SCHOEPS
two mono XLR-3F jacks to XLR-5M plugXLR cable for combining two separate channels in a single cable.
Schoeps AK DMS/3U Adapter CableAdapter cable used with the Schoeps "Surround Sets" for the Double M/S system.A single, seven-conductor shielded cable with an XLR-7M output connector carries the signals from all three microphones (front mid, figure-8 and rear mid); the AK DMS 3U then splits the three signals out again. For more information, please visit this products webpage
Adapter Cable from AES65 to 4*XLR3M, for heating, including power adapter The AK Surround M/4U adapter cable splits this multicore cable to four XLR-3 connectors with connector for the heating. e.g. for ORTF Surround recordings
For surround recordings with up to six channels (e.g. 5.1 surround) we offer the K Surround x M cable with multi-pin connectors at both ends (with the "x" corresponding to the length of the cable in meters). The AK Surround M/4U adapter cable splits this multicore cable to four XLR-3 connectors. It is also available in a five-channel version, called AK Surround M/5U. For six channels the Splitterbox M/6U can be used. It is also available with connector for the heating (AK Surround H M/4U).
For surround recordings with up to six channels (e.g. 5.1 surround) we offer the K Surround x M cable with multi-pin connectors at both ends (with the "x" corresponding to the length of the cable in meters). The AK Surround M/4U adapter cable splits this multicore cable to four XLR-3 connectors. It is also available in a five-channel version, called AK Surround M/5U. For six channels the Splitterbox M/6U can be used. It is also available with connector for the heating (AK Surround H M/4U).
Set for the 75th anniversary of SCHOEPS. Set includes V4 U special version, SGV, 2 * CMC 6 U, Special version, 2 * MK 4, special version, Matching of microphone capsules incl. certificate, 2 * SG 20, Metal case for anniversary set, black, with engravinglimited edition of 75 piecesspecial black finishcontains a V4 with a stand clamp SVG and CMC 6 + MK 4 Stereo Setelegant, “retro” logo from the 1950sdelivered in a black steel box engraved with a greeting from Uli Schoeps
Schoeps AMS 22The base of the AMS 22 has a 5/8"-27 NS internal thread. A threaded adapter is supplied for 3/8" and 1/2" mounting.For two standard microphones of the Colette modular system (e.g. CMC, 20mm diameter)Color: gray / matte gray
Schoeps BF250 Heavy Floor StandThe BF 250 is supplied with a special chuck, type SPV 12-3/8, to create a quick connect and disconnect system for an STR vertical support rod. This can simply be plugged into the chuck and tightened by hand with a half turn of the milled cap nut.The chuck SPV 12-3/8 is also available separately for the purpose of updating older equipment. It can be screwed on with a open-ended wrench.Diameter 250 mmHeight without quick release twist-lock chuck: 38 mmsuitable for 12 mm vertical support rods, e.g. STR 350gSurface finish black For more information, please visit this products webpage
hemispherical pickup pattern for building in to the surface of a table or lectern unobtrusive avoids comb filter effect This special version of the CCM 2XS L compact microphone is equipped with a flange enabling it to be built into the surface of a table or speaker's rostrum. This makes the microphone nearly invisible, and at the same time improves the sound quality by eliminating comb filter effects. The BL CCM 3 is often used as a redundancy microphone in speaker tables.
MOUNTING PLATE FOR DIRECTIONAL BOUNDARY-LAYER TECHNIQUE Turns any directional CCM Microphone or MK capsule with Active Cable KC into a boundary-layer (PZM) microphone. This is especially useful when recording moving singers/ actors on a stage, or when a microphone on a stand would be obtrusive. The boundary layer effect creates a 3 dB increase of the Direct-to-Room ratio. Thus, an increase of the recording distance is possible without negative effects. A rubber ring built into the bottom of the plate prevents inadvertent rotation of the plate and damage to the surface on which it is placed. for directional boundary-layer recording with cardioid and supercardioid microphones for use with CCM/MK 4 or 41 often used at the stage edge in opera live recording achieves +3 dB direct sound due to the boundary layer effect - without comb filter effects
Schoeps BLM 03 Cg Boundary Layer Capsulepressure transducer with hemispherical pattern active miniature version of the BLM 3gunobtrusive, universally applicablepreferred applications: on speaker's podiums, altars, ambient sound recording or for recording orchestrasdiameter: only 80 mmBoundary Layer Capsule BLM 03 CAn Active Cable hard-wired to the BLM 03 Cg allows it to be joined to any microphone amplifier of the Colette series (except the battery-operated model CMBI) to become a complete microphone. The BLM 03 Cg offers all the recognized advantages of the BLM 3g.It is recommended in those cases where the BLM 3g is too large (e.g. for TV or film sound) or too heavy, e.g. for mounting in the interior of a car under the roof, or beneath the lid of a piano.The CUT 1 and CUT 2 active low-cut filters can be used with the BLM 03 Cg.Frequency range 20 Hz - 20 kHzSensitivity 19 mV/PaEquivalent noise level (A-weighted) 12 dB-AEquivalent noise level (CCIR) 23 dBSignal-to-noise ratio (A-weighted) 82 dB-AMaximum sound pressure level at 0.5% THD 128 dB-SPLWeight 233 gDiameter 80 mmHeight 8.6 mmSurface finish matte gray For more information, please visit this products webpage
The CB-MAB is a mounting bracket for OCT surround. It holds two MAB 1000 stereo bars at variable distance
EIGENSCHAFTEN Kugelcharakteristik konstanter Frequenzgang freifeldentzerrt für den Einsatz nahe der Schallquelle (Schalleinfall von vorne) bevorzugter Einsatz: Aufnahme von Instrumenten, Sängern etc. aus geringem Abstand
Omnidirectional linear frequency response corrected for the direct sound field for use close to the sound source (frontal sound incidence) preferred applications: close pickup of singers and instruments As can be seen from the frequency response curve, this microphone type has flat frequency response for frontal sound incidence. This yields a very natural quality when picking up sound that is predominantly direct, i.e. close to the source or in a ”dry” acoustic. The CCM 2 is meant to be placed in close proximity to the sound source. The sonic impression never becomes overly brilliant or harsh. Please note that there is some directivity at high frequencies due to the physics of sound. Thus even with an omnidirectional microphone, it still matters which way the capsule is “aimed.”
Die Mikrofone dieses Typs liegen mit ihrer Richtwirkung zwischen Kugel und Niere. Hinter ihrer Entwicklung steht die Idee, die Vorteile der Niere mit denen der Kugel zu verbinden. Die Tiefenwiedergabe des CCM 21 ist daher besser als die von Nieren, und der Nahbesprechungseffekt ist weniger ausgeprägt. Im Gegensatz zu Kugeln, die bei hohen Frequenzen eine zunehmende Richtwirkung aufweisen, und anders als bei kleinen Nieren, die bei schrägem Schalleinfall zu einer Betonung der Höhen neigen, ist das Polardiagramm und damit das Bündelungsmaß des CCM 21 nur wenig von der Frequenz abhängig. Seitlich einstrahlende Schallquellen und reflektierter Schall werden somit gleichermaßen verfärbungsarm übertragen. Deshalb ist dieser Mikrofontyp unkritisch hinsichtlich des Schalleinfallswinkels. EIGENSCHAFTEN Breite Niere mit geringer Frequenzabhängigkeit der Richtwirkung angenehmes, oft als “warm” beschriebenes Klangbild bevorzugter Einsatz: als Stütz- und Stereohauptmikrofon
Wide cardioid with especially consistent directionality throughout its frequency range pleasant sound image, often described as “warm” often preferred for use as a spot microphone, or as the main pair for overall stereo pickup This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21 was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner. It has fuller and more extended low frequency response than a cardioid, with less proximity effect, while attenuating side- and rear-incident sound less than a cardioid. The polar diagram shows the directivity of the CCM 21 to be only slightly dependent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles. The CCM 21’s orientation is less critical than with a cardioid, since direct sound arriving on axis and reverberant or other sounds off axis are both reproduced accurately. This lack of coloration in the off-axis pickup produces a “warm” and natural sonic impression. When used as a spot microphone, the CCM 21 must be placed somewhat closer to the sound source than a cardioid would be, due to its lower directivity. Its uniform off-axis response helps to blend nearby instruments seamlessly into the overall mix. For wide pickups where some directivity of the microphone is advantageous, as in acoustically difficult rooms where the bass would be too strong when using omnis, the CCM 21 can be especially helpful. The low directivity of this capsule type prevents it from generating large enough level differences for X/Y use, though M/S and near-coincident spacings are often successful. Together with the cardioid and supercardioid, this is one of the most preferred types among our capsules.
Das CCM 22 wurde für den Einsatz als Stützmikrofon entwickelt. Es vereint die Stärken des CCM 4 und des CCM 21. Seine Richtwirkung ist nur geringfügig kleiner als die des CCM 4 Nierenmikrofon. Der Klangcharakter erinnert an die Breite Niere CCM 21. Das Bündelungsmaß (es liegt bei ca. 4 dB) ist frequenzunabhängig. Die Tiefenwiedergabe ist etwas ausgeprägter als bei der Niere und der Nahheitseffekt geringfügig schwächer. Die Richtcharakteristik OffeneNiere® wurde von SCHOEPS im Jahr 2008 entwickelt . Sie ist zwischen der klassischen Niere und der Breiten Niere angesiedelt. Die Empfindlichkeit bei 90° beträgt -5 dB, die Rückwärtsempfindlichkeit beträgt -16 dB. Sie ist eine spezielle Variante der Niere, die bei guter Richtwirkung einen sehr natürlichen Klang erreicht. EIGENSCHAFTEN neuartige Richtcharakteristik: OffeneNiere® optimale Kombination der Richtwirkung der klassischen Niere (MK 4) und der Klangeigenschaften der Breiten Niere (MK 21) geringe Frequenzabhängigkeit der Richtwirkung bevorzugter Einsatz: Stütz- und Solistenmikrofon
New kind of directional pattern: Open Cardioid optimal combination of classic cardioid directionality (CCM 4) with the sonic character of the wide cardioid (CCM 21) directional pattern largely constant throughout the frequency range often preferred for spot miking and as a soloist’s microphone The CCM 22 has been developed for use as a spot microphone. It unites the strengths of the CCM 4 and CCM 21 microphones. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid. Its directivity is essentially constant throughout the frequency range. Its inherent low-frequency response is somewhat more pronounced than that of the cardioid, while proximity effect is somewhat less. The “Open Cardioid” directional pattern, occupying a point on the spectrum between the wide cardioid and classic cardioid patterns, was developed by SCHOEPS in 2008. The response is -5 dB at 90° and there is 16 dB suppression of rear-incident sound. It is in essence a variant of a cardioid which balances a very natural sound quality with a good degree of directionality. The years of experience which many recording engineers have had with the various types of SCHOEPS cardioid microphones have played a large role in the design process. The CCM 4 cardioid is often relied upon as a reference microphone, even in difficult recording situations; its sonic transparency and outstanding suppression of rear-incident sound make it a universal problem-solver. The CCM 21 wide cardioid offers an alternative when its lower directivity fits the recording situation, e.g. for the first desk of strings or for solo piano. This microphone type is prized for its sonic character (similar to that of a pure omnidirectional microphone) and its relative lack of proximity effect. Then the wish arose for a “middle way” which would combine these characteristics into a single capsule. The result is the CCM 22 Open Cardioid.
Wird dieses Mikrofon in Räumen im Bereich mittlerer Aufnahmeabstände (d.h. um den Hallradius) eingesetzt, weist es einen konstanten, ausgedehnten Frequenzgang auf. Dieser ist gepaart mit Rauscharmut. Daher genügt dieses Mikrofon höchsten Ansprüchen. Gegenüber den übrigen Druckempfängern ist die Schalleintrittsöffnung durch einen vergoldeten Ring verkleinert. Dadurch wird eine rein akustische Höhenanhebung oberhalb von 6 kHz bewirkt (2dB bei 10 kHz). Diese verringert die Höhenverluste des diffusen Schalls im Raum und sorgt so für einen natürlichen Klang. EIGENSCHAFTEN Kugelcharakteristik leichte Höhenanhebung kompensiert entfernungsbedingte Höhenverluste bei mäßigem Aufnahmeabstand bevorzugter Einsatz: bei AB-Stereofonie und dem Decca-Tree
Omnidirectional pattern mild high-frequency rise to compensate for losses at medium recording distance often chosen for spaced stereophony and Decca Tree arrangements If this microphone is used indoors at medium recording distances (i.e. where direct sound energy is similar in amount to reflected sound energy), its overall response will be linear. Its extended frequency response and low noise make it appropriate for the most demanding applications. The sound inlet of the CCM 2H is narrower than that of our other pressure transducers, causing a slight, purely acoustic response elevation above 6 kHz. This reduces the high frequency loss for diffuse sound, thus helping to preserve natural sound quality. The CCM 2H, like the CCM 2S, is ideal for natural-sounding pickup of instruments and orchestras in spaces with well balanced reverberance. The choice between the two capsule types is essentially a matter of personal preference. At a given miking distance the CCM 2H might be described as more ”balanced and round” sounding while the CCM 2S would give a slight additional brilliance. However, one might also choose the CCM 2H for slightly closer placement or the CCM 2S for slightly more distant placement – and then these two capsule types would have very similar sound quality, with the main difference then being in the balance of direct to reverberant sound which is picked up. For spaced microphone (A/B) stereo recording and especially the Decca Tree method, KA 40 accessory spheres are recommended.
Das CCM 2S besitzt eine leichte Höhenanhebung bei frontaler Beschallung und einen nur leichten Höhenabfall im diffusen Schallfeld bzw. bei schrägwinkligem Schalleinfall. Dieses Mikrofon liegt mit seiner Höhenanhebung zwischen dem CCM 2 und dem CCM 2XS und ist daher universell einsetzbar. EIGENSCHAFTEN Kugelcharakteristik mäßige Höhenanhebung kompensiert entfernungsbedingte Höhenverluste bei Einsatz nahe des Hallradius’ universell einsetzbar bevorzugter Einsatz: bei AB-Stereofonie und dem Decca-Tree
Omnidirectional pattern slight high-frequency rise to compensate for losses at moderate recording distances for a very wide range of recording applications often preferred for spaced stereophony and Decca Tree arrangements The CCM 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field. The frequency response characteristic of the CCM 2S falls between that of the CCM 2 and the CCM 2XS, making this microphone suitable for a wide range of applications. The CCM 2S has proven particularly useful in two- and three-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. This model has become our most popular pressure transducer. For spaced microphone (A/B) stereo recording and especially the Decca Tree method, KA 40 accessory spheres are recommended.