Warm Audio

Der Warm Audio BUS-COMP ist ein rein analoger, 2-kanaliger Stereo-VCA-Kompressor, der auf einer klassischen Schaltung basiert, die seit Jahrzehnten für einen seidig weichen Klang sorgt. Stereo-VCA-Kompressoren sind meisterhaft in der Steuerung der Dynamik vieler Quellen, aber sie sind weithin bekannt für ihren „Magic Touch“ auf Stereo-Mixen. Der BUS-COMP eignet sich hervorragend für Stereo-Mixe, Drum-Submixe und -Overheads, akustische Gitarren, Keyboards, Klavier, Orchesterinstrumente, Voice-Over und eine Reihe anderer Quellen. Der BUS-COMP ist in erster Linie für den Stereobetrieb konzipiert, kann aber ebenso erfolgreich für Monosignale eingesetzt werden. Als VCA-Kompressor steuert er mühelos die Dynamik und fügt dem Audiosignal selbst im Bypass-Modus noch Klang und die Tiefe hinzu. Die Neuentwicklung der legendären VCA-Kompressortechnik stand im Mittelpunkt des Designs des BUS-COMP, aber auch die Erweiterung der Steuerungsmöglichkeiten und Klangoptionen sind berücksichtigt worden. Ein herausragendes Merkmal des BUS-COMP sind die Ein-und Ausgangsübertrager die von vollständig diskreten Operationsverstärkern angesteuert werden. Mit Druck auf den Taster an der Vorderseite werden diese für Warm Audio hergestellten Cine-Mag USA Transformatoren in den Signalpfad geschaltet und bieten mehr Tiefe, Klang und Vibe! Features: 2 Kanal VCA-Kompressor/Limiter SSL-G Series Nachbau 19″/1HE THAT 2180 VCA’s Schaltbarer Signalweg mit CineMag USA Eingangs- und Ausgangsübertrager Externer Side Chain Input schaltbar Schaltbares Hi-Pass Filter: 30, 60, 105, 125, 185 Hz Kompressor Bypass schaltbar zur einfachen A/B-Kontrolle Frequenzgang: ± 1 dB @ 18 Hz bis 22kHz THD + Noise, 20Hz – 20kHz, +20dBu input: < .05% Rauschen: < -90dBu Headroom: > +29dBu, 20Hz – 20kHz Anschlüsse: XLR und Klinke (Ein- und Ausgang) Dynamikumfang: > 120dB Eingangsimpedanz: 10k Ohm Ausgangsimpedanz: 50 Ohm Eingebautes Netzteil

Warm Audio has carefully re-created the most renown tube Equalizer in studio history at an unheard of price.  Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes.  This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to your final mixes that’s nearly impossible to achieve inside-the-box.  Warm Audio has once again redefined the industry standard and brought a fully professional-grade piece of outboard gear to the market at a price that's making history. -       with Gain-Modification -       Tube Equalizer based on the classic “Pultec” EQP-1A -       CineMag input and output transformers - Made in U.S.A. -       Premium high voltage 12AX7 and 12AU7 tubes -       CineMag inductor EQ section -       EQ section is bypassable - signal still passes through tubes and transformers for warming effect -       No insertion loss - loss restored by tube amplifier -       XLR and TRS transformer balanced inputs -       XLR and TRS transformer balanced outputs -       Flat frequency response from 20 Hz - 50 kHz -       Boost and Cut controls can be used simultaneously for phase effect -       Low frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 db -       Low frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 db -       High frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 db -       High frequency cut - 3, 4, 5, 10, 20 kHz - 14 db -       5 added frequency points for greater flexibility -       Switchable 115/230 volt IEC power inlet -       Dimensions: 19 x 3.5 x 6 inches - 2RU rack mountable

The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price.   The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. The x731 (Melcor 1731) and x18 (Dean Jensen's 918) Op Amps saturate a bit differently. The 1731 breaks up faster and has more color when pushed. The 918 is fairly linear/clean with a smidge of character and does not break-up/saturate as quickly. The 100% steel output transformer colors the signal more than the 50% nickel transformer when pushed. However, both are designed to impart character. The 50% nickel transformer will impart less character and provide greater high and low frequencies. For an ultra clean, character-lacking tone, try the x18 while bypassing the output transformers completely. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. When hand building mic pres I learned a bit about the "subtle" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but often times is not very noticeable at first take. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.   History behind the Tone Beast In the 60′s and 70′s many console/preamplifier builders hid the operational amplifier (Op amp) stage of their preamps by cramming its components into a small box and then attaching the box to the circuit board. Inside these small boxes, the components were covered in glue to make them hard to disassemble/analyze. Manufacturers of that day felt the character these Op Amps imparted was unique enough to protect. A trend grew in the industry where the little box the Op Amp components sat in became of similar size and shape between manufacturers. These boxes eventually mounted to the PCB board with the same number of pins, spaced identically, even from different manufacturers. You could remove an Op Amp from one console preamp and place it in another of a different manufacturer without much headache/difficulty. The TB12 uses this same square shaped op amp and pin configuration as these originals but not enclosed in plastic and glue. The TB12 is designed so that users can remove the stock opamps and replace them with their own. If you are a tone FREAK like me you will love the ability to do this. Beware that Warm Audio may not be able to warranty a unit that has been opened and tinkered with. Below are some examples of 6 pin opamps that can pop right into the Tone Beast!

The Warm Audio Tone Beast TB12 could be the highest quality microphone preamplifier on the market in its price range. It uses quality USA made components found in preamplifiers with much loftier price tags. In addition to its unparalleled quality/price, the Tone Beast has unique tone-shaping features that gives users versatility and flexibility usually only found by acquiring an assortment of preamps. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.   Discrete 312 preamp design with coupled CineMag Transformers 71db of gain Transformer selection provides both Steel and 50% Nickel CineMag output transformers for varying character Transformer bypass switch allows for removal of the output transformer from the circuit Discrete Opamp selection provides both the classic 1731(vintage) and 918(modern) style opamps. These are socketed/swappable with your choice of 2520 6 pin footprint opamps. Impedance switch labeled TONE to switch between 150 and 600 ohms input impedance Capacitor selection between Tantalum and Electrolytic for different characters 80hz hipass filter Polarity Reverse +48V phantom power Output attenuation allowing for saturation flexibility of both the opamps and transformers ¼” insert for the use of inline compressors, eq’s etc.. Balanced XLR mic (front and back), balanced TRS line, and ¼” instrument inputs Balanced XLR and TRS outputs -20db Pad LED VU Meter 19” rackmountable External line-lump 24V AC power transformer for low noise

WA-14 Large Diaphragm Condenser Microphone - Available Summer 2017 Introducing the WA-14 Large Diaphragm Brass Capsule Condenser Microphone, which is based on the classic condenser microphone from the 70's that has been used on countless hit records. The WA-14 utilizes fully discrete classic circuit topology, including an all-brass CK12 style capsule design by “Lens Kondensator” and a custom premium CineMag USA transformer. The WA-14 can be used on an array of sources, which includes: punchy and warm intimate lead vocals, aggressive guitars and heavy percussion. The WA-14 provides a realism and thickness that is true to the vintage sonics, but now at an affordable price.  All-brass Capsule Created By Warm The LK12-B-60v is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and other sonic qualities of the original CK-12 capsule.  Using the backplate of the more modern CEK-12 variant as a basis, this capsule overcomes many of the manufacturing limitations of the original hand-made capsule which made it prohibitively complex and difficult to manufacture consistently or in high numbers.  The o-ring and housing are all made from brass (no teflon parts), and our capsule diaphragm is 24k gold sputtered and skinned using 6 micron, NOS Japanese PET film (mylar).  The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic.  Specifications Large diaphragm condenser microphone with variable pad and three polar patterns Features our own “Lens Kondensator” LK-12-B-60V  edge-terminated, dual-backplate, all-brass vintage CK12 style capsule Custom CineMag USA transformer Includes shock mount and hard mount Frequency range: 20Hz to 20kHz  Output pad: 0dB, -10dB, -20dB Cardioid, figure of eight and omnidirectional patterns Impedance: 150 ohms Connector: 3-pin XLR Requires +48V phantom power Color: black (painted)

Sound Like A Legend The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own. The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. Design The classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire. Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. All Brass Capsule The WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule. The Tube A Slovak Republic JJ 12AY7 vacuum tube is used in the WA-251. We auditioned 3 tube brands and fell in love with the JJ 12AY7. The frequency response of the JJ tube, and the way it contributes to the circuit is tonally smooth and vintage in nature. The Transformer The WA-251 utilizes an American made CineMag USA transformer. This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone. The Capacitors The WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output. The Cable One component of a tube microphone that is often overlooked is the 7 pin cable that connects the microphone to its power supply. When auditioning the WA-251 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. We have partnered with Gotham Audio in Switzerland to use their very carefully built high-end 7 pin “GAC-7 cable”. Using this cable increases top end presence and the overall size of the recorded image in the stereo field by reducing phase shift and the parasitic effect often experienced in poorly built cables. Gotham Cabling is very expensive and boutique in nature and shouldn’t be considered a small addition to the WA-251 package.

Specifications '2A Style, Transformer balanced, high voltage, opto tube compressor. Utilizes premium grade input and output CineMag USA Transformers. Utilizes USA made Kenetek opto attenuator. Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5 Fully discrete signal path. Socketed to allow for retro-fitting with other opto-cells. Variable Pre-emphasis, allows for compression hipass filtering. Stereo-link capability. XLR and TRS balanced line level inputs - 600 ohms impedance. XLR and TRS balanced line level outputs - 600 ohms impedance. Frequency Response +/- 1 dB, 15 Hz to 20kHz. Gain 40 dB ±1dB. Input Level +16 dB maximum. Output Level +10 dB nominal, +16 dB maximum. Distortion Less than 0.1% THD at ±10 dBm. Noise  = -74dB. Attack Time - 10 milliseconds. Release Time - 0.06 seconds for 50% release. 0.5 to 5 seconds for complete release. Meter shows both dB gain reduction and dB output. Power - 115/230 volts (switchable), 50/60 Hz. Dimensions - 19" Rackmount chassis, 2U. 19" x 7" x 3.5". Weight - 12 lbs.

The WA-2MPX is an authentic reproduction of the most revered microphone tube preamp that pioneered the birth of rock ‘n’ roll & radio-ready hits. During the golden-era of tape recording, this style of vintage tube preamp became the signature sound in the signal chain of hit recordings including Elvis Presley, Kurt Cobain, Les Paul, and Bing Crosby - and is a sound that is still pursued by today’s biggest artists. With premium components, true-to-original circuit design, and tape saturation control, the WA-2MPX authentically reproduces all the analog tone of the original to bring vintage warmth & color to your sound. Authentic Reproduction Of The Most Revered Tape-Era Tube Mic Preamp: The WA-2MPX is based on the 351-style tube preamplifier found in American tape machines that pioneered the birth of rock ‘n’ roll & radio-ready hits. Power & Versatility For A Wider Range Of Analog Tone: Delivering an impressive 300v of raw power & 90dB of tube gain, WA-2MPX achieves clean gain & powerful volume, that pushes the tubes to saturate just like the most timeless analog gear. Premium Components & Handwired Construction For An Authentic Vintage Experience: Hand-assembled with three premium tubes per channel paired with custom-wound true-to-spec USA CineMag transformers, the WA-2MPX authentically reproduces all the analog tone of the original. Selectable, All-Analog Tape Saturation: WA-2MPX uses discrete analog components that provide compression, saturation, and non-linear frequency response for authentic tape-era reel-to-reel sound at 15IPS. Hi-Pass (80Hz) & Low-Pass (2kHz) Filters to Refine Tone: The 2kHz low-pass filter allows you to further shape and focus your tone, dialing in ultimate midrange warmth & punch. The 80Hz hi-pass filter helps remove unwanted bass noise from unruly sources. Hand-Inspected & Tested at Warm Audio HQ in Austin, Texas: Carefully inspected at Warm Audio Headquarters in Austin, Texas by trained engineers & musicians with a passion for helping you sound your best.

Specifications 4 Channel Microphone Preamplifier + Instrument DI. Fully discrete, transformer coupled, through-hole component topology. Altran USA custom wound, premium input and output transformers. X520 discrete op-amp in every channel, socketed for convenience. Can be user-replaced with most 6 pin, discrete op-amps for varying flavor & tone. 65db of gain. Inputs - Microphone XLR & Active Instrument 2Meg ohm HI-Z. Outputs - Transformer balanced XLR & TRS. TONE button – Input impedance switches from 600 ohms to 150 ohms (affects the tone of both the mic and HI-Z inputs). -20db pad - pads both mic and instrument DI inputs. +48 volt phantom power. LED metering. Output trim knob for precise level control and tone sculpting. Internal power supply (grounded, 3 pin IEC cord).    

The Original Lead Vocal MicThe WA-44 faithfully recreates the most iconic studio ribbon microphone of all time. Just like the legendary RCA 44BX ribbons of the 1930s loved by crooners, band leaders, drummers, upright bassists, producers and more, the WA-44 delivers powerful bass with a pronounced proximity effect, lush mids, and a tamed top end. The WA-44 excels on loud audio source and delivers the iconic warm, vintage, & sultry tones, which is what made the original the mic of choice for some of the most legendary vocalists including Elvis Presley, Ella Fitzgerald, Jeff Tweedy, Frank Sinatra, Johnny Cash and many more. With elite build quality and vintage-matched, premium components, the WA-44 faithfully captures the iconic tonal experience at the center of recording and broadcast history.Technical SpecificationsStudio Ribbon MicrophoneFaithful Recreation Of The Most Iconic Studio Ribbon Mic Of All TimeCustom CineMag USA Transformer Powerful Neodymium Magnet99.1% Aluminum, 2.5-Micron thick Ribbon (4.7mm x 59.7mm)Polar Pattern: Figure-8Frequency Response: 20 Hz-20 KHz (+/- 12db)Max SPL: 140dBOutput Impedance: 270 OhmsPigtail XLR Gotham Cable With Star Quad ShieldingIncluded Accessories: 3/8" Mic Stand Adapter, Embroidered Microphone “Sock”, Embroidered Microphone Case

Blast from the past The WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones every made. The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.​Designing the WA-47 to sound like the classic ‘47 was no easy task, especially considering that some of the vintage components are no longer available. We compared and listened to 2 different vintage ‘47 mics and found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring our WA-47 sonics to sit right in with these 2 vintage ‘47 mics. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. We are also proud to mention that the WA-47 sounds legitimately indistinguishable to the vintage ‘47’s we auditioned on several sources.​As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible. The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world. True '47 style capsule The WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Each capsule is visually inspected and electrically tested for imperfections. A large part of any microphone's tone comes from its capsule, and the true k47 style capsule used in the WA-47 is not easily manufactured or typically found in affordable condenser microphones. We are proud to be using such a faithful recreation of this classic part in an affordably priced '47 style microphone. A look inside The Capsule The WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone.​The Tube A Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow. We auditioned 4 different tube brands and fell in love with the JJ 5751. The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature.​The Transformer The WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations. This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone.​The Cable One component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply. When auditioning the WA-47 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. We have partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package. The Capacitors The WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer.

Like Father. Like Son. The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.​The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag. The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone. The WA-47jr circuit uses high quality Toshiba FET’s, Wima film capacitors and Panasonic electrolytic capacitors. The circuit is modernized and more simple than the classic ‘47 tube microphone, but the components and circuitry are top-notch, and have a sound quality and tone that punches far above anything we’ve ever heard in this price range. ​We at Warm Audio are very excited to bring this ‘47 style FET condenser microphone and classic tone to the market at such an affordable price. We feel confident that you will enjoy a lifetime of beautiful recordings with the WA-47jr.Quality components make a better mic. Quality components make a better mic. The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability. The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag. The Warm Audio WA-47-B-80v capsule is also used in our flagship WA-47 tube condenser microphone.

Das WA-47T ist eine authentische Reproduktion des begehrtesten Röhren-Kondensatormikrofons für zeitlosen Studio-Sound in limitierter Titan-Ausführung. Das WA-47 entspricht exakt dem Klangprofil der geschätzten Vintage-Originale und liefert die tiefen Bässe, satten Mitten und sanften Höhen, die es zu einem Favoriten legendärer Künstler gemacht haben. Das WA-47 verwendet hochwertige Komponenten, beginnend mit einer speziell angefertigten Kapsel im K47-Stil, die akribisch den frühen Vintage-Originalen nachempfunden wurde. Zwischen der Kapsel und einem kundenspezifischen TAB-Funkenwerk (AMI) USA-Ausgangsübertrager sitzt eine hochwertige 5751-Vakuumröhre. Diese Elemente bringen die legendären Klänge zeitloser Ikonen zu den Musikern von heute.

Das Original von '67 wurde zu einem der begehrtesten und am weitesten verbreiteten Studiomikrofone seiner Zeit, mit ihm wurde eine riesige Sammlung einiger der denkwürdigsten Songs der letzten 50 Jahre aufgenommen – wir sprechen hier von Klassikern unterschiedlicher Künstler wie The Beatles, Led Zeppelin, The Temptations und Nirvana! Die Originalmikrofone sind nach wie vor begehrt, aber für einwandfreie Exemplare wird oft mehr als 8000 $ verlangt, was sie für die meisten Aufnahmestudios unerreichbar macht. Glücklicherweise hat Warm Audio dieses Szenario nun durch Veröffentlichung des neuen WA-67 geändert! Das WA-67 basiert auf einer EF86-Pentodenröhre und hat den gleichen glatten und cremigen Klang wie das Original. Es zeichnet sich dadurch aus, dass es so gut wie alles aufnimmt, was man ihm vorlegt, und es wird schnell zu Ihrer ersten Wahl für Gesang, Gitarren, Schlagzeug-Toms und Overheads, Klaviere, Blechbläser und Streicher.

A '73 For The Rest Of Us If there’s one preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for the last 50+ years, it would most definitely be the venerable 1073.  The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of preamps today.  The Warm Audio “WA73 Family” provides single and dual channel re-creations of this classic British preamp (with & w/out EQ), that each pay careful and humble homage to the original circuit. ​When we at Warm Audio decided to release the WA73 it was imperative to us that the products pay respectful homage to the sacred British console history in both design and performance.  The tone and sweet character that the vintage units impart is so unique and familiar, that we had only the pure desire to release truly sonic accurate replicas.  After years of R&D, careful reverse-engineering, and countless hours of auditioning, the WA73 has been born! ​The WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked with all kinds of microphones from Condenser, to Dynamic, to Ribbon.  The WA73 equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.  With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle. Hand Wired & Hand Assembled The classic 1073 was hand-wired and so is the WA73!  Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build. The WA73 is hand-wired and hand assembled, including the pcb components that are all populated by hand. UK Custom Carnhill Transformers 1073 enthusiasts unequivocally get excited about the component history in these classic circuits.  The signal transformers are a common topic of conversation.  The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar.  Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature.  They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers.  We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA73 with these beautiful custom Transformers. Capacitors & Signal Path An important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used.  We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas. Specifications: Single Channel, Class A, 1073-style British Microphone Preamp UK made Carnhill Transformers Hand wired, hand assembled 80dB of gain - resistor stepped gain switch Fully discrete TONE button - Changes input transformer impedance for varying tone Polarity switch 48v phantom power 4 position inductor based hipass filter - 50, 80, 160, 300 Hz XLR mic input Line level TRS input TS Send/Receive insert jacks XLR & TRS line level outputs Direct In, instrument input Output control Led level indication 19" rackable Ground lift switch Internal IEC 115v/230v power inlet

Introducing the WA-8000 tube condenser microphone. The inspiration for our latest release is a highly sought-after and revered design of the early 1990s. The WA-8000 lives up to the sonic legacy that continues to foster die-hard fans to this day. Boasting a natural, open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet, let alone in this price range. Engineered true to spec, the WA-8000 meets all of the critical specifications of the original, giving you the true sound of modern R&B and Hip hop for an unprecedented value. Features New Old Stock 6AU6 tube: Rigorously tested, military-grade 6AU6 tube. Custom transformer from Lundahl Sweden: The highest grade transformers for the widest soundscape and most detail. All-brass K67-style capsule, wired straight to the tube: Custom machined out of solid brass. Optimized to capture subtle nuances External tube mount + heat sink: Lowers self-noise and draws heat away from internal components for optimal operating temperature. Boutique 7-pin GAC-7 tube cable from Gotham Switzerland: Vintage-correct construction methods, highly upgraded components, near-perfect signal transfer. Includes hard carrying case for all components: Safely transport your mic anywhere with the ultra-durable Warm Audio carrying case.

Introducing the WA-8000G tube condenser microphone. The inspiration for our latest release is a highly sought-after and revered design of the early 1990s. The WA-8000G lives up to the sonic legacy that continues to foster die-hard fans to this day. Boasting a natural, open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet, let alone in this price range. Engineered true to spec, the WA-8000 meets all of the critical specifications of the original, giving you the true sound of modern R&B and Hip hop for an unprecedented value. Features New Old Stock 6AU6 tube: Rigorously tested, military-grade 6AU6 tube Custom transformer from Lundahl Sweden: The highest grade transformers for the widest soundscape and most detail. All-brass K67-style capsule, wired straight to the tube: Custom machined out of solid brass. Optimized to capture subtle nuances External tube mount + heat sink: Lowers self-noise and draws heat away from internal components for optimal operating temperature. Boutique 7-pin GAC-7 tube cable from Gotham Switzerland: Vintage-correct construction methods, highly upgraded components, near-perfect signal transfer. Includes hard carrying case for all components: Safely transport your mic anywhere with the ultra-durable Warm Audio carrying case.

Sound Like A LegendThe WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources. Large Sound, Small SizeThe WA-84 has a very LARGE sound for it’s small size and uniquely uses a heavy Nickel CineMag transformer in it’s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it’s it’s crystal clear, yet smooth, LARGE sound. Boutique ToneWe are proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone. A Look Inside The WA-84 The CapsuleThe WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone. The CircuitThe WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The TransformerThe WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone. The CapacitorsThe WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.

Sound Like A LegendThe WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources. Large Sound, Small SizeThe WA-84 has a very LARGE sound for it’s small size and uniquely uses a heavy Nickel CineMag transformer in it’s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it’s it’s crystal clear, yet smooth, LARGE sound. Boutique ToneWe are proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone. A Look Inside The WA-84 The CapsuleThe WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone. The CircuitThe WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The TransformerThe WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone. The CapacitorsThe WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.

Limitiertes Vintage Style GroßmembrankondensatormikrofonDas limitierte WA-87 R2 TS ist ein Stereopaar des WA-87 R2 Mikrofons, eine authentische Nachbildung eines der größten Studiomikrofone aller Zeiten mit einer Titanium-Beschichtung. Die originalen Vintage-Mikrofone im 87er-Stil waren die erste Wahl für unzählige Künstler und Hit-Aufnahmen. Genau wie die wertvollen Vintage-Mikrofone zeichnet sich das WA-87 R2 durch klare Mitten, klare Höhen und straffe Bässe aus. Das Hi-Fi"-Soundprofil des Mikrofons sorgt dafür, dass es sich von anderen Mikrofonen abhebt und den Gesang zur Geltung bringt. Das WA-87 R2 TS-Paar eignet sich nicht nur für Gesang, sondern auch für Akustikgitarre, Overheads, Stereo-Piano und vieles mehr.

Bereits im Jahr 2016 präsentierte Warm Audio das Vorgängermodell WA-87 und machte den begehrten Vintage-Sound des Originals erschwinglich für Jedermann. Nun hat der texanische Hersteller basierend auf den gesammelten Erfahrungen das Modell einem konsequenten Update unterzogen um die Erwartungen erneut zu übertreffen. Das WA-87 R2 (Revision 2) verfügt daher über ein diskretes Schaltungsdesign mit Premium-Komponenten wie z.B. New-Old-Stock Fairchild Transistoren, WIMA und Nichicon Kondensatoren und wird durch einen verbesserten CineMag USA-Ausgangsübertrager ergänzt. Als Kapsel kommt eine präzise dem Vorbild der klassischen Doppelmembrankapsel nachkonstruierte Eigenentwicklung mit goldbedampfter 6 µm NOS Mylar Membran zum Einsatz. Dank authentischer Vintage-Wärme und einem weichen, detailreichen Top-End kommt das WA-87 R2 noch näher an den allseits beliebten Sound & Vibe des Originalklassikers aus den Swinging Sixties heran.

Dieses Großmembran-Kondensatormikrofondesign ist wohl das am weitesten verbreitete in der populären Musikgeschichte. Anstatt die Schaltung des WA-CLASSIC auf den aktuellen Inkarnationen des legendären Mikrofons zu basieren, hat man sich hier bewusst für die frühen Schaltungsdesigns die fast ein halbes Jahrhundert zurückreichen entschieden. Das WA-CLASSIC verfügt daher über ein diskretes Schaltungsdesign mit Premium-Komponenten wie z.B. Fairchild FETs, Tantal-, Polystyrol- und WIMA-Folienkondensatoren und wird durch einen CineMag USA-Ausgangsübertrager ergänzt. Als Kapsel kommt eine präzise dem Vorbild der klassischen Doppelmembrankapsel nachkonstruierte Eigenentwicklung zum Einsatz. Den warmen Klang des klassischen Mikrofons zu einem erschwinglichen Preis für eine völlig neue Generation von Musikschaffenden wiederzubeleben war das Ziel für das WA-CLASSIC. Features: Großmembran-Kondensatormikrofon Richtcharakteristik: Niere, Kugel, Acht Custom Warm Audio Kapsel 100% diskrete Schaltung mit Fairchild FETs, Tantal, Polystyrol und WIMA-Folienkondensatoren LoCut: 80Hz Pad: -10db Max. SPL: 125 / 132dBSPL (@ 1kHz 1kOhms 0.5% THD, 0 / -10dB) Frequenzgang: 20 Hz – 20 kHz Ausgangsimpedanz: 150 Ohm 48V Phantomspeisung Vergoldeter 3-Pol XLR-Anschluss Farbe: Nickel Lieferumfang: WA-CLASSIC Mikrofon, elastische Aufhängung, Mikrofonhalterung, Aufbewahrungsbox aus Holz

Eine originalgetreue Nachbildung eines der natürlichsten und ausgewogensten Röhren-Kondensatormikrofone aller Zeiten: Das WA-CX12 erfasst den Klang von Quellen und Räumen mit extremer Präzision. Das Originalmikrofon wurde immer wieder von einigen der bekanntesten Toningenieure und Künstler der Welt verwendet und besticht durch seinen offenen, luftigen und natürlichen Klang. Durch die Kombination der CK12-ähnlichen Kapsel mit dem großkernigen TAB-Funkenwerk-USA-Ausgangstransformator gelingt es dem CX12, musikalische Bässe, organische Mitten und einen polierten Hochtonbereich einzufangen. Mit kompromisslosen Komponenten und einer erstklassigen Verarbeitungsqualität liefert das WA-CX12 diesen ikonischen Sound, der in keiner privaten oder professionellen Mikrofon-Sammlung fehlen darf.

The WA-MPX is an authentic reproduction of the most revered microphone tube preamp that pioneered the birth of rock ‘n’ roll & radio-ready hits. During the golden-era of tape recording, this style of vintage tube preamp became the signature sound in the signal chain of hit recordings including Elvis Presley, Kurt Cobain, Les Paul, and Bing Crosby - and is a sound that is still pursued by today’s biggest artists. With premium components, true-to-original circuit design, and tape saturation control, the WA-MPX authentically reproduces all the analog tone of the original to bring vintage warmth & color to your sound. Authentic Reproduction Of The Most Revered Tape-Era Tube Mic Preamp: The WA-MPX is based on the 351-style tube preamplifier found in American tape machines that pioneered the birth of rock ‘n’ roll & radio-ready hits. Power & Versatility For A Wider Range Of Analog Tone: Delivering an impressive 300v of raw power & 90dB of tube gain, WA-MPX achieves clean gain & powerful volume, that pushes the tubes to saturate just like the most timeless analog gear. Premium Components & Handwired Construction For An Authentic Vintage Experience: Hand-assembled with three premium tubes per channel paired with custom-wound true-to-spec USA CineMag transformers, the WA-MPX authentically reproduces all the analog tone of the original. Selectable, All-Analog Tape Saturation: WA-MPX uses discrete analog components that provide compression, saturation, and non-linear frequency response for authentic tape-era reel-to-reel sound at 15IPS. Hi-Pass (80Hz) & Low-Pass (2kHz) Filters to Refine Tone: The 2kHz low-pass filter allows you to further shape and focus your tone, dialing in ultimate midrange warmth & punch. The 80Hz hi-pass filter helps remove unwanted bass noise from unruly sources. Hand-Inspected & Tested at Warm Audio HQ in Austin, Texas: Carefully inspected at Warm Audio Headquarters in Austin, Texas by trained engineers & musicians with a passion for helping you sound your best.