Sequential

Das Dave Smith Instruments Sequential Prophet 6 Case Set ist ein hochwertiges Schutzkoffer-Set für den Sequential Prophet-6 Synthesizer. Entwickelt für professionelle Musiker, Touring-Artists und Studioanwender, bietet dieses robuste Case zuverlässigen Schutz und sicheren Transport für Instrument und Zubehör. Dank stabiler Konstruktion, passgenauer Innenpolsterung und professioneller Verarbeitung eignet sich das Set ideal für Reisen, Live-Auftritte und die sichere Lagerung im Studio.

Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument Both the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.

Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.

3 OSCILLATORS Two analog, voltage-controlled oscillators One DSP-based digital oscillator Analog oscillators produce three classic wave shapes: (triangle, saw, pulse) with variable shape modulation/pulse width on each Digital oscillator produce 32 digital wavetables of 16 waves each with wave morphing, plus classic wave shapes (sine, triangle, saw, variable-width pulse) and super saw Digital oscillator 3 can function as an LFO for complex wavetable-based modulation White noise generator Hard sync, per-oscillator Glide, Oscillator Slop 3-VOICE PARAPHONIC PLAYABILITY 3-voice paraphonic mode with individually-gated envelopes per oscillator 3 FILTERS Three classic filter types Filter 1 is a 4-pole, 24 dB per-octave, Prophet-6™ low-pass filter Filter 2 is a classic, 4-pole, 24 dB per-octave, transistor ladder filter with optional resonance compensation Filter 3 is a 2-pole, 12 db per-octave, OB-6™ state-variable filter. It can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. 3 LFOS Three syncable LFOs with phase offset and slew per LFO Five waveshapes: triangle, saw, reverse saw, square, and S&H 4 ENVELOPES Four ADSR envelopes with delay (Filter, VCA, and two Auxiliary envelopes) Envelopes freely assignable to multiple modulation destinations All envelopes can repeat/loop DIGITAL EFFECTS Dual digital effects Stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, super plate reverb FEEDBACK AND DISTORTION Tuned feedback with Grunge for extra-aggressive tonal destruction Programmable analog distortion 32-SLOT MODULATION MATRIX 32 slot modulation matrix with over 46 mod sources and over 171 mod destinations Modulation assignment buttons enable quick and easy modulation routing Mod Matrix runs at audio rates 4 CONTROL VOLTAGE INS & OUTS AND GATE OUT Four control voltage (CV) inputs and outputs for interfacing with modular synths and other CV-compatible devices Parameters that can be sent to CV outputs include oscillators, LFOs, envelopes, sequencer tracks and any other source within the modulation matrix. Runs at audio rates. Gate Out for triggering external CV-compatible devices. Any CV in can be used as a gate input. 16-TRACK SEQUENCER Advanced sequencer with three modes: normal, gated, and trigger 16 tracks and 4 linkable 16-step phrases Per-step ratcheting, duration, and velocity Multiple playback modes: forward, reverse, forward/reverse, random Supports real-time/step input, rests, and variable-length sequences Syncs to MIDI clock and external audio and CV input Sequences freely assignable to any modulation destination ARPEGGIATOR Sophisticated arpeggiator with up, down, up+down, random, assign modes Syncs to MIDI clock and external audio and CV inputs Re-latching arpeggiation Runs concurrent with Sequencer for arpeggiated patterns with parameter automation CONTROLS Over 60 knobs and 70 buttons enable deep, comprehensive editing with minimal menu diving Backlit pitch and mod wheels are easily visible in low-light situations and have a smooth, precise response. Independently adjustable upper and lower pitch wheel range Position-sensitive latchable touch slider for enhanced interactivity and control Full-sized, three-octave, semi-weighted keyboard with velocity and aftertouch MEMORY 512 user and 512 factory programs Playlist mode for generating easily accessible set lists of your favorite programs

3 OSCILLATORS Two analog, voltage-controlled oscillators One DSP-based digital oscillator Analog oscillators produce three classic wave shapes: (triangle, saw, pulse) with variable shape modulation/pulse width on each Digital oscillator produce 32 digital wavetables of 16 waves each with wave morphing, plus classic wave shapes (sine, triangle, saw, variable-width pulse) and super saw Digital oscillator 3 can function as an LFO for complex wavetable-based modulation White noise generator Hard sync, per-oscillator Glide, Oscillator Slop 3-VOICE PARAPHONIC PLAYABILITY 3-voice paraphonic mode with individually-gated envelopes per oscillator 3 FILTERS Three classic filter types Filter 1 is a 4-pole, 24 dB per-octave, Prophet-6™ low-pass filter Filter 2 is a classic, 4-pole, 24 dB per-octave, transistor ladder filter with optional resonance compensation Filter 3 is a 2-pole, 12 db per-octave, OB-6™ state-variable filter. It can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. 3 LFOS Three syncable LFOs with phase offset and slew per LFO Five waveshapes: triangle, saw, reverse saw, square, and S&H 4 ENVELOPES Four ADSR envelopes with delay (Filter, VCA, and two Auxiliary envelopes) Envelopes freely assignable to multiple modulation destinations All envelopes can repeat/loop DIGITAL EFFECTS Dual digital effects Stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, super plate reverb FEEDBACK AND DISTORTION Tuned feedback with Grunge for extra-aggressive tonal destruction Programmable analog distortion 32-SLOT MODULATION MATRIX 32 slot modulation matrix with over 46 mod sources and over 171 mod destinations Modulation assignment buttons enable quick and easy modulation routing Mod Matrix runs at audio rates 4 CONTROL VOLTAGE INS & OUTS AND GATE OUT Four control voltage (CV) inputs and outputs for interfacing with modular synths and other CV-compatible devices Parameters that can be sent to CV outputs include oscillators, LFOs, envelopes, sequencer tracks and any other source within the modulation matrix. Runs at audio rates. Gate Out for triggering external CV-compatible devices. Any CV in can be used as a gate input. 16-TRACK SEQUENCER Advanced sequencer with three modes: normal, gated, and trigger 16 tracks and 4 linkable 16-step phrases Per-step ratcheting, duration, and velocity Multiple playback modes: forward, reverse, forward/reverse, random Supports real-time/step input, rests, and variable-length sequences Syncs to MIDI clock and external audio and CV input Sequences freely assignable to any modulation destination ARPEGGIATOR Sophisticated arpeggiator with up, down, up+down, random, assign modes Syncs to MIDI clock and external audio and CV inputs Re-latching arpeggiation Runs concurrent with Sequencer for arpeggiated patterns with parameter automation CONTROLS Over 60 knobs and 70 buttons enable deep, comprehensive editing with minimal menu diving Backlit pitch and mod wheels are easily visible in low-light situations and have a smooth, precise response. Independently adjustable upper and lower pitch wheel range Position-sensitive latchable touch slider for enhanced interactivity and control Full-sized, three-octave, semi-weighted keyboard with velocity and aftertouch MEMORY 512 user and 512 factory programs Playlist mode for generating easily accessible set lists of your favorite programs

OSCILLATORS Two authentic CEM 3340 VCOs per voice Simultaneously selectable wave shapes. Oscillator A: sawtooth, pulse. Oscillator B: sawtooth, triangle, pulse. Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) MIXER Oscillator 1 amount Oscillator 2 amount White noise amount LOW-PASS FILTER Four-pole, resonant, low-pass filter per voice Switchable between authentic versions of the Prophet-5 Rev1/2 filter and Prophet-5 Rev3 filter Rev1/2 filter is a Dave Rossum-designed 2140, the modern counterpart of the original 2040 filter found in the Prophet-5 Rev1 and Rev2 Rev3 filter is a Doug Curtis-designed CEM 3320 Filter can be driven into self-oscillation with the Resonance control Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generatorVelocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Three wave shapes: sawtooth, triangle, square. All waveshapes can be engaged simultaneouslyBoth Initial Amount and mod wheel controlMod destinations: oscillator A frequency, oscillator B frequency, oscillator A and B pulse width, filter cutoff POLY MOD Sources: filter envelope and oscillator BDestinations: oscillator A frequency, oscillator A pulse width, filter cutoff VINTAGE KNOB Recreates the characteristics of various Prophet-5 models by varying the behavior of oscillators, envelopes, amplifiers, and other parameters. Go from a very stable “4” — as in Prophet-5 Rev4, (the new version) — all the way to “1,” as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s. AFTERTOUCH Channel (mono) aftertouchDestinations: filter cutoff frequency, LFO amount BI-TIMBRAL OPERATION Layer mode: two different 5-voice programs stacked together simultaneouslySplit mode: two independent, user-assignable performance zones, with a different 5-voice program assigned to each. PERFORMANCE CONTROLS Full-sized, semi-weighted, premium Fatar 5-octave keyboard with velocity and aftertouchMod wheelSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)Polyphonic glide (portamento)Unison (monophonic) mode with configurable voice count, from one to all ten voices and key modesPreset switch: when off, the front panel is live; what you see is what you hear PATCH MEMORY 200 user and 200 factory programs in 5 banks of 40 programs eachDirect program access, including Prophet 5-style single-button access to the current set of 8 programs IN/OUT Mono output (1 x 1/4” phone jack)Headphone output (stereo, 1/4” phone jack)MIDI in, out, and thru portsUSB for bidirectional MIDI communicationControl voltage in/out (1 x 1/4” phone jack) 0- +5V input/output signal. Configured for 1-volt-per-octave operation.Gate in/out (1 x 1/4” phone jack). Accepts a 1.5 to 15-volt on/off signal to gate the envelopes of a single voice on the Prophet-10. Outputs a 15-volt on/off used to gate the envelopes of an external synth.Low-pass filter cutoff expression pedal inputVolume expression pedal inputSustain footswitch input POWER IEC AC power inlet for internal power supplyOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 28 watts maximum power consumptionPHYSICAL SPECS37.37” L x 16.35 W x 5.95″ H (94.92 cm x 41.52 cm x 15.11 cm)32 lbs (14.51 kg)Roadworthy all-steel construction with premium black walnut heartwood body and trim

Prophet REV2 Specifications OSCILLATORS 2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation) Glide (portamento): separate rates per oscillator White noise generator Analog VCAs Hard sync FILTERS 1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) ENVELOPES 3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop. SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence. LFOS 4 LFO’s with key sync per LFO MODULATION 8-slot modulation matrix ARPEGGIATOR Programmable arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat CONTROLS  5-octave keyboard with semi-weighted action, velocity, and aftertouch 52 knobs and 20 buttons enable deep and comprehensive editing with little to no menu diving. Spring-loaded pitch wheel and assignable mod wheel MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS Oiled African mahogany wood end panels Dimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height) Weight: 20.5 lbs. (9.3 kg)

A Modern Classic Reinvented The Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it’s exactly the same on the inside — Dave Smith’s reimagining of his now-classic Prophet ’08 poly synth. The Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. You can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features. 16-Voice Polyphony With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords via your MIDI controller, stack two 8-voice sounds for massive, complex textures, or split your controller into two completely separate 8-voice Prophet Rev2 instruments. An 8-voice version of the desktop module is also available, which, like the Prophet Rev2 keyboard, can later be expanded to 16-voices with the Expander Kit if desired. Bold Sound The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement. Waveshape Modulation A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast. Effects Per Layer The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix. Extended Mod Matrix Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It’s a veritable sound designer’s playground. Poly Step Sequencing The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Per-Knob Programmability The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. Eminently Playable All of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you’re gigging or recording, it’s an analog powerhouse like no other.

Prophet REV2 Specifications OSCILLATORS 2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation) Glide (portamento): separate rates per oscillator White noise generator Analog VCAs Hard sync FILTERS 1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) ENVELOPES 3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop. SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence. LFOS 4 LFO’s with key sync per LFO MODULATION 8-slot modulation matrix ARPEGGIATOR Programmable arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat CONTROLS  5-octave keyboard with semi-weighted action, velocity, and aftertouch 52 knobs and 20 buttons enable deep and comprehensive editing with little to no menu diving. Spring-loaded pitch wheel and assignable mod wheel MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS Oiled African mahogany wood end panels Dimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height) Weight: 20.5 lbs. (9.3 kg)

A Modern Classic Reinvented The Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it’s exactly the same on the inside — Dave Smith’s reimagining of his now-classic Prophet ’08 poly synth. The Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. You can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features. Bold Sound The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement. Waveshape Modulation A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast. Effects Per Layer The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix. Extended Mod Matrix Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It’s a veritable sound designer’s playground. Poly Step Sequencing The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Per-Knob Programmability The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. Eminently Playable All of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you’re gigging or recording, it’s an analog powerhouse like no other.

Features: SAMPLE PLAYBACK 2 multi-sampled stereo instruments per voice with editable sample start, sample end, loop size, and loop center, loop on/off, sample reverse, sample stretch, bit-rate reduction, and sample rate reduction 150 GB of factory-installed 16-bit, 48 kHz sampled instruments created by 8Dio. An additional 50 GB of samples can be added by purchasing additional sound libraries. User-sample import is planned for December, 2018. OSCILLATORS 2 digital oscillators per voice with selectable sine, sawtooth, pulse, and supersaw waves. You can vary the shape of any of the waveshapes. Glide (portamento): separate rates per oscillator; (samples can glide in Sample Stretch mode) Hard sync FILTERS 2 x analog 4-pole resonant low-pass filter per voice Digital high-pass filter in Effects section ENVELOPES 4 loopable, five-stage (ADSR plus delay) envelope generators: Filter, VCA, and two assignable SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATORS 4 LFO’s with key sync, phase offset, and slewing per LFO Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold) MODULATION 16-slot modulation matrix 28 sources 88 destinations 11 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch, LFO 1, LFO 2, LFO 3, LFO 4, Env 3, Env 4 ARPEGGIATOR Fully-featured arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat DIGITAL EFFECTS 2 digital effects on each layer Stereo delay, BBD delay, chorus, flanger, phaser, vintage rotating speaker, distortion, high-pass filter, spring reverb, plate reverb CLOCK Master clock with tap tempo BPM control and display MIDI clock sync PERFORMANCE CONTROLS Full-sized, semi-weighted, 5-octave keyboard with velocity and channel (mono) aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic glide (portamento) Unison (monophonic) mode with configurable voice count PATCH MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru USB MIDI Sample import jack for USB Stick Main stereo audio output: 2 x 1/4″ phone (TS, unbalanced) Output B stereo audio output: 2 x 1/4″ phone (TS, unbalanced) Pedal/CV: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages. Volume: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages. Sustain pedal input: accepts normally on or normally off momentary footswitch. Sequencer: accepts normally on or normally off momentary footswitch to trigger sequencer playback. Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz Power consumption: 25 watts maximum PHYSICAL SPECS Dimensions: 38.44″ L x 13.53″ W x 4.13″ H (97.6 cm L x 34.3 cm W x 10.9 cm H) Weight: 24 lbs

Prophet-10 Module Specifications OSCILLATORS Two authentic CEM 3340 voltage-controlled oscillators per voice Simultaneously selectable wave shapes. Oscillator A: sawtooth, pulse. Oscillator B: sawtooth, triangle, pulse. Pulse width per oscillator Hard sync: Oscillator A syncs to Oscillator B Low frequency mode (Oscillator B) Keyboard tracking on/off (Oscillator B) MIXER Oscillator A amount Oscillator B amount White noise amount LOW-PASS FILTER Four-pole, resonant, low-pass filter per voice Switchable between authentic versions of the Prophet-5 Rev1/2 filter and Prophet-5 Rev3 filter Rev1/2 filter is a Dave Rossum-designed 2140, the modern counterpart of the original 2040 filter found in the Prophet-5 Rev1 and Rev2 Rev3 filter is a Doug Curtis-designed CEM 3320 Filter can be driven into self-oscillation with the Resonance control Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Three wave shapes: sawtooth, triangle, square. All waveshapes can be engaged simultaneously Both Initial Amount and mod wheel control Mod destinations: oscillator A frequency, Oscillator B frequency, Oscillator A and B pulse width, filter cutoff POLY MOD Sources: filter envelope and Oscillator B Destinations: Oscillator A frequency, Oscillator A pulse width, filter cutoff VINTAGE KNOB Recreates the characteristics of various Prophet-5 models by varying the behavior of oscillators, envelopes, amplifiers, and other parameters. Go from a very stable “4” — as in Prophet-5 Rev4, (the new version) — all the way to “1,” as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s. AFTERTOUCH Channel (mono) aftertouch Destinations: filter cutoff frequency, LFO amount PERFORMANCE CONTROLS Polyphonic glide (portamento) Unison (monophonic) mode with configurable voice count, from one to all five voices and key modes Preset switch: when off, the front panel is live; what you see is what you hear PATCH MEMORY 200 user and 200 factory programs in 5 banks of 40 programs each Direct program access, including Prophet 5-style single-button access to the current set of 8 programs IN/OUT Mono output (1 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Control voltage in/out (1 x 1/4” phone jack) 0- +5V input/output signal. Configured for 1-volt-per-octave operation. Gate in/out (1 x 1/4” phone jack). Accepts a 1.5 to 15-volt on/off signal to gate the envelopes of a single voice on the Prophet-5. Outputs a 15-volt on/off used to gate the envelopes of an external synth. Low-pass filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; Prophet-5: 20 watts maximum power consumption. PHYSICAL SPECS 20.75″ L x 7.4″ W x 3″ H (52.70 cm x 18.8 cm x 7.62 cm) Roadworthy all-steel case with premium black walnut heartwood trim

The Return of a Legend The new Prophet-10 is Dave Smith’s ten-voice version of the analog poly synth that changed the world. It’s “the best of all Prophets” as Dave puts it because it embodies all three revisions of the legendary Prophet-5 synth — Rev1, Rev2, and Rev3 — through the use of genuine Curtis analog VCOs and filters (as in the Rev3) as well as new 2140 low-pass filters designed by Dave Rossum, like the 2040 filters he designed in the original Rev1 and Rev2. A Rev switch lets you choose between the two filter designs. The result is as pure a renewal of an analog classic as you could wish for, with the authentic, muscular sound of the original and the roadworthiness of a state-of-the-art modern instrument. Vintage Sound, Vintage Knob In addition to sourcing genuine Prophet-5 hardware components, we did extensive research into exactly what made the original sound the way it did — warm, organic, and alive. We found that much of this desirable character was due to slight fluctuations and differences in the response times and frequencies of the individual VCOs, filters, envelopes, and amplifiers from voice to voice. To give the same mojo to the new Prophet-10, we created the Vintage knob. Use it to dial in as much old-school randomness as you’d like. Go from a very stable “4” — as in Prophet-5 Rev4, which is how we refer to the new version in house — all the way to “1,” as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s. Poly Mod and Enhanced Unison In addition to the unmistakable tone of its oscillators and filters, much of the classic sound of Prophet-5 was the result of Poly Mod, which is faithfully present here as well. True to the original, modulation sources are Filter Envelope and Oscillator B. Destinations include Oscillator A frequency, Oscillator A pulse width, and low-pass filter. The range of sounds possible defy its simplicity. Another welcome reprise is Unison mode, which now features configurable voice count (1-10 voices) with variable detuning, and chord memory. And now Glide works both in and out of Unison. Velocity and Aftertouch Though our mission was to make the new Prophet-5 and Prophet-10 as accurate, authoritative, and true to the original as possible, we couldn’t resist adding a couple of modern enhancements to increase expressiveness: velocity sensitivity and aftertouch. These enable the new Prophet-5 and Prophet-10 to perform in ways the original never could by putting filter sweeps, LFO mod, and volume changes at your fingertips. Effortless to Program The purity of the new Prophet’s sound is matched only by its simplicity to program. The knob-per-function front panel gives you instant gratification and immediate access to all sound-shaping controls. Toggling off the Preset button enables live panel mode, where the Prophet-10 switches to the current settings of its knobs and switches. What you see is exactly what you hear. Included are 200 permanent factory programs and 200 rewritable user programs, including the original 40-program sound set from 1978 that found its way onto countless recordings and film soundtracks back in the day and beyond. The Whole Package All of this punchy, powerful, analog goodness is housed in a full, five-octave, semi-weighted Fatar keyboard with USB, MIDI, Gate and CV ins/outs, and a premium-quality, steel and hand-oiled, sustainable black walnut heartwood body that make it as satisfying to behold as it is to hear and play. The new Prophet-10 — history never looked or sounded better.

Prophet-5 Module Specifications OSCILLATORS Two authentic CEM 3340 voltage-controlled oscillators per voice Simultaneously selectable wave shapes. Oscillator A: sawtooth, pulse. Oscillator B: sawtooth, triangle, pulse. Pulse width per oscillator Hard sync: Oscillator A syncs to Oscillator B Low frequency mode (Oscillator B) Keyboard tracking on/off (Oscillator B) MIXER Oscillator A amount Oscillator B amount White noise amount LOW-PASS FILTER Four-pole, resonant, low-pass filter per voice Switchable between authentic versions of the Prophet-5 Rev1/2 filter and Prophet-5 Rev3 filter Rev1/2 filter is a Dave Rossum-designed 2140, the modern counterpart of the original 2040 filter found in the Prophet-5 Rev1 and Rev2 Rev3 filter is a Doug Curtis-designed CEM 3320 Filter can be driven into self-oscillation with the Resonance control Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Three wave shapes: sawtooth, triangle, square. All waveshapes can be engaged simultaneously Both Initial Amount and mod wheel control Mod destinations: oscillator A frequency, Oscillator B frequency, Oscillator A and B pulse width, filter cutoff POLY MOD Sources: filter envelope and Oscillator B Destinations: Oscillator A frequency, Oscillator A pulse width, filter cutoff VINTAGE KNOB Recreates the characteristics of various Prophet-5 models by varying the behavior of oscillators, envelopes, amplifiers, and other parameters. Go from a very stable “4” — as in Prophet-5 Rev4, (the new version) — all the way to “1,” as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s. AFTERTOUCH Channel (mono) aftertouch Destinations: filter cutoff frequency, LFO amount PERFORMANCE CONTROLS Polyphonic glide (portamento) Unison (monophonic) mode with configurable voice count, from one to all five voices and key modes Preset switch: when off, the front panel is live; what you see is what you hear PATCH MEMORY 200 user and 200 factory programs in 5 banks of 40 programs each Direct program access, including Prophet 5-style single-button access to the current set of 8 programs IN/OUT Mono output (1 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Control voltage in/out (1 x 1/4” phone jack) 0- +5V input/output signal. Configured for 1-volt-per-octave operation. Gate in/out (1 x 1/4” phone jack). Accepts a 1.5 to 15-volt on/off signal to gate the envelopes of a single voice on the Prophet-5. Outputs a 15-volt on/off used to gate the envelopes of an external synth. Low-pass filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; Prophet-5: 20 watts maximum power consumption. PHYSICAL SPECS 20.75″ L x 7.4″ W x 3″ H (52.70 cm x 18.8 cm x 7.62 cm) Roadworthy all-steel case with premium black walnut heartwood trim

The new Prophet-5 “Rev 4” is Dave Smith's timely return to the analog poly synth that changed the world. It’s “the best of all Prophet-5s” because it embodies all three revisions of the legendary synth—Rev1, Rev2, and Rev3—through the use of genuine Curtis analog VCOs and filters (as in the Rev3) as well as new 2140 low-pass filters designed by Dave Rossum, the modern equivalent of the 2040 filters he designed in the original Rev1 and Rev2. A Rev switch lets you choose between the two filter designs. The result is as pure a renewal of an analog classic as you could wish for, with the authentic, muscular sound of the original and the roadworthiness of a state-of-the-art modern instrument. To give even more authentic mojo to the new Prophet-5, we created the Vintage knob. Use it to dial in as much old-school randomness as you’d like and it will loosen up the oscillators and envelopes just like they were in the good old days. It lets you dial in progressively more vintage character as you go from a stable 4 (as in Prophet-5 Rev4) all the way to 1 (as in Prophet-5 Rev1, the rarest and most temperamental of all Prophet-5s). We’ve even included the original 40 Prophet-5 factory sounds. Features: Authentic reimagining of the original Prophet-5 in look and sound 5 voices, with velocity and aftertouch, MIDI, and a premium Fatar keyboard Authentic vintage CEM VCOs Authentic vintage Doug Curtis and Dave Rossum-designed  filters (switchable) Collector-worthy, steel and hand-oiled, premium black walnut heartwood

Vintage with a Modern Twist The Prophet-6 is Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog. Poly Mod and Poly Step Sequencing Also present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Easy to Program The knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs in 10 banks of 100 programs. In addition to these, you can create and save up to 500 user programs of your own. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear. Easy to Play All of this awe-inspiring sound is packed into a four octave, semi-weighted keyboard with velocity and channel aftertouch that’s an ideal combination portability and power for the project studio or the gigging musician. Features Oscillators Two newly designed, discrete VCOs per voice Continuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Triangle sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator slop amount for increased tuning instability, from subtle to extreme Mixer Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount High-Pass Filter Two-pole, resonant, high-pass filter per voice Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full Low-Pass Filter Four-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter Filter can be driven into self-oscillation with the Resonance control Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full Filter Envelope Four-stage (ADSR) envelope generator AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff POLY MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, and phase shifter Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic glide (portamento) Unison (monophonic) mode with configurable voice count, from one to all six voices, and key modes Preset switch: when off, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including Prophet 5-style single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Low-pass filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 32” L x 12.7” W x 4.6″ H (81.3 cm x 32.3 cm x 11.7 cm) 20.0 lbs (9.5 kg) Walnut end panels and trim

Vintage Analog Sound — Small Enough to Fit in a Backpack The Prophet-6 desktop module is every bit as powerful and easy to use as its counterpart, the Prophet-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use — with absolutely no menu diving. As with the Prophet-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Awesome — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic sound that has been earning raves from customers and reviewers alike. We’ve also added a poly chain feature so that any two Prophet-6s can be paired for twelve-voice polyphony! Vintage with a Modern Twist Both the Prophet-6 desktop module and keyboard are Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog. Poly Mod and Poly Step Sequencing Also present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Easy to Program The knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs and 500 rewritable user programs. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear. Easy to Play All of this awe-inspiring sound is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.

Portable, Powerful, Polyphonic The Take 5 is Sequential’s most compact, full-featured, full-throttle VCO/VCF-based poly synth ever. It’s the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths — whether you’re new to analog synths or a space-conscious pro. And since it’s portable, you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind. Genuine Sequential sound and quality at a price within your reach. Fits Anywhere You Need It With 44-full-size keys and a total width of just 26 inches, the Take 5 fits easily into your studio or on stage. Its nearly knob-per-function control panel gives you immediate access to all of its essential sound-shaping controls. And its ingenious key-split feature gives you access to a wider playable range than other compact synths by letting you divide the 3.5 octave keyboard into two separate performance zones. Powerful Synthesis The five voices of the Take 5 get their distinctive sound from a combination of two analog VCOs and a sub oscillator passing through a Prophet-5-lineage 4-pole analog filter. The result is classic Sequential — smooth, warm, punchy sound that sits perfectly in a mix and cuts through clearly on stage. For even more analog-style goodness, a Vintage knob adds voice-to-voice variation for genuine vintage character. Dual Digital effects, a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM all ensure the Take 5 can kick out modern tone just as easily as it does vintage.. Finishing Touches The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice), two ADSR+delay envelopes, extensive modulation, a 64-step polyphonic sequencer, and a multimode arpeggiator. The premium Fatar keybed makes it a pleasure to play, wherever you take it.

Der Sequential Take 5 ist ein kompakter, analoger Desktop-Synthesizer, der den originalen Sequential-Sound liefert. Seine einfache Bedienung, bei der fast jede Funktion einen eigenen Knopf hat, macht ihn zu einem herausragenden Instrument für den Einstieg in die subtraktive Klangsynthese. Die Kompaktheit und Funktionalität des Synthesizers und seine leistungsstarke Synthese machen das kleine Kraftpaket perfekt für Live-Performance auf der Bühne oder Sound Design im Studio.

Experience the Power of Three Oscillators and a Ladder Filter with the Trigon-6 Module The Sequential Trigon-6 desktop module delivers the same massive sound and hands-on sonic control as the Trigon-6 Keyboard. It features the same pure analog signal path with discrete oscillators and filters, and the same high-quality digital effects. It also has the same intuitive layout with full-sized knobs and switches that make it quick and easy to shape new sounds. The Trigon-6 module sounds huge — just like the keyboard, because it is the same six voice polyphonic instrument, just in a smaller form factor. And if you want even more polyphony, you can use the poly chain feature to link any two Trigon-6s for a stunning twelve-voice synth! A Sound That is Bold and Familiar The Trigon-6 is Sequential’s polyphonic take on the classic, thick and creamy, 3-oscillator-plus-ladder-filter analog sound that defined the dawn of the synth era. It’s a sound that bridges genres and styles — now refined and redefined with Sequential’s own modern imprint. All-New Filter and Oscillator Design At the heart of the Trigon-6 sound are three newly designed voltage-controlled oscillators (with triangle, saw, and pulse waves) and an enhanced version of the ladder filter that Sequential created for its Pro 3 mono synth. The switchable 2/4 pole resonant filter design has dedicated drive and feedback controls that make it effortless to go from silky and smooth to bold and crunchy with a simple knob turn. “The resulting sound makes it, scientifically speaking, quite a beast.” – Loopop Rounding Out The Picture Naturally, the Trigon-6 has the full complement of Sequential’s ”must-have” sound-sculpting features including super snappy envelopes, a syncable LFO with multiple waveforms and destinations, a polyphonic step sequencer, and an arpeggiator. Best of all, the knob-per-function front panel of the Trigon-6 puts these controls at your fingertips. And the ready-made palette of 500 factory and 500 user presets provides classic basses, leads, and pads to jump start any project. More Power Features Also present is Sequential’s classic Poly Mod, with enhancements for creative sound design. Modulation sources are filter envelope and oscillator 3 (both with bi-polar control). Destinations include oscillator 1, 2, and 3 frequency, oscillator 1, 2, and 3 pulse width, filter cutoff, and feedback. Unison mode is here as well, featuring configurable voice count (1-6 voices for up to 18 simultaneous oscillators) and key modes. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flanger, phaser, and ring modulator. The independent stereo distortion effect adds on-demand aggression and is 100% analog. “Not only is it an amazing synth, but it completes a trio of Sequential synths based on three of the finest brands in synth history.” – musicradar Adjustable Vintage Character Finally, to give even more classic organic warmth to an already classic synth, there’s the Vintage Knob, which adds voice-to-voice variations in calibration and component behavior. Vintage behavior is adjustable from subtle to extreme to emulate the stability of a perfect modern instrument or a time-worn relic. More Than the Sum of Its Parts Add all of this up and the Trigon-6 represents a modern synth workhorse with a bold, versatile, 3-oscillator ladder filter-based sound. It builds on the past, refines the present, and redefines the future for accessibility, portability, and playability in an analog poly synth. Portable and Powerful With all that Trigon-6 has to offer, it’s amazing that this analog beast is packed into a desktop module light enough to carry in a backpack. And with Trigon’s new MPE compatibility, this instrument is more playable and nuanced than ever before. It is the perfect choice for the project studio or the gigging musician who wants the ultimate Sequential synthesis experience.