer the advantages of the digital circuit technology, such as extended dynamic range, a more robust operation (EMC safe) and the avoidance of clipping as a result of the integrated peak limiter/ compressor. Use of one of the digital microphone interfaces together with the Remote Control Software (RCS) permits pre-programmed settings to be stored in the microphones. Neumann sound on stage Excellent transparency for vocals/speech Cardioid/Supercardioid polar pattern with excellent feedback rejection Without off-axis coloration Effective pop shielding without any side effects Set includes stand clamp The legendary Neumann sound in the digital realm. Pure Neumann capsule sound. The satisfaction of recording the uncolored original, with no "bottlenecks" between the capsule and the recording system. The guarantee of having one of the best A/D converters available. Anti-clipping processing ensures handling safety, and reduces stress. Reduced time requirements and personnel costs, particularly due to faster post production processing. Lower investment costs, since separate A/D converters and preamps are no longer needed. This also means space and weight savings (e.g. in the OB van). Specifications KMS 104 D / KMS 105 D Acoustic transducer: Pressure gradient transducer Directional characteristic: Cardioid/Supercardioid Frequency response: 60 Hz to 20 kHz Free-field sensitivity1):–47 dBFS Equivalent noise level, CCIR3): 27 dB Equivalent noise level, A-weighted3): 16 dB-A Signal-to-noise ratio2), CCIR3): 67 dB Signal-to-noise ratio2), A-weighted3): 78 dB Maximum SPL at 0 dBFS: 141 dBSPL Dynamic range, A-weighted4): 125 dB Preset:- Sampling rates: 48 kHz - Gain: 10 dB (variable with DMI-2)- Compressor on, Attack time 100 ms, Release time 0.5 s,Threshold –10 dBFS, Ratio 2:1Supply voltage range: +6 V to +10.5 VCurrent consumption: max. 150 mAWeight: approx. 300 g, Diameter: 48 mm, Length: 180 mmGeneral Specifications of the Solution-D microphonesInterface: AES42Remote controlled functions:- Polar pattern4)- Low-cut: flat, 40, 80, 160 Hz- Pre-attenuation: 0 , -6, -12, -18 dB- Gain: 0...63 dB in 1 dB steps, clickless- Testsignal: 1 kHz, pink noise, white noise- Parametric compressor/limiter (incl. de-esser function)- Independent peak limiter avoiding any clipping- Switch functions: soft muting, phase reverse, signal lights- Signal lights: red4) and blue LEDs- System functions, firmware downloadA/D conversion: Neumann process (patented), 28-bit internal word lengthDigital signal processing: Fixed-point, variable internal word length 28 bits to 60 bitsSynchronization: - Asynchronous operation (free-running, AES42 - Mode 1),    basic frequency accuracy: ± 25 ppm- Synchronous operation (AES42 - Mode 2), pulling range: Min. ± 100 ppmPower supply (phantom power complying with AES42)Output: XLR3M, 24 bits as per AES/EBU (AES3)

The microphones KMS 104 D and KMS 105 D are the transition of the well-established KMS 104/105 analog microphones into the digital domain. Based on the AES42 standard, these microphones are an ideal choice for live and on-stage applications. They provide all of the features of their analog counterparts. Additionally, they offer the advantages of the digital circuit technology, such as extended dynamic range, a more robust operation (EMC safe) and the avoidance of clipping as a result of the integrated peak limiter/ compressor. Use of one of the digital microphone interfaces together with the Remote Control Software (RCS) permits pre-programmed settings to be stored in the microphones. Neumann sound on stage Excellent transparency for vocals/speech Cardioid/Supercardioid polar pattern with excellent feedback rejection Without off-axis coloration Effective pop shielding without any side effects Set includes stand clamp The legendary Neumann sound in the digital realm. Pure Neumann capsule sound. The satisfaction of recording the uncolored original, with no "bottlenecks" between the capsule and the recording system. The guarantee of having one of the best A/D converters available. Anti-clipping processing ensures handling safety, and reduces stress. Reduced time requirements and personnel costs, particularly due to faster post production processing. Lower investment costs, since separate A/D converters and preamps are no longer needed. This also means space and weight savings (e.g. in the OB van). Specifications KMS 104 D / KMS 105 D Acoustic transducer: Pressure gradient transducer Directional characteristic: Cardioid/Supercardioid Frequency response: 60 Hz to 20 kHz Free-field sensitivity1):–47 dBFS Equivalent noise level, CCIR3): 27 dB Equivalent noise level, A-weighted3): 16 dB-A Signal-to-noise ratio2), CCIR3): 67 dB Signal-to-noise ratio2), A-weighted3): 78 dB Maximum SPL at 0 dBFS: 141 dBSPL Dynamic range, A-weighted4): 125 dB Preset:- Sampling rates: 48 kHz - Gain: 10 dB (variable with DMI-2)- Compressor on, Attack time 100 ms, Release time 0.5 s,Threshold –10 dBFS, Ratio 2:1Supply voltage range: +6 V to +10.5 VCurrent consumption: max. 150 mAWeight: approx. 300 g, Diameter: 48 mm, Length: 180 mmGeneral Specifications of the Solution-D microphonesInterface: AES42Remote controlled functions:- Polar pattern4)- Low-cut: flat, 40, 80, 160 Hz- Pre-attenuation: 0 , -6, -12, -18 dB- Gain: 0...63 dB in 1 dB steps, clickless- Testsignal: 1 kHz, pink noise, white noise- Parametric compressor/limiter (incl. de-esser function)- Independent peak limiter avoiding any clipping- Switch functions: soft muting, phase reverse, signal lights- Signal lights: red4) and blue LEDs- System functions, firmware downloadA/D conversion: Neumann process (patented), 28-bit internal word lengthDigital signal processing: Fixed-point, variable internal word length 28 bits to 60 bitsSynchronization: - Asynchronous operation (free-running, AES42 - Mode 1),    basic frequency accuracy: ± 25 ppm- Synchronous operation (AES42 - Mode 2), pulling range: Min. ± 100 ppmPower supply (phantom power complying with AES42)Output: XLR3M, 24 bits as per AES/EBU (AES3)

Das KMS 105 wurde für die optimale Übertragung der menschlichen Stimme entwickelt und ist damit erste Wahl für anspruchsvolle Live-Anwendungen. Mit seinem geringen Eigenrauschen, verfärbungsfreien Übersprechverhalten und der Hypernierencharakteristik ist das KMS 105 ideal für den Solo Sänger on Stage! Pop-, Wind- und Griffgeräusche werden mittels innovativer Filter weitgehend vermieden. Durch das hohe akustische Auflösungsvermögen und den linearen Frequenzgang bietet das KMS 105 dem Musiker zu jedem Zeitpunkt eine optimale Kontrolle über seinen Gesang und seine Sprache auf der Bühne. Lieferumfang:• Mikrophon KMS 105 BK (Farbe: schwarz)• Stativklammer SG 105• Gepolstertes Nylon-Etui Akustische Arbeitsweise: Druckgradientenempfänger Richtcharakteristik: Superniere Übertragungsbereich: 20Hz 20kHz Feldübertragungsfaktor bei 1kHz an 1kOhm:4,5 mV/Pa Nennimpedanz: 50 Ohm Nennlastimpedanz: 1000 Ohm Ersatzgeräuschpegel: CCIR 4683: 28dB Geräuschpegelabstand CCIR 4683: 66dB Maximale Ausgangsspannung: 12dBu Dynamikumfang des Verstärkers DIN/IEC 651: 132 dB Speisespannung: 48 V ± 4 V Stromaufnahme: 3,5 mA Steckverbindeung: XLR 3F Gewicht: ca. 300g Durchmesser: 48mm Länge: 180mm  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Neumann KMS 105 niThe Neumann KMS105 Microphone is designed with superlative vocal reproduction in mind, and brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self noise and colorless off-axis pickup, the KMS105 complements in-ear monitor systems. By employing a unique triple acoustic filter, the KMS105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear high frequency response, it is very easy for the artist using the KMS 105 to identify whether he or she is "on mic".Acoustical Features:When compared to other handheld vocal microphones, the KMS 105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any "clouding" or "muffling" of the sound. Also, by using a studio grade DC-polarized condenser capsule, all the nuances of the voice come through with subtlety, power and focus. Features:Ultra-Cristal Clear, Classic Neumann sound on stage Excellent transparency for vocals/speech Without off axis coloration Transformerless output Supercardioid polar pattern with excellent feedback rejection Effective pop shielding without any side effects Ultra durable nickel finish! Technical Specifications:Transducer     DC-Polarized Pressure Gradient CondenserPolar Pattern     SupercardioidFrequency Response     20 Hz - 20 kHzMaximum Input Sound Level     150 dB, 0.5% THDPower Requirements     Phantom 48v +/-4vOutput Impedance     50 OhmsOutput Connectors     XLR-3M TypeDimensions     7 x 1.8" (177.8 x 45.72mm) LxDiameterWeight     10.5 oz (297.5 g) LxDiameter

Extends Every Voice. Its balanced frequency range qualifies the e 935 for songs of every genre. It clearly gives the voice more space and positions it cleanly in front of loud instruments. With a transparent high-end and warm but well defined lower mids, it lends even gentle voices an impressive intensity and size. The vocal track in the band mix can be emphasized much more easily. The e 935 also clearly increases the speech intelligibility. It remains extremely resistant to feedback as well as to the hard conditions of live gigs. Features Dynamic cardioid microphone Clearly emphasizes voices on loud stages Transparent high-end and warm, defined lower mids Highly consistent directivity High feedback rejection Shock-mounted capsule Hum compensating coil Extremely rugged metal housing

Live sound on the highest level. The advantages of high-end studio and stage microphones are perfectly combined in the e 965: high-resolution, multifaceted sound supplemented by high feedback rejection and an extremely rugged design. The flagship of the evolution series is a true condenser, large-diaphragm microphone that has been developed for professional stage use. Its balanced sound is marked by clarity and sophistication; it gives the high-end a silky gloss and reproduces the lower mids in a warm, well-defined manner. The e 965 responds extremely quickly and transmits even the finest nuances in impressive detail. Depending on the stage setting, the pick-up pattern can be switched between gentle cardioid and more direct super-cardioid. This top model leaves no wishes unanswered in terms of sound, ruggedness and handling. Features Large-diaphragm true condenser microphone Uniquely forceful, high-resolution sound High-definition for finest nuances, rich in detail Switchable pick-up pattern (cardioid/super-cardioid) Low-cut and pre-attenuation options Excellent handling noise rejection Pop and wind protection Extremely rugged metal housing

Das MD 431 II gehört durch seine Ausstattung und Eigenschaften zu den hochwertigsten Sennheiser-Mikrofonen und ist für die Gesangs- und Sprachübertragung in allen Bereichen der Tonübertragungstechnik geeignet. Farbe: schwarz, Einsprachekorb: Edelstahl. Merkmale Außergewöhnlich gute Rückkopplungsdämpfung Sehr gute Körperschalldämpfung durch federnde Kapsellagerung Brummkompensationsspule Integrierter Poppschutz Ein-/Ausschalter (knackfreier Reedschalter)

The MD 435 provides every voice the same tonal qualities and characteristics made familiar with the MD 9235. Its high-quality aluminum-copper voice coil refines high frequencies with detailed transparency and highlights even the finest nuances. Even subtle vocals can be heard and accentuated effortlessly in the mix. The MD 435 may be sensitive when reproducing vocals, but it is robust when it comes to handling. The cardioid pickup pattern allows the user to be at varying distances and angles from the microphone and provides reliable protection against feedback. The MD 435 has inherited its superb acoustics and superior reliability from the famous MD 9235 transmitter capsule. It is the first choice among sound engineers for highly demanding live and broadcast productions and complex stage settings. These qualities are also now available as a wired version. Features: Dynamic vocal microphone Lightweight, rapidly responding aluminum-copper voice coil Nuanced reproduction of high frequencies Assertive and resistant to feedback Directional characteristic: cardioid Large diaphragm diameter Spring-mounted capsule to shield it from body-borne noise Hum compensation coil to eliminate electromagnetic interference Rugged metal design  

The MD 445 pushes the potential of dynamic microphones to the limits of what is technically viable. The direct, focused sound gives every voice greater presence and intensity. Its sophisticated transparency and the richness of the low and middle ranges create an unparalleled acoustic closeness. Time and effort have gone into newly tailoring the acoustics of the MD 445 for modern stages and the most demanding of live productions. An all new highly developed aluminum-copper voice coil forms the basis for a noticeably direct and nuanced sound. This high-rejection supercardioid microphone systematically blocks out ambient noise, guaranteeing maximum protection from feedback in the most demanding environments. Features Dynamic vocal microphone Very lightweight, rapidly responding aluminum- copper voice coil High-resolution, direct sound for audibly greater proximity to the vocals Directionality: high-rejection supercardioid Extremely high feedback resistance Large diaphragm diameter Spring-mounted capsule to shield it from body-borne noise Hum compensation coil to eliminate electromagnetic interference Rugged metal design  

Das ARIA 2 ist ein professionelles Röhren-Kondensatormikrofon, das in England handgefertigt wird und beeindruckende Gesangsaufnahmen mit Wärme, Klarheit und Charakter liefert. Egal ob im Studio, in der Gesangskabine oder im Live-Raum – das ARIA 2 bietet Sängern, Sprechern, Musikern und Tontechnikern die Sicherheit, jede Performance authentisch einzufangen. Im Zentrum steht eine neu entwickelte, proprietäre 34-mm-goldbedampfte Kapsel, die exklusiv für dieses Modell konzipiert wurde und einen weichen, offenen Klang mit ausgewogenen Mitten und detailreichen Höhen liefert. Dadurch eignet sich das Mikrofon ideal für Gesang, Sprache sowie akustische Instrumente und sorgt für eine natürliche und präzise Wiedergabe. Die optimierte interne Schaltung bietet höhere Empfindlichkeit, geringeres Eigenrauschen und ein klares, dynamisches Signal für konstant professionelle Ergebnisse.