Audio- und Effektplugins

The original convolution reverb Altiverb is a plug-in that makes your audio sound as if it was played back somewhere else, adding the acoustics of existing spaces to your own recordings or to your live audio. All spaces in Altiverb were recorded in the real world, from Sydney Opera House to a Scottish underground oil tank the size of a cathedral. Features Apart from the extensive library of impulse responses you get with this plug-in, Altiverb features some clever controls for shaping the sound of this convolution reverb. Decay This essential reverb parameter is very prominent in Altiverb 8. You can apply an exponential decay on any impulse response to reduce the reverb time, without changing the character of the room. Brightness Real spaces often contain less high frequency content than algorithmic (synthetic) reverbs. Sometimes you need that extra sparkling brightness in a reverb tail that is just hard to obtain from the real world. Damping Control the reverb length of three separate and adjustable frequency bands. Shortening is damping, lengthening is enhancing. You can see the effect of damping in the waterfall graph of the impulse response. Stage positions Altiverb can have mono or stereo inputs. When making impulse responses, we used either one speaker position in the center of the stage for mono input, or two speaker positions for stereo input. So there is a direct relation between the amount of inputs and the speakers used. Using the positioner tab, available only in mono and stereo input Altiverbs, you can switch on the speaker, in which case you can hear where it stands. You can also, right there, move the speaker around. Equalizer Altiverb features a four band equalizer. The bass and treble bands are Baxandall EQs, designed to not shift phase more than 180 degrees, which effectively means that combing or cancellation effects are unlikely when the EQ’d signal is mixed with the dry signal. The equalizer works on the wet signal only. Size Makes the selected room (impulse response) smaller or larger. This transposes room modes and resonances, tightens or spreads early reflections, and shortens or lengthens the reverb tail. Pre-delay Delays the onset of the reverb. If the note symbol is clicked, the timing of the delay is locked to the tempo of the host application so you can select an eighth-note as the delay time. Attack Fades-in the start of the impulse response, resulting in a more lush, distant reverb sound. Reverse The entire impulse response is reversed in time for backward reverb effects. Modulation This effect does not emulate anything that happens in reality, it emulates something that happens in artificial reverb algorithms. Gated Reverb Allows you to abruptly cut-off a reverb after a set amount of time. The gate time can also be locked to the tempo of the host application. Snapshots Snapshots are presets that are private to an instance of Altiverb. WHAT IS NEW IN ALTIVERB 8 Native Apple silicon M1 / M2 & Intel macs are fully supported. New scalable user interface (except AU version) Cloud size Automatic input-pan following reverb, locate each reverb around the panning of the source, even when multiple sources move in a single instance. Smooth and clickless IR switches, reverb adjustments and stage position changes all practically seemless without any clicks. Improved IR searching The newly designed browser offers more and quicker ways to find the right IR. New IR Tool This tool enables you to create your own IRs, with output support up to 9.1.6 channels. Computer activation The Altiverb license can be activated on a computer or on a USB iLok key. The iLok USB key is NO LONGER required. VST3 Plug-In To ensure compatibility with worldclass VST host applications (DAWs) like Ableton Live, Cubase, Nuendo and Digital Performer Altiverb 8 features a VST3 plug-in. Center Almost all IRs have been supplied with a real center channel for LCR or 5.0 7.0 without center bleed. New Spaces many new spaces are included with Altiverb 8, like the Zuidervermaning from the intro video, a dance club, some industrial spaces, a Tesla, camper vans , atmos plates and springs reverbs, and a selection of buckets and bins including a porta toilet. All including atmos. improved loading speed. Your sessions with many Altiverbs will load quicker than ever. WHAT IS NOT NEW IN 8 Wait? What?This is what Altiverb 8 continues to deliver, just like Altiverb 7 (and earlier) has been delivering for two decades: Backward compatibility, Altiverb 8 opens in sessions/projects that were made with Altiverb since 2006 and the session/project will sound the same. All IRs ever released for Altiverb. New IRs will be added regularly, for free. Fixes and support without yearly fees. The option to sell and transfer your license. Countless ways of manipulating the reverb sound with controls like reverb time, attack, brightness, pre delay, EQ, damping.. Revolutionary stage positioning control for placing single members of a group, ensemble or even a complete orchestra on their own individual spot on stage, in any room/concert hall

The original convolution reverb Altiverb is a plug-in that makes your audio sound as if it was played back somewhere else, adding the acoustics of existing spaces to your own recordings or to your live audio. All spaces in Altiverb were recorded in the real world, from Sydney Opera House to a Scottish underground oil tank the size of a cathedral. Features Apart from the extensive library of impulse responses you get with this plug-in, Altiverb features some clever controls for shaping the sound of this convolution reverb. Decay This essential reverb parameter is very prominent in Altiverb 8. You can apply an exponential decay on any impulse response to reduce the reverb time, without changing the character of the room. Brightness Real spaces often contain less high frequency content than algorithmic (synthetic) reverbs. Sometimes you need that extra sparkling brightness in a reverb tail that is just hard to obtain from the real world. Damping Control the reverb length of three separate and adjustable frequency bands. Shortening is damping, lengthening is enhancing. You can see the effect of damping in the waterfall graph of the impulse response. Stage positions Altiverb can have mono or stereo inputs. When making impulse responses, we used either one speaker position in the center of the stage for mono input, or two speaker positions for stereo input. So there is a direct relation between the amount of inputs and the speakers used. Using the positioner tab, available only in mono and stereo input Altiverbs, you can switch on the speaker, in which case you can hear where it stands. You can also, right there, move the speaker around. Equalizer Altiverb features a four band equalizer. The bass and treble bands are Baxandall EQs, designed to not shift phase more than 180 degrees, which effectively means that combing or cancellation effects are unlikely when the EQ’d signal is mixed with the dry signal. The equalizer works on the wet signal only. Size Makes the selected room (impulse response) smaller or larger. This transposes room modes and resonances, tightens or spreads early reflections, and shortens or lengthens the reverb tail. Pre-delay Delays the onset of the reverb. If the note symbol is clicked, the timing of the delay is locked to the tempo of the host application so you can select an eighth-note as the delay time. Cloud Size and Pan Tracking Reverb - from LCR up to 9.1.6 input Altiverbs Altiverb XL supports more than two inputs. With more then two inputs there is no longer a direct relation between an input and a speaker that was used when making the impulse response. Therefore the Positioner tab is unavailable. Instead there is a new control: cloud size. With cloud size turned down, the reverb no longer outputs to all output channels, it starts clustering around the input pan position of your sounds. Even when the input sound moves, the reverb cloud travels along with it. Attack Fades-in the start of the impulse response, resulting in a more lush, distant reverb sound. Reverse The entire impulse response is reversed in time for backward reverb effects. Modulation This effect does not emulate anything that happens in reality, it emulates something that happens in artificial reverb algorithms. Gated Reverb Allows you to abruptly cut-off a reverb after a set amount of time. The gate time can also be locked to the tempo of the host application. Mixer Everything is recorded with enough microphones to provide Atmos reverb (up to nine eye level speakers plus six over head channels). There's a new output meter and a mixer that provides full control of all outputs. Snapshots Snapshots are presets that are private to an instance of Altiverb. WHAT IS NEW IN ALTIVERB 8 Native Apple silicon M1 / M2 & Intel macs are fully supported. Dolby Atmos support Up to 9.1.6 input and output channels for fully immersive convolution reverb.  New scalable user interface (except AU version) Cloud size Automatic input-pan following reverb, locate each reverb around the panning of the source, even when multiple sources move in a single instance. Smooth and clickless IR switches, reverb adjustments and stage position changes all practically seemless without any clicks. New output level meters These allow manipulation of level and delay per output channel. Pure Dolby Atmos IRs Almost all of the hundreds of the music spaces (concert halls, churches, cathedrals, studios, scoring stages) have been upgraded to Dolby Atmos by utilizing the original extra recordings we have been routinely making throughout the years.All outputs of Altiverb are always real and distinct original speaker to microphone takes. Mono pan following Across surround busses up to Dolby Atmos (9.1.6), making multi-mono instances unnecessary, reducing session load time considerably. Improved IR searching The newly designed browser offers more and quicker ways to find the right IR. New IR Tool This tool enables you to create your own IRs, with output support up to 9.1.6 channels. Computer activation The Altiverb license can be activated on a computer or on a USB iLok key. The iLok USB key is NO LONGER required. VST3 Plug-In To ensure compatibility with worldclass VST host applications (DAWs) like Ableton Live, Cubase, Nuendo and Digital Performer Altiverb 8 features a VST3 plug-in. Center Almost all IRs have been supplied with a real center channel for LCR or 5.0 7.0 without center bleed. New Spaces many new spaces are included with Altiverb 8, like the Zuidervermaning from the intro video, a dance club, some industrial spaces, a Tesla, camper vans , atmos plates and springs reverbs, and a selection of buckets and bins including a porta toilet. All including atmos. improved loading speed. Your sessions with many Altiverbs will load quicker than ever. WHAT IS NOT NEW IN 8 Wait? What?This is what Altiverb 8 continues to deliver, just like Altiverb 7 (and earlier) has been delivering for two decades: Backward compatibility, Altiverb 8 opens in sessions/projects that were made with Altiverb since 2006 and the session/project will sound the same. All IRs ever released for Altiverb. New IRs will be added regularly, for free. Fixes and support without yearly fees. The option to sell and transfer your license. Countless ways of manipulating the reverb sound with controls like reverb time, attack, brightness, pre delay, EQ, damping.. Revolutionary stage positioning control for placing single members of a group, ensemble or even a complete orchestra on their own individual spot on stage, in any room/concert hall

Acoustics for POST Indoor is Audio Ease's flagship convolution reverb for Audio Post. Indoor features unprecedented sound quality, flexibility and ease of operation, AAX DSP support, click-free automation, zipper-free motion and up to nine channels of reverb, in a single resizable window without tabs. Indoor can take your studio recordings from understated to overdone, always remaining stunningly real. So that hearing is believing. Features Location location Every room, hallway and kitchen from 10 houses and vehicles, 60 spaces sampled from every angle. Click to drop speaker and microphone in any room, or to open and close doors. Indoor any room to any room Any room to any room Not only the 60 rooms have been sampled but also any-room-TO-any-room is available. Over 1000 impulse responses, everything recorded in 9 channels with a consistency and quality never before presented. Indoor turning motion Turning motion The microphone system can turn, creating seamless, zipper-free and automatable motion in any surround track up to 7.0 plus Dolby Atmos, fully supporting new immersive audio requirements. Panning motion Or insert a 7.0 to 7.0 Indoor in a bus and pan sounds into it. Use the Spread knob to tighten the reverb around each incoming source, dynamically following its panning. That’s Input Pan Following Reverb and its zipper-free. Zipper- and click-free Inside is a completely new convolution engine focused on impulse response changes that are click-free, zipper-free and instant, and they cause no CPU spikes. Pre-roll for IR switches is no longer necessary and neither are multiple instances to cover up switches. AAX DSP version Use the AAX DSP version of Indoor to drop the CPU Load and reduce latency to a millisecond and a half. You can load 3 mono to stereo Indoors on a single chip. No Indoor uses more than 1 chip. AAX DSP is available up to 48 kHz and for up to 1-in 7-out, or up to 5-in 5-out. 9 channel AB or MS Easily switch between the two main surround microphone systems: Baffled Omni-directionals (AB) or Mid Side (MS), or combine them to create 7.0 DTS. Add two ceiling channels (for Dolby Atmos®) to get to a total of 9 channels of real decorrelated reverb channels. Ease and speed There are no tabs or browser windows. The window can be resized and presets are there for super quick operation. CPU load is lower than you’d expect, and because of the zipper- and click-free instant switches you will use less instances than you are used to. Quality & consistency Indoor more than doubles the domestic and vehicle categories of impulse responses available so far. Everything recorded with the same top quality system, so mixing and switching acoustics is more trouble-free than ever.

HighEnd Speakersimulator absolut autentisch klingende Lautsprecher incl. ihrer natürlichen Umgebungsgeräusche (!) 270 Speaker Impulse Responses (powered by Altiverb) wie z.B.: Telefone, Handys, Megaphone, Walkie-Talkies, alte Radios, Grammophone echtes Highlight: höchstwertig klingende Gitarrenamps und Cabinets zusätzlich 5GB Samples von Umgebundgsgeräuschen (wie z.B. Bahnhofsumgebung, Züge, vorbeifahrende Autos, Restaurantatmos, Telefongeräusche etc.) zusätzlich zahlreiche Effekte: Altiverb Reverb Engine mit 30 Räumen, Distortion, EQ, Gate, Compressor, Modulation, Delay, Tuning, Bitcrusher, vorkonfiguriert in 500 Presets als VST/AU/MAS/RTAS WIN und Mac OSXFür weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Peacock can be used on a stereo bus to create the classic vinyl sound.  On individual tracks it is also very useful in creating large fat sounds, smoothing of the harmonic content and making a nice smooth vintage sound on vocals and other instruments. There are three main controls; Harmonic, Dynamic and Color.  The Harmonic and Dynamic controls interact and control the level of the harmonic distortion.  The Color switch changes the character / interaction of the controls and sets the maximum amount of midrange / LF color and the HF compression characteristic.  The Dynamic control is the tricky one, what is does is time modulate the distortion components which are very frequency dependent due to the RIAA curve.  There are two main components that cause time modulation in a vinyl record.  The first is due to the cutter and the playback stylus not having the same shape, this is called tracing distortion the other is tracking distortion due to the playback systems miss-alignment and the inability to perfectly follow the grove in the record.The Dither control adds noise that is the spectrum of record noise.  It modulates some of the internal functions an adds dither to the audio path at a level for 16 bit ditheringColor = Gold is an extremely close match to the test material which is a record and the original wave file.  It has been optimized at 96K but will work fine at other sample rates.The Silver setting is lighter setting and coloring increases in the order of the settings; Silver, Gold, Rich, Fat, Deep.   Silver is also the brightest setting. The amount of time modulation with the Dynamic control is level dependent and has a maximum range.  It is more of a matter of finding the control position that is optimum.   Pushing it to higher levels creates ugly sounds.  The code prevents this. The plug-in can introduce large amounts of second harmonic distortion resulting in a large fat smooth sound.

Eventide Audio has pioneered audio hardware and software, developing legendary sound processing tools while constantly innovating and pushing the boundaries of technology. With the introduction of the new Anthology XII plug-in bundle, Eventide draws on that rich legacy of award-winning and groundbreaking effects to combine 33 essential music production mainstays in one package for DAW users, inspiring creativity and providing problem-solving solutions to ubiquitous sound production problems.The 33 included plug-ins make common tasks more streamlined while stimulating your inspiration. The bundle features groundbreaking Structural Effects like SplitEQ and Physion, the otherworldly sounds of Blackhole and Undulator, authentic emulations of Eventide studio mainstays such as the iconic H910, H949 and H3000 Harmonizers, Instant Phaser, Instant Flanger, Omnipressor® and the legendary reverbs of the SP2016. Also included are other one-of-a-kind tools like Tony Visconti's Tverb and Octavox.  Anthology XII adds 10 plugins to the previous Anthology bundle with 3 new reverbs, 3 new mod effects, 2 pitch effects, a cool distortion effect, and a next-generation EQ:  SplitEQ — Groundbreaking EQ with transient/tonal splitting technology SP2016 Reverb —The legendary Room, Stereo Room, and Hi-Density Plate from the rackmount SP2016 Spring — The dreamy flutters of the classic spring reverb ShimmerVerb — Massive ethereal reverb with parallel pitch shifters TriceraChorus — Syrupy smooth Tri-Stereo chorus with MicroPitch & Psychedelic Swirl CrushStation® —Distortion/Overdrive Command Central Rotary Mod — Whirly Leslie Cab Modulation Undulator —Magical H3000 Modulated Tremolo MicroPitch —Iconic H3000 Dual Voice Pitch Shift + Delay Crystals —Signature reverse pitch shift/delay effect Features  33 Plug-in flagship collection delivers 50 years of Eventide effects to your DAW 4,500+ presets across all plugins, including artist presets Modernize your workflow using SplitEQ, a groundbreaking EQ with Transient/ Tonal splitting technology Authentic emulations of classic Eventide Harmonizers®, modulation effects, and more Lush spaces from the iconic Blackhole® and SP2016 Reverb among other dreamy and musical reverbs Thicken and layer sounds with signature pitch effects like Crystals, MicroPitch, and Octavox Create depth with unique delay multi-effects like UltraTap, Undulator, and H3000 Band Delays Sweeten tracks with the smooth sounds of TriceraChorus, Instant Phaser MkII, and Instant Flanger MkII Inject heft and grit with distortion multi-effects CrushStation® and MangledVerb Design sweepable transition effects with the H9 series plug-ins RIBBON slider Plenty of ways to morph, mangle, pitch-shift, reshape, and define your sound A comprehensive and creative toolkit for producers, mixers, and artists alike The Anthology XII bundle spans five decades of Eventide innovation, from their latest, the revolutionary Structural Effects plug-ins, SplitEQ and Physion, which can modernize workflows through the application of transient/tonal splitting technology to authentic emulations of Eventide processing mainstays such as the iconic H910, H949 and H3000 Harmonizer®, Instant Phaser, Instant Flanger, Omnipressor®¬¬ and the legendary reverbs of the SP2016.  Also included are other one-of-a-kind tools like Tony Visconti's Tverb, the powerful CrushStation® overdrive/distortion command center, and the unique Octavox eight-voice diatonic pitch shift Harmonizer and the radical sound manipulation of Blackhole® and Undulator.The meticulously curated flagship Anthology XII invites the exploration of sonic spaces “from rooms to eternity” with the inclusion of seven distinct and versatile reverbs.  Sounds can be thickened and layered with signature pitch effects like Crystals and MicroPitch, whil¬e singular delay multi-effects like UltraTap and Undulator provide creative depth control. Smooth track sweetening is offered through TriceraChorus and Quadravox, while the distortion multi-effects CrushStation and MangledVerb promise sonic “heft and grit.”

Blackhole is a massive reverberator that has evolved over the years by pulling in mass quantities of time and energy (of the development persuasion, of course). In its earliest incarnation – first in the DSP4000 and later in the H8000 flagship processors - it was regarded, by some, as a secret weapon. Recently it was tuned, expanded and enhanced and then unleashed in the Eventide Space stompbox. Now, it's available as a Native plug-in. Blackhole may not be your first choice to simulate an enclosure on the surface of the earth but, if you’re at all interested in ‘sculpting sound', Blackhole just might pull you in. From our vantage point, its possibilities appear to be endless but, of course, we can’t see beyond its event horizon.

Designed from the ground up for immersive, Dolby Atmos, and surround workflows, Blackhole Immersive expands the signature sound of Eventide’s stereo version across your entire immersive mix. Used as a send or insert, Blackhole Immersive remains respectful yet reactive to your carefully chosen track positioning. From delicate ambience to massive decays, you create and shape the listener's immersed experience – what, when, and where they feel it. Warning: taking the controls of this cosmic beast of a reverb is just plain fun. The vast range of the original fit perfectly in your mix, but now it's everywhere!  Workflow Evolved  The clean and intuitive interface seamlessly fits into your projects - whether it be mixing music, post-production for film, or sound design for games. This enhanced workflow gives you full control over the reverb across channels, for an evolving immersive experience - from subtle to radical.  Workflow Examples  Tilt the Gravity, Size, and Feedback parameters to quickly and easily tailor the immersive experience EQ the Front, Top, and Rear speakers separately to sculpt the reverb around the listener Use Crossfeed to blend the reverb between speakers - make a mono source truly immersive in one simple gesture Morph between two distinct settings smoothly and seamlessly - great for sound design The Universe is Expanding  An immersive ecosystem awaits you, your creations, and your clients, and Blackhole Immersive gets you in. The list of platforms supporting immersive is substantial, and growing: Music: Amazon Music Unlimited, Apple Music, and Tidal. Film and Television: Amazon Prime, AppleTV+, Disney+, Kaleidescape, Max, Netflix, and Vudu. Games: Xbox X|S. PS5 Feature List  Powerful and flexible reverberation algorithm - create spaces from subtle ambience all the way up to supernatural decays and drones Supports LCR, Quadraphonic, 5.0 - 5.1.4, and 7.0 - 7.1.4 channel layouts Easy-to-use UI optimized for immersive workflows - same core controls for all channel layouts, with no menu diving required Transparent signal processing - effect always sounds the same across all immersive formats, and always maintains incoming spatial image integrity Quickly set individual speaker levels using the integrated Levels section Kill Dry, Kill Wet, and Freeze controls are great for creating drastic effects Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant Resizable GUI with Undo/Redo and A/B comparison Comprehensive Presets Library includes over 150 presets

Eventide Clockworks BundleRewind TimeIn 1971, in a New York City basement, Eventide Clockworks revolutionized the audio industry by creating the world’s first studio effects processor--the Instant Phaser and pro audio's first digital device, the Digital Delay Line. Over the course of the following decade, Eventide would release the world's first Harmonizer®, the H910, along with the other industry firsts: Omnipressor®, Instant Flanger, H949, and SP2016. Now, producers and engineers can evoke the classic effects heard on countless records from the last 50 years with the Clockworks Bundle. Painstakingly modeling every aspect of these hardware units was neither quick nor easy but now the must-have sonic beauty of these classic boxes is available for use with your favorite D.A.W. live or in the studio.8 Iconic Plug-insThe Instant Phaser was the world's first studio phaser and the first rack mount effects unit, period. Originally intended to make the painstaking task of tape flanging quick and easy, engineers and producers would use it for smooth, transparent modulation and pleasing stereo decorrelation. It used analog all pass filters to mimic the effect achieved by time delay resulting in a modulation effect all its own. Experience all of its analog charm with the Instant Phaser Mk II plugin and add “Age” to taste.The Omnipressor, released in 1974, set the stage as the first dynamics effects processor, introducing the concepts of infinite compression, dynamic reversal, and side-chaining. The flexible nature makes the Omnipressor plugin a must-have, with options to control all aspects of dynamic modification.The H910 Harmonizer was the world's first digital effects unit. With its unique combinations of pitch shifting, feedback, modulation and delay, it was a huge hit across studios worldwide. Thickening snares, guitars and vocals are H910’s bread and butter, but robot sounds and gritty octaves are just as easily dialed in. Bundle includes H910 Dual.The Instant Flanger utilized newfangled bucket brigade ICs for swept delay resulting in a 'true', time-based, emulation of tape flanging. Whereas the Instant Phaser offered several methods of controlling modulation, the Instant Flanger allowed engineers to combine these controls. The result, more control layers and less predictable sweeps. Explore vintage modulation sweetness with the Instant Flanger Mk II.In 1977, Eventide released the H949, standing on the shoulders of the H910 as the second in Eventide's family of Harmonizers. It introduced a formal micro pitch-shifting mode, which is a great sound for lead guitar virtuosos. It also had the first Reverse delays and introduced a Random pitch mode, which works great as an automatic double-track for guitars and vocals. And, the H949 conquered the 'glitch' by using advanced autocorrelation techniques. Bundle includes H949 Dual.In 1981, the SP2016 was released and was the world's first programmable effects processor featuring ROM chips that “plugged in” under the hood making it possible to add new effects in the field. While it was not a Clockworks effects unit, the SP2016 earned its spot on this roster as it marks the opening chapter of modern Eventide effects processors, with the H9000 its current incarnation. The SP2016 Reverb plug-in includes modern and vintage versions of its signature Stereo Room, Room, and Hi-Density Plate.

Imagine if you could take any sound, separate it by frequency bands, change the filter type, and then individually process those bands with delays. The H3000 Band Delays plug-in is dereived from the H3000 Harmonizer® studio processor. This unique plug-in is capable of everything from standard delays and filtering, to stereo-widening and killer rhythmic effects. Just feed it any instrument or vocal and instantly manipulate up to 8 voices by frequency, resonance, filter type, delay time, volume and panning. Then easily build complex movement using the H3000 Function Generator. With the H3000 Band Delays you can play an effect like an instrument. Every parameter can be automated or manipulated in real time via MIDI. Play filter with a keyboard controller to get not only rhythmic, but also musical results.Features  8 voices, each of which can be altered by frequency, resonance, filter type, delay time, volume and panning. Filters assignable as band pass, low pass, high pass, all pass, or notch filter Assign the H3000 Function Generator to several parameters to create movement and bring life to drums and stringed instruments. Beat grid gives visual representation for creating unique rhythms from your sound. Route a MIDI keyboard to the plugin to play the filters as musical notes. Includes presets from original H3000 hardware in addition to many new inspiring choices. MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots

The H3000 Factory combines the pitch, delay, modulation, and filtering that made the original H3000 Ultra-Harmonizer a studio legend.Features  Over 450 presets including over 100 new artist presets and over 100 original presets from the H3000. Available effects blocks include delays, amplitude modulators, envelope followers, pitch shifters, filters, and low frequency oscillators. The Function Generator features nineteen waveshapes, a white noise generator, MIDI control, and a sidechain input. All delays and LFOs can be locked to system tempo. Each delay can be looped and offers a low pass filter. The filters are selectable band pass, high pass, and low pass with variable Q, and can be swept and modulated without audible artifacts.

Introducing the H9 Plug-in Series Bundle, an iconic collection of powerful effects from the H9 Harmonizer®. Built for the modern producer, the H9 Plug-in Series Bundle has everything you need to reverberate, modulate, delay, crush, pitch shift and saturate your audio. Valued at over $1100 if purchased separately, this collection has some of the most sought-after Eventide effects. It's a must-have toolkit for all producers, engineers, sound designers and musicians who want to add expressive effects to their sound.All H9 Plug-in Series feature the groundbreaking RIBBON control, which lets you morph the effect between two different settings. This makes automation for sweeps, transitions, and effect throws much more gratifying and simplified. Use a MIDI keyboard and gain control of the Ribbon via the mod wheel for a tactile advantage. Additionally, many of the H9 Series plugins offer unique performance buttons, so be on the lookout for "Freeze", "Flex", "Swirl", and the "Hot Switch."

The H910 Harmonizer was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it. A powerful creative tool, the H910 plug-in is a faithful recreation of the original hardware. Use the H910's pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback. Two is Better than One. When you purchase the H910 Harmonizer plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects.Features  NEW Keyboard and MIDI mapping - The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time. NEW Envelope Follower -Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy. NEW OUT2 Delay Group - adds inspiring attributes to your sound. True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910's juicyness and grit. Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback. Anti-Feedback modulates the pitch around unity for a subtle or wild effect. Optional "glitching" of original H910 hardware to create unpredictable sounds as it alters pitch. Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments. Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos. Create colorful, unique sound effects and drones through self-oscillation. Individually control delay outputs and dry/wet mix. Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant. BONUS: H910 Dual  H910 Dual recreates two H910 units running in parallel to create doubling effects and other unique sounds. H910 Dual easily fattens and thickens instruments when assigning opposite pitch ratios. H910 Dual Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.

Building on the legacy of the H910 Harmonizer, the H949 was Eventide’s first de-glitched pitch shifter. Produced from 1979–1984, it introduced MicroPitch which used a proprietary single sideband modulation technique for precise control of small pitch shifts. The H949 also offered unique flange, reverse, and randomized pitch effects.Popularized by Jimmy Page (as the only piece of digital gear to grace his rig) and cherished by Suzanne Ciani, the H949’s full feature set is recreated in this plug-in. From basic engineering and sound sculpting tasks to demonic space robot creations, the H949 is built to inspire.Features Multi-effects Harmonizer with de-glitching Randomized and reversed delays MicroPitch for small pitch intervals Reverse pitch shift Combination digital delay, pitch changer, and all-around special effects unit Includes H949 Dual for stereo widening, doubling, and reverse link pitch alteration Multiple Uses Create perfect harmonies, custom musical intervals, or outlandish effects. Fatten snares, de-tune synths, spread guitars, and create lush vocals that glue your mix. Spice up your guitar solos with delayed reverse sweeps, morph a solo vocalist into a group of backup singers or send synths down flanged-out dub-holes to another sonic dimension. De-glitched Pitch Change The H949 algorithm uses a proprietary auto-correlation algorithm to make intelligent splicing decisions. The user can “dumb down” the algorithm by choosing a simple cross-fade algorithm which results in characteristic glitching. Twist the Knobs “Old-school” UI — just twist some knobs to dial in the sound you’re going for. Double Down This native plug-in version also includes the H949 Dual, which recreates the popular technique of running two units in parallel. Lush doubling, stereo widening, and simultaneous shifting of pitch up and down.

    Depth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal     Three distinct flavors of flanging. Set the Mode switch for Shallow, Deep or Wide     Manual control allows you to control the ‘comb’ effect by turning the Big Knob     Oscillator drives the flanging at a user defined rate     Envelope Follower drives the flanging based on the signal’s amplitude     Remote maps the flanging control to a mod wheel for tactile manipulation     Bounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer's thumb was lifted from the tape reel flange     “Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling     Exercise total control of the Oscillator with Sync and Retrig     Tame the intensity by removing low frequencies from the flanged signal with the Low Cut control

Released in 1971, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades. Modeled on the original hardware unit, the Instant Phaser Mk II plug-in accomplishes the same legendary sound with all the analog personality, smooth modulations, and inherent musicality. The capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plugin arsenal.Features  Add Age for component drift with time Offers three different flavors of phasing with the Mode switch: Shallow, Deep, and Wide Utilize one of four distinct methods to control the phasing Depth allows you to combine the phased signal with the dry signal Added Side Chain function allows you to trigger the Envelope Follower from a separate source in the mix for inter-track mingling Exercise total control of the Oscillator with Sync and Retrig controls Use Feedback control for a more pronounced sound Includes standard gain input and output

Immersed in Space Eventide’s designed MicroPitch Immersive from the ground up for immersive, Dolby Atmos, and surround workflows. With up to 12 channels of spatialized, detuned delays, plus modulation, EQ, and crossfeed controls, MicroPitch Immersive excels in creating an immersive space with boundaries that reflect, move, diffuse, and dissolve. Whether it be adding a touch of space or creating delayed, pitch diving chaos, MicroPitch Immersive will help you architect both real and unreal immersive realities. Immersed in History Eventide's MicroPitch effect has long been crucial to packing a huge, detailed stereo production into just two speakers. The panned pitch and delay effect is essential for creating beautiful and wide stereo productions, often better than the real thing. Starting out in the Eventide H910 in the mid-1970s, the MicroPitch effect has continuously evolved and advanced throughout the years, with notable appearances in the legendary H3000 and continuing to this day in the flagship H9000 and popular MicroPitch plugin. Now Eventide engineers have pushed the proven power of strategically decorrelated sound into 3 dimensions, taking your immersive mixes to a place never before possible. MicroPitch, MetaParameters, MegaControl The clean and intuitive interface seamlessly fits into your projects - whether it be mixing music, postproduction for film, or sound design for games. This enhanced workflow empowers you to spread, tilt, and dynamically morph MicroPitch across the width, depth, and height of your immersive mix. Workflow Examples Tilt the Left/Right, Front/Back, and Top/Main Detune parameters for quick and easy asymmetrical detuning and space fine tunin EQ the Front, Top, and Rear speakers separately to sculpt the effect around the listener Morph between two distinct settings smoothly and seamlessly - great for sound design The Universe is Expanding An immersive ecosystem awaits you, your creations, and your clients, and MicroPitch Immersive gets you in. The list of platforms supporting immersive is substantial, and growing: Music: Amazon Music Unlimited, Apple Music, and Tidal. Film and Television: Amazon Prime, AppleTV+, Disney+, Kaleidescape, Max, Netflix, and Vudu. Games: Xbox X|S. PS5 Feature List Powerful and flexible detuning - widen sources in 3D space, or add Feedback and turn up Crossfeed for verb-like sheen Enhanced delay and modulation capability - create slapbacks, add movement with pitch modulation, or create exciting motion with patterned Loop Delay Supports LCR, Quadraphonic, 5.0 - 5.1.4, and 7.0 - 7.1.4 channel layouts Easy-to-use UI optimized for immersive workflows - same controls for all channel layouts, with no menu diving required Transparent signal processing - effect always sounds the same across all immersive formats, and always maintains incoming spatial image integrity Quickly set individual speaker levels using the integrated Levels section Kill Dry, Kill Wet, and Freeze controls are great for creating drastic effects Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant Resizable GUI with Undo/Redo and A/B comparison Comprehensive Presets Library includes over N presets

Level up your composition skills with Octavox's unique time-based diatonic harmonizer technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from our flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity. Octavox controls have been designed in the most intuitive way, allowing you to quickly adjust parameters or type in values. Each of the eight voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays. Octavox has also been updated with expanded MIDI functionality. Each voice interval can be set via MIDI note, voice shift amount by MIDI Pitch Bend, and “Randomize” by MIDI Modulation Wheel.Features  Is it Live? Octavox has always allowed you set harmony intervals and reproduce voices in the key and scale you're singing in. Now new MIDI functionality allows you to change these intervals on the fly allowing you to add moving harmonies to your performance or recording. 8 Voices: 8-voice diatonic pitch shifter based on technology from Eventide’s flagship H8000 effects processor with panning, delay, detune, and feedback to create beautiful harmonies and sequences. Randomize function randomizes an amount of micro pitch shift resulting in simulation of natural character for each of the 8 voices. 70+ Presets: Whether you are an electronic musician, singer / songwriter, or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity with unheard melodies and rhythms. Great on monophonic synths, guitar, and vocals. Diatonic Pitch Shifter: New pitch-tracking "off" mode allows it to shine on polyphonic and rhythmic sounds. MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots. Key Lock does the same for the Key and Scale. Select Key and Scale: Unique Notation Grid presents pitches on a traditional music staff with a quantized grid for placing notes over time allowing for a more musical programming experience. Color and brightness indicate pan and level for each voice.

Introduced in 1971, the Omnipressor rack unit was widely used on hit records throughout the last four decades. One of our first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.Features  Dynamics processing for creating otherwordly sounds Gating, expansion, compression, limiting, and Dynamic Reversal Intuitive interface makes it simple to operate with the use of a Function dial

Physion Mk II is a powerful, modern approach to multi-effects delivering a new dimension of sounds. It combines Eventides best-in-class Transient/Tonal separation with world-class Eventide effects, opening the door to practical mixing solutions and creative applications. Featuring the improved Structural Split™ detection from SplitEQ and a streamlined workflow designed with producers, mixers, and sound designers in mind, Physion Mk II allows you to discover new sonic horizons and smarter solutions in no time.   NEW Polyphonic pitch shifting algorithm based on Eventide’s new SIFT technology NEW Reverse Delays with gating, ping-pong, and crystals modes NEW Side Chain input for dynamics processors NEW State-of-the-art Filters, taken directly from SplitEQ NEW Resizable GUI with scrolling waveform display and easy-to-use layout – no menu diving required! World-class, Hand-tuned Evlangen entide effects for the Transient & Tonal streams Process Transient and Tonal Effects separately using Eventide’s Improved Structural Split™ technology  The original version of Physion will be discontinued on this date. Any customers who are Anthology XII users will automatically be able to download Physion Mk II for free.

The SP2016 Plugin is based on the first programmable studio rack processor. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual EPROM chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski. The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.Features  Room - Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes. Stereo Room - Recreates the ambience of a large concert hall, with very clear, natural reverberation. It's characteristically natural, and shines on instruments where a natural sound is desire — like vocals, drums, acoustic guitar, strings, and horns Hi-Density Plate - Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. This reverb allows you to make vocals, guitars and percussive instruments appear much bigger and brighter than they actually are. Control the structure of the reverb by fine-tuning the controls - including PreDelay, Decay, Position and Diffusion. The EQ section allows for simple high and low filtering of the reverb with adjustable filter ranges. The low filter can be used to cut OR boost at the specified frequency. Boasts a variety of artist presets including some by Dave Pensado, Richard Devine, Joe Chiccarelli, Sasha, George Massenberg, The Butcher Bros., Buda and Grandz, and more.

SplitEQ™ is a powerful EQ that offers a fundamentally new approach to corrective and creative audio equalization. It excels at Repairing, Rebalancing, Enhancing, and Widening any musical source or audio signal. What’s new and different is Eventide’s powerful Structural Split engine which divides the incoming audio into separate Transient and Tonal streams that feed the 8 bands. This approach makes common EQ problems easy to solve - even in a complex mix: Want to soften the transients? Use the master Transient Gain slider. Remove plosives or de-ess? EQ only the Transient. Reduce snare ring? Put a filter on the Tonal mids. This and more features define SplitEQ both as surgical tool for fixing particularly nasty problems and as a creative tool as it opens up exciting new musical possibilities.Features  Premium 8-band parametric EQ with pristine musical filters EQ Transient and Tonal parts of a sound separately using Eventide’s patented Structural Split™ technology Control Transient and Tonal Output levels Enhance the stereo-field with continuous Transient and Tonal panning controls (L/R and Mid/Side modes) Control the underlying Split technology for fine tuning and experimentation Globally scale the EQ curves together or independently Peak, Notch, Bandpass, High Shelf, Low Shelf, Tilt Shelf, High Pass, and Low Pass filter types with slopes from 6 to 96 dB/octave Innovative real-time spectrum analyzer displays the Transient and Tonal streams independently Comprehensive Presets Library includes 150+ presets A/B buttons allow quick auditioning of two presets or settings plus Undo/ Redo functionality Resizable GUI with zoom options

Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie’s twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowie’s voice by inventing a stunning recording technique. This technique is the foundation of Tverb. Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti’s iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.Features  2 Moveable microphones to adjust reverb size and tone Adjustable polar patterns for microphone 1 to adjust the amount of ambient room tone Custom Eventide reverb algorithm with EQ, diffusion, and decay control Compressor module on microphone 1, just as Visconti had in the original session 2 Linkable post-reverb gate modules with control of when the gates close, the speed at which they close and the length of time they are forced to stay open Console (inspired by the one used in the session and with Visconti’s "grease pencil" labelling) provides post-reverb channel processing for each individual mic and the master Room mixer module alters the sound of the room itself with control over decay, diffusion and frequency attenuation Signal inversion buttons to remove (or create) phase cancellation Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant Complete automation support

Transform Your Mixes with Three Essential Production ToolsDesigned as the ultimate toolset for producers, engineers and sound designers, the Ultra Essentials Bundle features three of our most powerful plugins: UltraChannel, UltraReverb and UltraTap. Whether you are mixing or tracking a record, live sound or post production, our Ultra Essentials will not only make everyday tasks easier but fire your imagination. The bundle comes with more than 600 presets across the three plug-ins, many designed by Eventide artists including Andrew Scheps, Chris Carter, Richard Devine, Sasha, ROCASound, Brian Montgomery, Matt Lange and many more. Valued at over $500 if purchased separately, bundles are the most affordable way to own Eventide's award-winning tools.FeaturesUltraChannel - The Ultimate Channel Strip  Feature-rich plug-in that includes a parametric EQ, compressor, gate, soft saturation, transformer emulation, micro pitch shift, and stereo delays. Exclusive O-pressor for creating dynamic effects. FlexiPath™ routing makes it possible to rearrange the order of the processing elements for any desired workflow. Comes with over 200 presets tailored for a wide variety of applications. UltraReverb - The Ultimate Reverb Toolbox  Nine H8000 hardware-derived, reverb algorithms Realistic simulations of halls, chambers, rooms, plates and ambience or, taken to the extreme, other-worldly environments The toolbox includes 4 parametric EQs, compression and delay which can be routed pre or post reverb. Packed with more than 300 presets it is arguably the most comprehensive reverb plug-in available. UltraTap - The Ultimate Multi-Tap Effect  Create rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation. The perfect tool for creating drum fills, vocal choruses, swelling guitar chords, and other evolving effects. “Spread” control speeds up or slows down the rhythmic space between taps Innovative "Slurm" control smears taps together or modulates them to create truly unique reverbs. Comes with 150+ presets, many optimized for live performance using the innovative Ribbon control.