RME Audio

RME’s first preamp for audio networks The RME 12Mic features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion; remote controllable gains; integrated MADI and AVB connectivity; plus a multitude of additional functionality, designed to make it the perfect companion for any professional recording setup. Twelve transparent mic preamps for exceptional conversion performance The PAD-free microphone input stages have a 75 dB gain range and accept signals of up to +18 dBu. On the conversion side, the extraordinary SNR values show anastonishing 121.2 dB(A) on all channels. All twelve front-facing XLR connections accept microphone and line level signals, whilst the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments. MADI & ADAT for maximum flexibility Both coaxial and optical (via an SFP module) MADI I/O is available for independent or redundant operation, and can be used for daisy chaining, merging and converting MADI signals at incredibly low latency. Three optical ADAT outputs provide up to 24 channels of audio at single speed (for example, a combination of microphone inputs, MADI signals and AVB signals), or 12 output channels at 96 kHz sampling rate, ensuring compatibility with a wide range of audio interfaces. Additionally, the ADAT ports can also be used to send monitor mixes from the AVB or MADI inputs to existing DACs/headphone amps. Two fully redundant network ports For the first time, RME offers an AVB device with two fully redundant network ports, based on the recommendations of MILAN. The RME AVB Core has meticulously implemented the IEEE standards for audio- streaming, discovery and control, allowing RME devices to be both discovered and fully controlled by any AVB controller, and making vendor-specific control protocols a thing of the past. Any signal reaching the 12Mic can be routed and streamed over a network with fixed latency and guaranteed bandwidth - no switch configuration is required! Plug’n’play - rapid user interaction Control all device states directly from the front panel for convenient, direct access to all features. RME AVB devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams. As such, problem-solving of signals, clocking, connectivity or other issues is both simple and straight-forward! SteadyClock FS In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The 12Mic offers full SteadyClock FS performance for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degredation,and SteadyClock FS ensures your sonic image will never experience degredation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.

1 x Phones Output 4 x XLR/TRS Mic/Inst/Line 8 x XLR Mic/Line 1 x Redundant power supplies 1 x Word Clock I/O 1 x MADI I/O coaxial 3 x ADAT Out 1 x MADI Optical SFP (optional) 2 x Gigabit Ethernet (802.3 compliant) USB for firmware & remote control

RME's ADI-8 QS is an 8-Channel hi-end AD/DA converter with an unrivalled bunch of features. The device combines excellent analog circuit design with outstanding low latency AD/DA converter chips of the latest generation. Along with the integrated SteadyClock, the QS offers an AD- and DA-conversion of the highest quality. Analog and digital limiters, 4 hardware reference levels up to +24 dBu, AES/EBU and ADAT I/O (optional MADI I/O) at up to 192 kHz, remote control via MIDI, digital input and output trimming for full level calibration, volume control for all 8 analog outputs, either separately or globally, digital thru-mode, operation over a wide voltage range and many more features make the QS truely unique. The ADI-8 QS is RME's reference - highest performance in every detail, at an unbeaten price/performance ratio! The most important features of the QS: 8-Channel AD converter, fully symmetrical design, 117 dBA 8-Channel DA converter, DC-coupled signal path, double balanced output, 120 dBA Low latency conversion: only 8 samples of delay! 4 x AES/EBU I/O via D-Sub, 8 channels @ 192 kHz 2 x ADAT I/O, 8 channels @ 96 kHz Digital input/output trim, range 6 dB per I/O Analog and digital limiter for AD-conversion 16 LED level meters with 7 LEDs each included Remote control for store/recall, volume and DIM SyncCheck, unique technology to check clock synchronisation All settings are stored permanently Fully remote controllable

4-Kanal 192 kHz / 24 Bit DA Erweiterungsplatine mit symmetrischen Ausgängen für die RME Soundkarten HDSP 9632 und HDSPe AIO.

4-Kanal 192 kHz / 24 Bit DA Erweiterungsplatine mit symmetrischen Ausgängen für die RME Soundkarten HDSP 9632 und HDSPe AIO.

Optionale MADI-Erweiterung für HDSPe AoXmit MADI I/O: 128/64/32 Kanäle bei 48/96/192 kHz AbtastrateHDSPe AoX Erweiterungskarte Koaxial Version: 4x BNC-Anschlüsse

Optionale MADI-Erweiterung für HDSPe AoXmit MADI I/O: 128/64/32 Kanäle bei 48/96/192 kHz AbtastrateHDSPe AoX ErweiterungsboardOptische Version: 2x MADI SFP Modulsteckplätze und Wordclock BNC Anschlus (SFP Multi Mode Module im Lieferumfang)

Im neuen Babyface Pro FS wurden jetzt noch weitere Neuerungen implementiert: Der +19 / +4 dBu-Schalter auf der Unterseite bietet einen direkten Weg zur Reduzierung des Ausgangspegels, verbessert so den SNR für empfindliche Aktivmonitore, senkt das Klick-Rauschen beim Ein- und Ausschalten, vermeidet Verzerrungen / Überlastungen und hilft den TotalMix FX-Fader bei 0 dB statt bei hohen Dämpfungen zu halten. Volles SteadyClock FS wie im ADI-2 Pro FS für niedrigsten Jitter und höchste Jitterimmunität. Die Ausgangsleistung der 3,5 mm TRS Kopfhörerausgänge steigt von 70 mW auf 90 mW. THD der beiden Kopfhörerausgänge verbessert sich um bis zu 10 dB. Verwendet jetzt die gleichen Operationsverstärker wie der ADI-2 Pro. Die Ausgangsimpedanz von 3,5 mm TRS wurde von 2 Ohm auf 0,1 Ohm gesenkt. Mikrofoneingänge SNR wurden von 112,2 dB auf 113,7 dB verbessert, die TRS Line-Eingänge SNR von 114 dB auf 116,3 dB (120 dBA). THD Line-Eingänge wurden um 8 dB verbessert. 6 Samples weniger Latenz auf der AD-Seite durch den neuen ADC (5 Samples AD, 7 Samples DA. Es geht nicht schneller....). Alle oben genannten Verbesserungen wurden erreicht, ohne den Stromverbrauch des Interfaces zu erhöhen. K-Slot (Kensington Lock) für den Diebstahlschutz.

Das neue Digiface AES ist ein professionelles, bus-powered USB 2.0-Interface mit 14 Eingängen und 16 Ausgängen, das zusätzlich zu den digitalen I/Os über 2 analoge Mikrofon-/Line-Universaleingänge und 4 analoge Ausgänge (2 XLR, ein Klinkenstecker) verfügt. Mit seinen hervorragenden digitalen Anschlussmöglichkeiten, SteadyClock FS, vollem Stand-Alone-Betrieb und eingebautem parametrischen EQ ist das Digiface AES die perfekte All-in-One-Lösung für die Aufnahme und Wiedergabe digitaler und analoger Quellen, sowie flexibles Playback/Monitoring über TotalMix FX.

Digiface AVB Developed by RME, Digiface AVB is a glance into the future of audio network technology. The device uses AVB to transfer up to 256 channels of audio between PC and audio network. An additional headphone output allows high quality monitoring. RME’s Digiface AVB showcases how audio can be transferred from the PC into the network and back using the AVB protocol stack and finally brings this capability to Windows based PCs. Connectivity & Features 256 Channels: 128 in / 128 out 16 Input Streams/ 16 Output Streams Gigabit Ethernet (802.3 compliant) Headphone Output Wordclock I/0 USB 3 Bus-powered IEEE 802.1 BA compliant AVB Stack IEEE 1722 AVTP / 1722.1 AVDECC compliant TotalMix FX

Digiface Dante A lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation. Connectivity & Features 256 Channels: 128 in / 128 out 64 Channels Dante / 64 Channels MADI 2 x Gigabit Ethernet (802.3 compliant) 1 x MADI I/O coaxial I/0 Headphone Output Wordclock I/0 USB 3 Bus-powered TotalMix FX

Auf der diesjährigen IBC in Amsterdam (09. bis 12. September) präsentieren RME und DirectOut das neueDigiface Ravenna. Das mobile Audio-Interface basiert auf dem bewährten Digiface Dante, besitzt jedoch einvon DirectOut entwickeltes RAVENNA-Modul. Das Gerät ermöglicht die Übertragung von bis zu 128 RAVENNAKanälen sowie 64 MADI-Kanälen über eine einzelne USB 3.0-Verbindung. Damit erweitert RME seine DigifaceSerie um ein leistungsstarkes Ravenna-Modell für den USB- und Standalone-Betrieb. Anschlussmöglichkeiten:• 128 input / 128 output channels• 64 / 128 Ravenna I/O• 64 MADI I/O or word clock I/O• Analog out (phones)• USB 3

Features The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical. The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX). Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs. Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.   TotalMix Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. Here are some typical applications for TotalMix: Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends. Unlimited routing of inputs and outputs (free utilisation, patchbay functionality). Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions. Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output. Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions. Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals. Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Eingänge: 8 x XLR (AES42, AES3 kompatibel), 1 x per D-Sub (AES für Sync) Ausgänge digital: 4 x AES/EBU per 25-pol D-Sub, 2 x ADAT optical, optional MADI Ausgänge analog: 8 x XLR, symmetrisch, bis +24 dBu Rauschabstand DA (SNR): 116 dB RMS unbewertet, 119 dB(A) THD DA: < -104 dB (< 0,00063%) THD+N DA: < -100 dB (< 0,001%) Übersprechdämpfung DA: > 110 dB Ausgangspegel bei 0 dBFS: +24 dBu, +19 dBu, +13 dBu Frequenzgang DA, -0,5 dB: 5 Hz - 22 kHz (sf 48 kHz) Frequenzgang DA, -0,5 dB: < 5 Hz - 34 kHz (sf 96 kHz) Frequenzgang DA, -1 dB: < 5 Hz - 50 kHz (sf 192 kHz) Sync-Quellen: Intern, AES, Wordclock, Option (MADI) Samplefrequenzen: 44,1 kHz, 48 kHz, 88,2 kHz, 96 kHz, 176,4 kHz, 192 kHz, variabel (externe Clocks) Sample Rate Range: MADI: 32 - 96 kHz, Wordclock: 27 kHz - 200 kHz, AES: 28 kHz - 200 kHz Jitter: Typisch < 1 ns für intern, Wordclock In, AES In und MADI In Jitterunterdrückung bei externer Clock: > 30 dB (2,4 kHz) Jitter-Empfindlichkeit: alle PLLs arbeiten selbst bei 100 ns Jitter störungsfrei Stromversorgung: Internes Schaltnetzteil, 100 V - 240 V AC, 60 Watt Maße (BxHxT) 483 x 88 x 200 mm Garantie: 2 Jahre

8-kanaliges AES42-Interface mit Controller für digitale Mikrofone integrierter IE64 MADI Karte 24-bit / 192 kHz Vollständig AES42 kompatibel 8x XLR AES42 Eingänge (AES3 kompatibel) 8x symmetrische XLR Line Ausgänge 24 Bit Sample Rate Conversion pro Eingang zuschaltbar digital Phantom Power schaltbar pro Eingang unterstützt Mode 1 und Mode 2 63 dB Gain Range (pro Kanal einstellbar, selbst im asynchronen Mode 1) LED Pegelanzeige mit 13 LEDs pro Kanal M/S De-/Encoding 4x AES/EBU Out per D-Sub 8 Kanäle @ 192 kHz 2x ADAT Out (8 Kanäle, 96 kHz) Optionaler MADI I/O (I64 MADI Card) mit serieller Kaskadierung und digitalem/analogem Rückweg MIDI I/O komplett fernbedienbar Zukunftssicher Update per Flash möglich Grösse: 19" 2HE  

Linear Super Low Noise Dual Audio Power Supply with µFilter and Sensor TechnologyThe new DPS-2 is an exceptional linear power supply that boasts not only impressive technical data but also a wide range of unique and highly useful features. For instance, the compact device features two differently filtered outputs. The housing and front panel of the DPS-2 are based on the ADI-2 series, accommodating RME's innovative circuitry design on only half rack width.Two Outputs - HF- and DC-filter on mains sideThe output Linear is a traditional DC output but is equipped with multi-stage passive and active filtering including a 30,000 μF capacitor bank, a ferrite choke as well as an active output filter with a hybrid voltage regulator.The second output is based on RME's proprietary μFilter technology. Here the signal from the pre-filtered Linear output is also processed by highly efficient active filters to achieve an exceptionally clean DC output with just a few µV (micro-volts) noise. In addition the output has sensor technology, which measures and adapts the output voltage directly at the DC connector of the supplied DC cable. Two DC Sensor connection cable with lockable & non-lockable DC plug 2.1 x 5.5 mm, (1 m) are included. As a result the output impedance and load regulation are extremely low, thus ensuring a clean output voltage of +12.0 V at 2.5 A load, completely avoiding any load-dependent voltage drops. Please note: only one output is usable at a time.Hum-free Operation - Optimum Performance without interference NoiseThe additional use of both a 2-stage HF filter and DC filter on the AC mains side enables the DPS-2 to deliver optimum performance without interference noise. This is also ensured by the 60 VA audio toroidal transformer with additional isolation winding and magnetic tape shielding, guaranteeing absolutely hum- and noise-free operation in any situation.If necessary the GND lift switch can be used to disconnect DC ground from PE (protective earth) to eliminate noise caused by ground loops. In this case safety is not affected since the primary part and the housing stay firmly connected to PE of the power inlet. In addition the DPS-2 comes with a ground terminal screw connection to earth other devices or to use an earthing other than PE for the audio power supply.Status display via multicolor front LEDs - LED AutoDark modeThe DPS-2 features two status LEDs on the front to provide a quick overview of the operating modes and error conditions (power, thermal and power overload, undervoltage, short, active output). A recessed push switch on the front panel enables the unique AutoDark mode with LEDs only lit on error states and shortly during power up.Another unique feature is the 24-page manual, which shows the technical data in detail using many measured values, illustrated with measurement diagrams. It also contains background information on linear and switching power supplies.

The RME DTOX-16 I connects 16 XLR inputs with two D-Sub connectors for channels 1-8, respectively 9-16. With the DTOX series RME presents the successors of the successful BOB Breakout boxes. It includes four models that convert multi-channel audio from D-Sub to XLR and from XLR to D-Sub. With the three DTOX-16 models and the DTOX-32 console, the perfect device is available for every application.

The DETOX-16 I / O works in both directions, 8 XLR inputs and 8 XLR outputs are each connected to a D-Sub connector With the DTOX series RME presents the successors of the successful BOB Breakout boxes. It includes four models that convert multi-channel audio from D-Sub to XLR and from XLR to D-Sub. With the three DTOX-16 models and the DTOX-32 console, the perfect device is available for every application.

With the DTOX series RME presents the successors of the successful BOB Breakout boxes. It includes four models that convert multi-channel audio from D-Sub to XLR and from XLR to D-Sub. With the three DTOX-16 models and the DTOX-32 console, the perfect device is available for every application.

DTOX-32 connects two D-Sub I/O, each with 4 XLR inputs and 4 XLR outputs. As a result, the breakout console replaces the usual breakout cables from D-Sub to XLR. It offers all the advantages of a professional, stable and reliable rack-mounted system. DTOX-32 is compatible with the formats TASCAM (RME) and Yamaha. The respective pin assignment can be defined by an internal plug-in connection in the housing part with the XLR connectors. For this only a cross-slot screwdriver is required, the format can be changed without any problems by hand.

Features: 12 x Analog I/O 4 x XLR/TRS Mic/Inst/Line 2 x Phones Output 1 x AES/EBU I/O 2 x ADAT I/O 1 x Word Clock I/O 1 x MIDI I/O FireWire or USB operation Class Compliant Mode TotalMix FX ARC USB RME USB 2.0

60-Kanal 192 kHz high-end USB Audio InterfaceZum 20-jährigen Jubiläum des legendären Fireface 800 präsentiert RME eine exklusive Sonderedition: das Fireface 802 FS AE in elegantem und dunklem Design, inspiriert von der erfolgreichen ADI-2 Serie. Das Fireface 802 FS AE ist technisch identisch mit dem Fireface 802 FS und bietet die gleichen leistungsstarken Features und Funktionen wie etwa 60 Audiokanäle, High-End-Mikrofonvorverstärker, Wandler der Referenzklasse, eine komplette Effektsektion und Betrieb mit bis zu 192 kHz. Aktive SteadyClock FS Jitterunterdrückung, DC-gekoppelte Ausgänge für alle 8 analogen Line-Ausgänge, individuell schaltbare Referenzpegel für alle Ein- und Ausgänge, volle Stand-Alone-Funktionalität, DigiCheck Metering- und Analyse-Toolbox sowie identischer Betrieb auf Windows PC und Mac vervollständigt das Paket. Zum Funktionsumfang gehören auch der optionale Class Compliant Modus (volle 30 Kanal I/O mit bis zu 192 kHz) und der Betrieb mit TotalMix FX for iPad, RMEs App zur vollständigen Steuerung des Fireface 802 FS AE vom iPad aus, ganz ohne Computer. Der alternative CC-Modus kann über einen versenkten Taster direkt auf der Rückseite des Interfaces aktiviert werden. Zur Steuerung von TotalMix FX einschließlich der neuesten Room EQ-Funktion finden Anwender nun einen USB-A Port zum direkten Anschluss des optional erhältlichen ARC USB.

Das Fireface UCX II ist eine hoch integrierte Pro-Audio Lösungin einem ultra-kompakten Format für Studio- wie Live-Betrieb. Mit bis zu 20 Kanälen für die Aufnahme und 20 Kanälen für die Wiedergabe,SteadyClock FS, leistungsstarken Mikrofoneingängen, parametrischem EQ,Dynamikbearbeitung, Echo, Reverb, (DURec) Direct USB Recording, MIDI I/O,einem leistungsstarken Kopfhörerausgang und vollem Stand-Alone-Betrieb glänzt dasFireface UCX II mit dem bisher bestem Verhältnis von Größe zu Funktionen.

The USB Flagship Interface The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source. Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces. Connectivity 30 Input / 30 Output channels 12 x Analog I/O 4 x Mic/Instrument Preamp, digitally controlled 1 x AES/EBU I/O 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical) 1 x Word Clock I/O 2 x MIDI I/O 1 x USB 2.0 TotalMix FX optional: Advanced Remote Control USB Features With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller. RME’s Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance. Improved DURec (Direct USB Recording) The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives. ARC USB Remote Control - Plug’n Play Plus The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II. TotalMix FX Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. TotalMix FX for iPad™ App TotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™